Piet Mondrian’s Broadway Boogie Woogie: non invasive analysis using macro X-ray fluorescence mapping (MA-XRF) and multivariate curve resolution-alternating least square (MCR-ALS)
暂无分享,去创建一个
Joris Dik | J. Dik | C. McGlinchey | Ana Teresa Martins | Cynthia Albertson | Chris McGlinchey | A. Martins | C. Albertson
[1] Koen Janssens,et al. A mobile instrument for in situ scanning macro-XRF investigation of historical paintings , 2013 .
[2] Julian Morris,et al. Curve resolution for multivariate images with applications to TOF-SIMS and Raman , 2004 .
[3] Piet Mondrian,et al. The New Art--the New Life: The Collected Writings Of Piet Mondrian , 1986 .
[4] Koen Janssens,et al. Optimization of mobile scanning macro-XRF systems for the in situ investigation of historical paintings , 2011 .
[5] Piet Mondrian,et al. Mondrian: The Transatlantic Paintings , 2001 .
[6] Koen Janssens,et al. Strategies for processing mega-pixel X-ray fluorescence hyperspectral data: a case study on a version of Caravaggio's painting Supper at Emmaus , 2015 .
[7] Christian Bauckhage,et al. Non-negative factor analysis supporting the interpretation of elemental distribution images acquired by XRF , 2014 .
[8] Koen Janssens,et al. Revealing hidden paint layers in oil paintings by means of scanning macro-XRF: a mock-up study based on Rembrandt's “An old man in military costume” , 2013 .
[9] Koen Janssens,et al. Rembrandt’s An Old Man in Military Costume: the underlying image re-examined , 2015 .
[10] Jay W. Krueger,et al. Issues in Contemporary Oil Paint , 2014 .
[11] R Tauler,et al. Resolution and segmentation of hyperspectral biomedical images by multivariate curve resolution-alternating least squares. , 2011, Analytica chimica acta.
[12] E. de la Rie,et al. Fluorescence of paint and varnish layers (Part II) , 1982 .
[13] Paola Ricciardi,et al. Mapping of egg yolk and animal skin glue paint binders in Early Renaissance paintings using near infrared reflectance imaging spectroscopy. , 2013, The Analyst.
[14] I. Fiedler,et al. Cadmium yellows, oranges and reds , 1986 .
[15] M. D. de Jonge,et al. High-definition X-ray fluorescence elemental mapping of paintings. , 2012, Analytical chemistry.
[16] W. Windig,et al. Interactive self-modeling mixture analysis , 1991 .
[17] Koen Janssens,et al. Exploring a Hidden Painting Below the Surface of René Magritte’s Le Portrait , 2016, Applied spectroscopy.
[18] Mathieu Thoury,et al. Visible and Infrared Imaging Spectroscopy of Picasso's Harlequin Musician: Mapping and Identification of Artist Materials in Situ , 2010, Applied spectroscopy.
[19] Michael R. Keenan,et al. Optimal scaling of TOF-SIMS spectrum-images prior to multivariate statistical analysis , 2004 .
[20] Koen Janssens,et al. Visualization of a lost painting by Vincent van Gogh using synchrotron radiation based X-ray fluorescence elemental mapping. , 2008, Analytical chemistry.
[21] L. Pappalardo,et al. Identification of forgeries in historical enamels by combining the non-destructive scanning XRF imaging and alpha-PIXE portable techniques , 2016 .
[22] Gene H. Golub,et al. Singular value decomposition and least squares solutions , 1970, Milestones in Matrix Computation.
[23] Romà Tauler,et al. Multivariate Curve Resolution: A Different Way To Examine Chemical Data , 2015 .
[24] John Drennan,et al. Metal Stearate Distributions in Modern Artists' Oil Paints: Surface and Cross-Sectional Investigation of Reference Paint Films Using Conventional and Synchrotron Infrared Microspectroscopy , 2012, Applied spectroscopy.
[25] C. McGlinchey. Handheld XRF for the examination of paintings:: proper use and limitations , 2013 .
[26] Koen Janssens,et al. Examination of historical paintings by state-of-the-art hyperspectral imaging methods: from scanning infra-red spectroscopy to computed X-ray laminography , 2014, Heritage Science.
[27] D. Newbury,et al. Maximum pixel spectrum: a new tool for detecting and recovering rare, unanticipated features from spectrum image data cubes , 2004, Journal of microscopy.
[28] Norbert S. Baer,et al. Advances in scientific instrumentation for conservation: an overview , 1982 .
[29] K. Janssens,et al. An intrusive portrait by Goya , 2011 .
[30] Romà Tauler,et al. Multivariate Curve Resolution (MCR). Solving the mixture analysis problem , 2014 .
[31] E. Hendriks,et al. Scanning XRF investigation of a Flower Still Life and its underlying composition from the collection of the Kröller–Müller Museum , 2013 .
[32] Klaas Jan van den Berg,et al. Water Sensitive Oil Paints in the Twentieth Century: A Study of the Distribution of Water-Soluble Degradation Products in Modern Oil Paint Films , 2014 .
[33] Heng Tao Shen,et al. Principal Component Analysis , 2009, Encyclopedia of Biometrics.
[34] Elisabetta Zendri,et al. Modern Oil Paints – Formulations, Organic Additives and Degradation: Some Case Studies , 2014 .
[35] P. Kotula,et al. Multivariate statistical analysis of concatenated time-of-flight secondary ion mass spectrometry spectral images. Complete description of the sample with one analysis. , 2005, Analytical chemistry.
[36] M. Keenan,et al. Simplification of alternating least squares solutions with contrast enhancement , 2012 .
[37] Romà Tauler,et al. Vibrational spectroscopic image analysis of biological material using multivariate curve resolution–alternating least squares (MCR-ALS) , 2015, Nature Protocols.
[38] M. Lankosz,et al. New Approaches for Correction of Interlayer Absorption Effects in X-ray Fluorescence Imaging of Paintings. , 2016, Analytical chemistry.
[39] Joyce Plesters,et al. 2. Ultramarine Blue, Natural and Artificial , 1966 .
[40] V. A. Solé,et al. A multiplatform code for the analysis of energy-dispersive X-ray fluorescence spectra , 2007 .
[41] F. IAN G. RAWLINS,et al. Painting Materials: a Short Encyclopedia , 1943, Nature.