Effects of Auditory Context Cues and Training on Performance of a Point Estimation Sonification Task

SUMMARY Research on auditory graph interpretation has investigated mappings, scalings, and polarities, as well as the addition of some contextual design features like clicks. However, little has been done to quantify the benefits of those or other design features, or to investigate training in specific sonification tasks such as point estimation. In Study 1, 160 undergraduates listened to auditory graphs and estimated exact dollar values at specific points in the graph. X-axis context (clicks) improved performance by aiding time calibration. Y-axis context (reference tones) that provided scaling cues improved performance. In Study 2, listeners performed similar tasks with continuous as opposed to discrete stimuli, and with or without training. X-axis clicks did not help in this case. Training improved performance overall. When there was no training, y-axis context improved performance to the level of trained listeners, suggesting the effects of training and y-axis were comparable, but not additive. Copyright # 2005 John Wiley & Sons, Ltd.

[1]  C D Wickens,et al.  Compatibility and Resource Competition between Modalities of Input, Central Processing, and Output , 1983, Human factors.

[2]  Gunnar Johannsen,et al.  Auditory display of directions and states for mobile systems , 2002 .

[3]  Dylan M. Jones,et al.  Does auditory streaming require attention? Evidence from attentional selectivity in short-term memory. , 2003, Journal of experimental psychology. Human perception and performance.

[4]  E. G. Aiken,et al.  Response prompting and response confirmation: a review of recent literature. , 1967, Psychological bulletin.

[5]  J. Lunn Chick sexing. , 1948, American scientist.

[6]  B. Moore An introduction to the psychology of hearing, 3rd ed. , 1989 .

[7]  Bruce N Walker,et al.  Magnitude estimation of conceptual data dimensions for use in sonification. , 2002, Journal of experimental psychology. Applied.

[8]  R. Proctor,et al.  Skill acquisition and human performance , 1995 .

[9]  Lorna M. Brown,et al.  DRAWING BY EAR: INTERPRETING SONIFIED LINE GRAPHS , 2003 .

[10]  Bradley E. Huitema,et al.  The analysis of covariance and alternatives , 1980 .

[11]  E. Owens,et al.  An Introduction to the Psychology of Hearing , 1997 .

[12]  J. Edworthy,et al.  On the stability of the arousal strength of warning signal words , 2000 .

[13]  M. Wanet-Defalque,et al.  Auditory coding of visual patterns for the blind. , 1999, Perception.

[14]  Bruce N. Walker,et al.  Navigation Performance With a Virtual Auditory Display: Effects of Beacon Sound, Capture Radius, and Practice , 2006, Hum. Factors.

[15]  J Annett,et al.  Training for auditory detection. , 1967, Acta psychologica.

[16]  Lorna M. Brown,et al.  DESIGN GUIDELINES FOR AUDIO PRESENTATION OF GRAPHS AND TABLES , 2003 .

[17]  Christopher D. Wickens,et al.  An introduction to human factors engineering , 1997 .

[18]  E. Winograd,et al.  Learning to identify complex sounds: prompting versus confirmation. , 1965, The Journal of the Acoustical Society of America.

[19]  M. Heller,et al.  Practice effects in the absolute judgment of frequency , 1972 .

[20]  Edward Rolf Tufte,et al.  The visual display of quantitative information , 1985 .

[21]  Andrew C. Porter,et al.  Analysis of Covariance: Its Model and Use in Psychological Research. , 1987 .

[22]  John D. Lee,et al.  Book review of Handbook of Human Factors and Ergonomics (2nd ed.) , 1999 .

[23]  John H. Flowers,et al.  Cross-Modal Equivalence of Visual and Auditory Scatterplots for Exploring Bivariate Data Samples , 1997, Hum. Factors.

[24]  Schloss Birlinghoven,et al.  Auditory seismology on free oscillations, focal mechanisms, explosions and synthetic seismograms , 2002 .

[25]  Bruce N. Walker,et al.  SONIFICATION SANDBOX: A GRAPHICAL TOOLKIT FOR AUDITORY GRAPHS , 2003 .

[26]  Roxann Roberson-Nay,et al.  Constructing knowledge. The role of graphs and tables in hard and soft psychology. , 2002, The American psychologist.

[27]  Addie Ehrenstein,et al.  Training for a rapidly changing workplace : applications of psychological research , 1997 .

[28]  Judy Edworthy,et al.  The Perceived Urgency of Speech Warnings: Semantics versus Acoustics , 2002, Hum. Factors.

