A closer look at brazilwood and its lake pigments

Dissertacao para obtencao do Grau de Mestre em Mestrado em Conservacao e Restauro, especializacao em Ciencias da Conservacao

[1]  M. Otte.  Los Angeles: The Getty Conservation Institute , 2003 .

[2]  N. Tumer.  The recipe collection of Johannes Alcherius and the painting materials used in manuscript illumination in France and Northern Italy, c. 1380-1420 , 1998 .

[3]  Mary W. Ballard.  Natural Dyes: Sources, Tradition, Technology and Science , 2007 .

[4]  H. Edwards,et al.  Vibrational spectroscopic study of brazilin and brazilein, the main constituents of brazilwood from Brazil , 2002 .

[5]  Ana Claro,et al.  Bright light: microspectrofluorimetry for the characterization of lake pigments and dyes in works of art. , 2010, Accounts of chemical research.

[6]  Pradip Bhattacharyya,et al.  Human urine as a source of alternative natural fertilizer in agriculture: A flight of fancy or an achievable reality , 2011 .

[7]  Pier Luigi Gentili,et al.  Vibrational and electronic properties of painting lakes , 2008 .

[8]  T. W. Graham Solomons,et al.  Fundamentals of Organic Chemistry , 1982 .

[9]  Vanessa Otero Matias.  Historically accurate reconstructions and characterisation of chrome yellow pigments , 2010 .

[10]  M. Clarke.  Mediaeval Painters’ Materials and Techniques: The Montpellier Liber diversarum arcium , 2011 .

[11]  Andrew Ure,et al.  Dictionary of Arts, Manufactures, and Mines , 2010 .

[12]  F. J. Holler,et al.  Principles of Instrumental Analysis , 1973 .

[13]  J. Cannon,et al.  Trade in artists' materials : markets and commerce in Europe to 1700 , 2010 .

[14]  The Technology of Red Lake Pigment Manufacture : Study of the Dyestuff Substrate , 2022 .

[15]  R. Marchessault.  Application of infra-red spectroscopy to cellulose and wood polysaccharides , 1962 .

[16]  R. Akrich,et al.  Painting techniques in the Boucicaut Hours, and in Jacques Coene's colour recipes as found in Jean Lebègue's Libri Colorum , 1998 .

[17]  Kamonchanok Wongsooksin,et al.  STUDY OF AN AL(III) COMPLEX WITH THE PLANT DYE BRAZILEIN FROM CEASALPINIA SAPPAN LINN , 2008 .

[18]  M. Melo,et al.  History of Natural Dyes in the Ancient Mediterranean World , 2009 .

[19]  M. Bacci,et al.  UV-VIS-NIR REFLECTANCE SPECTROSCOPY OF RED LAKES IN PAINTINGS , 2008 .

[20]  Dusan Stulik,et al.  Infrared Spectroscopy in Conservation Science , 2000 .

[21]  D. Matos.  The Ms. Parma 1959 in the context of portuguese hebrew illumination , 2011 .

[22]  Duu-Jong Lee,et al.  Urea hydrolysis and recovery of nitrogen and phosphorous as MAP from stale human urine. , 2008, Journal of environmental sciences.

[23]  S. Berger,et al.  Classics in Spectroscopy: Isolation and Structure Elucidation of Natural Products , 2009 .

[24]  D. Thompson,,et al.  The materials and techniques of medieval painting , 1956 .

[25]  B. Valeur,et al.  Molecular Fluorescence: Principles and Applications , 2001 .

[26]  L. Carlyle,et al.  Historically Accurate Reconstructions of Artists ’ Oil Painting Materials , 2012 .

[27]  Ruth Johnston-Feller,et al.  Color Science in the Examination of Museum Objects: Nondestructive Procedures , 2001 .

[28]  Richard P Evershed,et al.  Modern Analytical Methods in Art and Archaeology , 2000 .

[29]  P. Roger,et al.  Les laques de brésil dans I'enluminure médiévale , 2003 .

[30]  Leslie Anne Carlyle.  Practical considerations for creating historically accurate reconstructions , 2012 .

[31]  T. Bechtold,et al.  Handbook of Natural Colorants , 2009 .

[32]  H. F. Shurvell.  Spectra– Structure Correlations in the Mid‐ and Far‐Infrared , 2006 .

[33]  Judith H. Hofenk De Graaff,et al.  The Colourful Past: Origins, Chemistry and Identification of Natural Dyestuffs , 2007 .