Cross-cultural similarities and differences in music mood perception

Prior research suggests that listeners from different cultural backgrounds appreciate music differently. Although music mood/emotion is an important part of music seeking and appreciation, few cross-cultural music information retrieval (MIR) studies focus on music mood. Moreover, existing studies on crosscultural music perception often only compare listeners from two cultures, in most cases, Western vs. Nonwestern cultures. In order to fill these gaps, this study compares music mood perceptions of listeners from three distinct cultures: American, Korean, and Chinese. Our findings reveal that the perceptions of the three cultural groups are generally different, but in many aspects, Korean listeners are situated in between listeners from the two other cultures. This paper describes the comparison of the three cultural groups from the perspectives of mood perceptions, musical (stimuli) characteristics, and listeners’ (subjects) characteristics. The findings of this study have implications for the design of cross-cultural and global MIR systems.

[1]  A. Gregory,et al.  Cross-Cultural Comparisons in the Affective Response to Music , 1996 .

[2]  Xiao Hu,et al.  A Cross-cultural Study of Music Mood Perception between American and Chinese Listeners , 2012, ISMIR.

[3]  W. Thompson,et al.  A Cross-Cultural Investigation of the Perception of Emotion in Music: Psychophysical and Cultural Cues , 1999 .

[4]  Ronald Fischer,et al.  Towards a holistic model of functions of music listening across cultures: A culturally decentred qualitative approach , 2012 .

[5]  Kiyoaki Shirai,et al.  Machine Learning Approaches for Mood Classification of Songs toward Music Search Engine , 2009, 2009 International Conference on Knowledge and Systems Engineering.

[6]  I. Peretz,et al.  Universal Recognition of Three Basic Emotions in Music , 2009, Current Biology.

[7]  Xavier Serra,et al.  Roadmap for Music Information ReSearch , 2013 .

[8]  Adrian C. North,et al.  The Role of Music in Everyday Life Among Pakistanis , 2007 .

[9]  J. Stephen Downie,et al.  Challenges in Cross-Cultural/Multilingual Music Information Seeking , 2005, ISMIR.

[10]  Jin Ha Lee,et al.  What does music mood mean for real users? , 2012, iConference '12.

[11]  Mert Bay,et al.  The 2007 MIREX Audio Mood Classification Task: Lessons Learned , 2008, ISMIR.

[12]  Patrick C M Wong,et al.  Bimusicalism: The Implicit Dual Enculturation of Cognitive and Affective Systems. , 2009, Music perception.

[13]  Jonna Häkkilä,et al.  A cross-cultural study of mobile music: retrieval, management and consumption , 2006, OZCHI '06.

[14]  Rui Pedro Paiva,et al.  MUSIC EMOTION CLASSIFICATION: DATASET ACQUISITION AND COMPARATIVE ANALYSIS TEMPLATES FOR DAFX-08, FINLAND, FRANCE , 2012 .

[15]  T. Eerola,et al.  Perceived complexity of western and African folk melodies by western and African listeners , 2006 .

[16]  Robert R. Sokal,et al.  A statistical method for evaluating systematic relationships , 1958 .

[17]  Wolfgang Nejdl,et al.  Music Mood and Theme Classification - a Hybrid Approach , 2009, ISMIR.