Generalized Metrics for Single-f0 Estimation Evaluation
暂无分享,去创建一个
[1] P G Singh. Perceptual organization of complex-tone sequences: a tradeoff between pitch and timbre? , 1987, The Journal of the Acoustical Society of America.
[2] R. Fay,et al. Pitch : neural coding and perception , 2005 .
[3] Justin Salamon,et al. Deep Salience Representations for F0 Estimation in Polyphonic Music , 2017, ISMIR.
[4] Belén Nieto,et al. Addressing user satisfaction in melody extraction , 2014 .
[5] Matthias Mauch,et al. MedleyDB: A Multitrack Dataset for Annotation-Intensive MIR Research , 2014, ISMIR.
[6] Hideki Kawahara,et al. Comparative evaluation of F0 estimation algorithms , 2001, INTERSPEECH.
[7] François Rigaud,et al. Singing Voice Melody Transcription Using Deep Neural Networks , 2016, ISMIR.
[8] Sangeun Kum,et al. Joint Detection and Classification of Singing Voice Melody Using Convolutional Recurrent Neural Networks , 2019, Applied Sciences.
[9] Gaël Richard,et al. Source/Filter Model for Unsupervised Main Melody Extraction From Polyphonic Audio Signals , 2010, IEEE Transactions on Audio, Speech, and Language Processing.
[10] Vipul Arora,et al. On-Line Melody Extraction From Polyphonic Audio Using Harmonic Cluster Tracking , 2013, IEEE Transactions on Audio, Speech, and Language Processing.
[11] Emilia Gómez,et al. Supplementary Graphs: Sinusoid Extraction and Salience Function Design for Predominant Melody Estimation , 2011 .
[12] Simon Dixon,et al. PYIN: A fundamental frequency estimator using probabilistic threshold distributions , 2014, 2014 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP).
[13] Jong Wook Kim,et al. Crepe: A Convolutional Representation for Pitch Estimation , 2018, 2018 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP).
[14] Daniel P. W. Ellis,et al. Melody Extraction from Polyphonic Music Signals: Approaches, applications, and challenges , 2014, IEEE Signal Processing Magazine.
[15] Emilia Gómez,et al. Melody Extraction From Polyphonic Music Signals Using Pitch Contour Characteristics , 2012, IEEE Transactions on Audio, Speech, and Language Processing.
[16] Juan José,et al. From Heuristics-Based to Data-Driven Audio Melody Extraction , 2017 .
[17] A. Bregman,et al. Demonstrations of auditory scene analysis : the perceptual organization of sound , 1995 .
[18] Slim Essid,et al. Melody Extraction by Contour Classification , 2015, ISMIR.
[19] W. R. Garner,et al. Pitch characteristics of short tones; pitch as a function of tonal duration. , 1948, Journal of experimental psychology.
[20] Karin Dressler,et al. Towards Computational Auditory Scene Analysis: Melody Extraction from Polyphonic Music , 2012 .
[21] Influence of Phase Coherence upon the Pitch of Complex, Periodic Sounds , 1955 .
[22] Emilia Gómez,et al. Evaluation and combination of pitch estimation methods for melody extraction in symphonic classical music , 2016 .
[23] Graham E. Poliner,et al. Melody Transcription From Music Audio: Approaches and Evaluation , 2007, IEEE Transactions on Audio, Speech, and Language Processing.
[24] Prateek Verma,et al. Frequency Estimation from Waveforms Using Multi-Layered Neural Networks , 2016, INTERSPEECH.
[25] Yi-Hsuan Yang,et al. Vocal activity informed singing voice separation with the iKala dataset , 2015, 2015 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP).
[26] Slim Essid,et al. MAIN MELODY EXTRACTION WITH SOURCE-FILTER NMF AND CRNN , 2018 .
[27] Emilia Gómez,et al. A Comparison of Melody Extraction Methods Based on Source-Filter Modelling , 2016, ISMIR.
[28] Antoine Liutkus,et al. Probabilistic model for main melody extraction using Constant-Q transform , 2012, 2012 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP).