Musical pitch identification by absolute pitch possessors

[1]  Imre Horváth,et al.  2 – Critical review of the literature , 1984 .

[2]  W. Dixon Ward,et al.  14 – Absolute Pitch , 1982 .

[3]  R. Shepard.  11 – Structural Representations of Musical Pitch , 1982 .

[4]  C. Krumhansl.  The psychological representation of musical pitch in a tonal context , 1979, Cognitive Psychology.

[5]  W. D. Ward,et al.  Categorical perception--phenomenon or epiphenomenon: evidence from experiments in the perception of melodic musical intervals. , 1978, The Journal of the Acoustical Society of America.

[6]  W. Siegel,et al.  Absolute identification of notes and intervals by musicians , 1977 .

[7]  J. Siegel,et al.  Sensory and verbal coding strategies in subjects with absolute pitch. , 1974, Journal of experimental psychology.

[8]  John M. Chowning,et al.  The Synthesis of Complex Audio Spectra by Means of Frequency Modulation , 1973 .

[9]  P. Brady,et al.  Fixed-scale mechanism of absolute pitch. , 1970, The Journal of the Acoustical Society of America.

[10]  Lola L. Cuddy,et al.  Training the absolute identification of pitch , 1970 .

[11]  N I Durlach,et al.  Intensity perception. I. Preliminary theory of intensity resolution. , 1969, The Journal of the Acoustical Society of America.

[12]  L L Cuddy,et al.  Practice effects in the absolute judgment of pitch. , 1968, The Journal of the Acoustical Society of America.

[13]  Rosamund Shuter-Dyson.  The psychology of musical ability , 1968 .

[14]  W. D. Ward.  Absolute Pitch. Part II , 1963 .

[15]  Albert Wellek.  Musikpsychologie und Musikästhetik : Grundriss der systematischen Musikwissenschaft , 1963 .

[16]  G. A. Miller.  THE PSYCHOLOGICAL REVIEW THE MAGICAL NUMBER SEVEN, PLUS OR MINUS TWO: SOME LIMITS ON OUR CAPACITY FOR PROCESSING INFORMATION 1 , 1956 .

[17]  I. Pollack.  The Information of Elementary Auditory Displays , 1952 .

[18]  A. Bachem,et al.  Tone height and tone chroma as two different pitch qualities. , 1950 .

[19]  Neuman Dm.  A critical review of the literature on absolute pitch. , 1947 .

[20]  D. Neu.  A critical review of the literature on absolute pitch. , 1947, Psychological bulletin.

[21]  Albert Wellek.  Das absolute Gehör und seine Typen , 1939 .

[22]  A. Bachem,et al.  Various Types of Absolute Pitch , 1937 .

[23]  C. Wedell,et al.  The nature of the absolute judgment of pitch. , 1934 .

[24]  Laurence Armstrong Petran,et al.  An experimental study of pitch recognition , 1932 .

[25]  G. Révész,et al.  Zur Grundlegung der Tonpsychologie , 1913 .

[26]  M. Meyer,et al.  Is the Memory of Absolute Pitch Capable of Development by Training , 1899 .