The sound strength parameter G and its importance in evaluating and planning the acoustics of halls for music.

The parameter, "Strength of Sound G" is closely related to loudness. Its magnitude is dependent, inversely, on the total sound absorption in a room. By comparison, the reverberation time (RT) is both inversely related to the total sound absorption in a hall and directly related to its cubic volume. Hence, G and RT in combination are vital in planning the acoustics of a concert hall. A newly proposed "Bass Index" is related to the loudness of the bass sound and equals the value of G at 125 Hz in decibels minus its value at mid-frequencies. Listener envelopment (LEV) is shown for most halls to be directly related to the mid-frequency value of G. The broadening of sound, i.e., apparent source width (ASW) is given by degree of source broadening (DSB) which is determined from the combined effect of early lateral reflections as measured by binaural quality index (BQI) and strength G. The optimum values and limits of these parameters are discussed.

[1]  L L Beranek,et al.  Relations among interaural cross-correlation coefficient (IACCE), lateral fraction (LFE), and apparent source width (ASW) in concert halls. , 1998, The Journal of the Acoustical Society of America.

[2]  Toshiyuki Okano,et al.  Judgments of noticeable differences in sound fields of concert halls caused by intensity variations in early reflections. , 2002, The Journal of the Acoustical Society of America.

[3]  Kazuhiro Iida,et al.  A practical evaluation method of auditory source width in concert halls , 1995 .

[4]  Michael Barron,et al.  Spatial responsiveness in concert halls and the origins of spatial impression , 2001 .

[5]  Michael Barron,et al.  Energy relations in concert auditoriums. I , 1988 .

[6]  Leo L. Beranek,et al.  Interaural cross‐correlation, lateral fraction, and low‐ and high‐frequency sound levels as measures of acoustical quality in concert halls , 1995 .

[7]  S. S. Stevens Perceived Level of Noise by Mark VII and Decibels (E) , 1972 .

[8]  Scott G. Norcross,et al.  Factors influencing the perception of bass , 1997 .

[9]  Beranek,et al.  Acoustical design of the Tokyo Opera City (TOC) concert hall, Japan , 2000, The Journal of the Acoustical Society of America.

[10]  L. Beranek,et al.  Analysis of Sabine and Eyring equations and their application to concert hall audience and chair absorption. , 2006, The Journal of the Acoustical Society of America.

[11]  Scott G. Norcross,et al.  Objective Measures of Listener Envelopment in Multichannel Surround Systems , 2003 .