[29]  C D Wickens,et al.  Codes and Modalities in Multiple Resources: A Success and a Qualification , 1988, Human factors.

[30]  L. Low,et al.  The Analysis of Covariance and Alternatives , 1983 .

[31]  J. Annett Training for perceptual skills. , 1966, Ergonomics.

[32]  S. McAdams,et al.  Auditory Cognition. (Book Reviews: Thinking in Sound. The Cognitive Psychology of Human Audition.) , 1993 .

[33]  L L Cuddy,et al.  Practice effects in the absolute judgment of pitch. , 1968, The Journal of the Acoustical Society of America.

[34]  Sébastien Tremblay,et al.  Attentional Selectivity in Short-term Memory: Similarity of Process, Not Similarity of Content, Determines Disruption , 1999 .

[35]  Bruce N. Walker,et al.  Mappings and metaphors in auditory displays: An experimental assessment , 2005, TAP.

[36]  Bruce N. Walker,et al.  PSYCHOPHYSICAL SCALING OF SONIFICATION MAPPINGS: A COMPARISION OF VISUALLY IMPAIRED AND SIGHTED LISTENERS , 2001 .

[37]  John A. Gardner,et al.  TRIANGLE: A practical application of non-speech audio for imparting information , 1996 .

[38]  Q. Summerfield Book Review: Auditory Scene Analysis: The Perceptual Organization of Sound , 1992 .

[39]  J. Adams Historical review and appraisal of research on the learning, retention, and transfer of human motor skills. , 1987 .

[40]  J Edworthy,et al.  Improving Auditory Warning Design: Relationship between Warning Sound Parameters and Perceived Urgency , 1991, Human factors.

[41]  John G. Neuhoff,et al.  PITCH CHANGE, SONIFICATION, AND MUSICAL EXPERTISE: WHICH WAY IS UP? , 2002 .

[42]  Stephen Barrass,et al.  EVALUATION OF A MULTIMODAL SONIFICATION AND VISUALISATION OF DEPTH OF MARKET STOCK DATA , 2002 .

[43]  Juha Marila Experimental comparison of complex and simple sounds in menu and hierarchy sonification , 2002 .

[44]  Merav Ahissar,et al.  Perceptual training: A tool for both modifying the brain and exploring it , 2001, Proceedings of the National Academy of Sciences of the United States of America.

[45]  Stephen Handel,et al.  Effect of Element Composition on Streaming and the Ordering of Repeating Sequences. , 1977 .

[46]  John A. Swets Learning to Identify Nonverbal Sounds: An Application of a Computer as a Teaching Machine. Technical Report. , 1962 .

[47]  Helge Ritter,et al.  Sonification of markov chain monte carlo simulations , 2001 .

[48]  John J. Bertin,et al.  The semiology of graphics , 1983 .

[49]  D J Gillan,et al.  A Componential Model of Human Interaction with Graphs: 1. Linear Regression Modeling , 1994, Human factors.

[50]  John H. Flowers,et al.  Musical versus Visual Graphs: Cross-Modal Equivalence in Perception of Time Series Data , 1995, Hum. Factors.

[51]  Edward R. Tufte,et al.  The Visual Display of Quantitative Information , 1986 .

[52]  D. Scott Perceptual learning. , 1974, Queen's nursing journal.

[53]  Gavriel Salvendy,et al.  Handbook of Human Factors and Ergonomics , 2005 .

[54]  Gregory Kramer,et al.  Auditory Display: Sonification, Audification, And Auditory Interfaces , 1994 .

[55]  Terri L. Bonebright,et al.  Testing the effectiveness of sonified graphs for education: A programmatic research project , 2001 .

[56]  J Edworthy,et al.  The semantic associations of acoustic parameters commonly used in the design of auditory information and warning signals. , 1995, Ergonomics.

[57]  John H. Flowers,et al.  Perception of Sonified Daily Weather Records , 2002 .

[58]  Scott E. Maxwell,et al.  Designing Experiments and Analyzing Data: A Model Comparison Perspective , 1990 .

[59]  Larry S. Davis,et al.  CUSTOMIZABLE AUDITORY DISPLAYS , 2002 .

[60]  Edward R. Tufte,et al.  Envisioning Information , 1990 .

[61]  Gregory Kramer,et al.  Pitch and loudness interact in auditory displays: can the data get lost in the map? , 2002, Journal of experimental psychology. Applied.