The Playlist Experience: Personal Playlists in Music Streaming Services
暂无分享,去创建一个
[1] K. Foot,et al. Media Technologies: Essays on Communication, Materiality, and Society , 2014 .
[2] Roy Shuker. Beyond the ‘high fidelity’ stereotype: defining the (contemporary) record collector , 2004, Popular Music.
[3] Nishanth R. Sastry,et al. Sharing the Loves: Understanding the How and Why of Online Content Curation , 2013, ICWSM.
[4] M. Csíkszentmihályi,et al. Experience Sampling Method: Measuring the Quality of Everyday Life , 2006 .
[5] M. Kibby. COLLECT YOURSELF , 2009 .
[6] Jennie Hill,et al. Cultures of Collecting , 2009 .
[7] T. McCourt. Collecting Music in the Digital Realm , 2005 .
[8] Walter Benjamin. Illuminations: Essays and Reflections , 1968 .
[9] Steve Jones,et al. MUSIC THAT MOVES: POPULAR MUSIC, DISTRIBUTION AND NETWORK TECHNOLOGIES , 2002 .
[10] David Beer,et al. THE ICONIC INTERFACE AND THE VENEER OF SIMPLICITY:MP3 players and the reconfiguration of music collecting and reproduction practices in the digital age , 2008 .
[11] C. Campbell. The Craft Consumer , 2005 .
[12] A. Lenhart,et al. Music Downloading and Listening: Findings from the Pew Internet and American Life Project , 2004 .
[13] Joel M. Hektner,et al. Experience sampling method , 2007 .
[14] Patrick Burkart,et al. Trends in Digital Music Archiving , 2008, Inf. Soc..
[15] Kees Nieuwenhuis,et al. Information Systems for Crisis Response and Management , 2007, Mobile Response.
[16] M. Bull. Sounding Out the City: Personal Stereos and the Management of Everyday Life , 2000 .
[17] M. Clayton,et al. Music and Mediation Toward a New Sociology of Music chapter 22 part IV , in The Cultural Study of Music : A Critical Introduction , 2013 .