Analyzing musical expressivity with a soft computing approach
暂无分享,去创建一个
[1] Cumhur Erkut,et al. Methods for Modeling Realistic Playing in Acoustic Guitar Synthesis , 2001, Computer Music Journal.
[2] W. Köhler. Gestalt Psychology: An Introduction to New Concepts in Modern Psychology , 1970 .
[3] Ramón López de Mántaras,et al. An Interactive Case-Based Reasoning Approach for Generating Expressive Music , 2004, Applied Intelligence.
[4] Eugene Narmour,et al. The Analysis and Cognition of Basic Melodic Structures: The Implication-Realization Model , 1990 .
[5] K. Koffka. Principles Of Gestalt Psychology , 1936 .
[6] Anders Friberg. A fuzzy analyzer of emotional expression in music performance and body motion , 2005 .
[7] Marc Leman,et al. A roadmap for sound and music computing , 2007 .
[8] Leonard B. Meyer. Emotion and Meaning in Music , 1957 .
[9] Bozena Kostek. Soft Computing in Acoustics: Applications of Neural Networks, Fuzzy Logic and Rough Sets to Musical Acoustics , 1999 .
[10] Xavier Serra,et al. Content Processing of Music Audio Signals , 2008 .
[11] Ramon López de Mántaras,et al. Combining fuzzy and case-based reasoning to generate human-like music performances , 2002 .
[12] Marc Leman,et al. How potential users of music search and retrieval systems describe the semantic quality of music , 2008 .
[13] Hank Heijink,et al. On the Complexity of Classical Guitar Playing: Functional Adaptations to Task Constraints , 2002, Journal of motor behavior.
[14] Ian H. Witten,et al. Data mining: practical machine learning tools and techniques, 3rd Edition , 1999 .
[15] Gerhard Widmer,et al. Discovering simple rules in complex data: A meta-learning algorithm and some surprising musical discoveries , 2003, Artif. Intell..
[16] Ian Witten,et al. Data Mining , 2000 .
[17] Petri Toiviainen,et al. MIR in Matlab (II): A Toolbox for Musical Feature Extraction from Audio , 2007, ISMIR.
[18] Jonathan Carey Norton. Motion capture to build a foundation for a computer -controlled instrument by study of classical guitar performance , 2008 .
[19] Teresa León,et al. Obtaining the Compatibility between Musicians Using Soft Computing , 2010, IPMU.
[20] Beth Logan,et al. Mel Frequency Cepstral Coefficients for Music Modeling , 2000, ISMIR.
[21] Ramón López de Mántaras,et al. Ai and Music: From Composition to Expressive Performance , 2002, AI Mag..
[22] Enric Guaus,et al. Identifying Attack Articulations in Classical Guitar , 2010, CMMR.