Can results from studies of perceived expression in musical performances be generalized across response formats

Recent studies have suggested that performers are able to communicate emotions to listeners through their performances of a piece of music. However, in all these studies listeners made their judgme ...

[1]  P. Andersen,et al.  Handbook of Communication and Emotion , 1998 .

[2]  Magda B. Arnold,et al.  The nature of emotion , 1968 .

[3]  R. Sternberg.  Thinking and problem solving , 1994 .

[4]  J. Gibson.  The Ecological Approach to Visual Perception , 1979 .

[5]  Alf Gabrielsson,et al.  Expressive Intention and Performance , 1995 .

[6]  L. F. Barrett,et al.  Handbook of Emotions , 1993 .

[7]  P. Johnson-Laird,et al.  The language of emotions: An analysis of a semantic field , 2013 .

[8]  J. Russell.  Is there universal recognition of emotion from facial expression? A review of the cross-cultural studies. , 1994, Psychological bulletin.

[9]  D. Rubin,et al.  Effect Size Estimation for One-Sample Multiple-Choice-Type Data: Design, Analysis, and Meta-Analysis , 1989 .

[10]  K. Oatley,et al.  The experience of emotions in everyday life , 1994 .

[11]  A. Ortony,et al.  What's basic about basic emotions? , 1990, Psychological review.

[12]  P. Ekman,et al.  Strong evidence for universals in facial expressions: a reply to Russell's mistaken critique. , 1994, Psychological bulletin.

[13]  R. Plutchik.  The psychology and biology of emotion , 1994 .

[14]  Judith A. Hall.  Gender Effects in Decoding Nonverbal Cues , 1978 .

[15]  Colin Robson,et al.  The Limits of Experimentation: On Researching Music and Musical Settings , 1995 .

[16]  P. Lachenbruch.  Statistical Power Analysis for the Behavioral Sciences (2nd ed.) , 1989 .

[17]  B. Ross,et al.  Concepts and Categories , 1994 .

[18]  E. Carterette,et al.  Convergent Research Methods in Music Cognition , 1995 .

[19]  Ross Buck,et al.  The communication of emotion , 1984 .

[20]  P. Juslin,et al.  Emotional Expression in Music Performance: Between the Performer's Intention and the Listener's Experience , 1996 .

[21]  K. Oatley.  Best Laid Schemes: The Psychology of Emotions , 1992 .

[22]  E. Brunswik.  Perception and the Representative Design of Psychological Experiments , 1957 .

[23]  Christine Storm,et al.  A taxonomic study of the vocabulary of emotions. , 1987 .

[24]  Philip J. Benson,et al.  Categorical Perception of Facial Expressions: Categories and their Internal Structure , 1997 .

[25]  C. Izard.  Innate and universal facial expressions: evidence from developmental and cross-cultural research. , 1994, Psychological bulletin.

[26]  A. Strauss,et al.  The discovery of grounded theory: strategies for qualitative research aldine de gruyter , 1968 .

[27]  J. Russell.  Culture and the categorization of emotions. , 1991, Psychological bulletin.

[28]  S. Green,et al.  The Ability to Identify Emotional Content of Solo Improvisations Performed Vocally and on Three Different Instruments , 1993 .

[29]  P. Johnson-Laird,et al.  Basic emotions, rationality, and folk theory , 1992 .

[30]  Jacob Cohen.  Statistical Power Analysis for the Behavioral Sciences , 1969, The SAGE Encyclopedia of Research Design.

[31]  P. Juslin.  Perceived Emotional Expression in Synthesized Performances of a Short Melody: Capturing the Listener's Judgment Policy , 1997 .

[32]  K. Hevner.  Expression in music: a discussion of experimental studies and theories. , 1935 .

[33]  John J. Magee,et al.  Categorical perception of facial expressions , 1992, Cognition.

[34]  P. Ekman,et al.  Handbook of methods in nonverbal behavior research , 1982 .

[35]  P. Juslin.  Emotional Communication in Music Performance: A Functionalist Perspective and Some Data , 1997 .

[36]  Musical Meaning and Expression , 1994 .

[37]  Steven J. Taylor.  Introduction to qualitative research methods , 1975 .

[38]  J. Davidson.  Visual Perception of Performance Manner in the Movements of Solo Musicians , 1993 .

[39]  P. Ekman.  An argument for basic emotions , 1992 .

[40]  R. Steinberg.  Music and the Mind Machine , 1995, Springer Berlin Heidelberg.

[41]  K. Hevner.  Experimental studies of the elements of expression in music , 1936 .

[42]  S. Planalp.  Communicating emotion in everyday life: Cues, channels, and processes , 1996 .