A Supervised Approach for Rhythm Transcription Based on Tree Series Enumeration
暂无分享,去创建一个
[1] David Temperley,et al. An Evaluation System for Metrical Models , 2004, Computer Music Journal.
[2] Ali Taylan Cemgil,et al. Bayesian Music Transcription , 1997 .
[3] David Chiang,et al. Better k-best Parsing , 2005, IWPT.
[4] Donald Kossmann,et al. The Skyline operator , 2001, Proceedings 17th International Conference on Data Engineering.
[5] H. Vogler,et al. Weighted Tree Automata and Tree Transducers , 2009 .
[6] Declan Murphy. Quantization revisited: a mathematical and computational model , 2011 .
[7] Peter Desain,et al. Quantization of musical time: a connectionist approach , 1989 .
[8] Daniel Scharstein,et al. AUTOMATIC MUSIC TRANSCRIPTION , 2018 .
[9] Adrien Ycart. Quantification rythmique dans OpenMusic , 2015 .
[10] Miguel A. Alonso,et al. Tempo And Beat Estimation Of Musical Signals , 2004, ISMIR.
[11] Gérard Assayag,et al. Representation and rendering of rhythm structures , 2002, Second International Conference on Web Delivering of Music, 2002. WEDELMUSIC 2002. Proceedings..
[12] Peter Desain,et al. Rhythm Quantization for Transcription , 2000, Computer Music Journal.
[13] Camilo Rueda,et al. Computer-Assisted Composition at IRCAM: From PatchWork to OpenMusic , 1999, Computer Music Journal.
[14] Benoit Meudic. Détermination automatique de la pulsation, de la métrique et des motifs musicaux dans des interprétations à tempo variable d'oeuvres polyphoniques , 2004 .
[15] A. Klapuri,et al. MUSICAL METER ESTIMATION AND MUSIC TRANSCRIPTION , 2000 .
[16] Camilo Rueda,et al. Kant: a Critique of Pure Quantification , 1994, ICMC.
[17] Carlos Pérez-Sancho,et al. New framework for score segmentation and analysis in OpenMusic , 2012 .
[18] LaursonMikael,et al. Computer-Assisted Composition at IRCAM: From PatchWork to OpenMusic , 1999 .