Effort-based Analysis of Bowing Movements: Evidence of Anticipation Effects
暂无分享,去创建一个
[1] M. Wiesendanger,et al. Coordination of bowing and fingering in violin playing. , 2005, Brain research. Cognitive brain research.
[2] J. F. Soechting,et al. Anticipatory and sequential motor control in piano playing , 1997, Experimental Brain Research.
[3] Jim Woodhouse,et al. The physics of the violin , 1986 .
[4] N. Hogan,et al. On rhythmic and discrete movements: reflections, definitions and implications for motor control , 2007, Experimental Brain Research.
[5] Dorothy Swainson,et al. The Physiological Mechanics of Piano Technique , 1962 .
[6] Sofia Dahl. The Playing of an Accent – Preliminary Observations from Temporal and Kinematic Analysis of Percussionists* , 2000 .
[7] Frédéric Bevilacqua,et al. Gesture Analysis of Violin Bow Strokes , 2005, Gesture Workshop.
[8] Mario Wiesendanger,et al. Fingering and bowing in violinists: a motor control approach , 2006 .
[9] Stefania Serafin,et al. The sound of friction: Real-time models, playability and musical applications , 2004 .
[10] W. L. Nelson. Physical principles for economies of skilled movements , 1983, Biological Cybernetics.
[11] Nicolas Hainiandry Rasamimanana. Geste instrumental du violoniste en situation de jeu : analyse et modélisation , 2008 .
[12] Caroline Palmer,et al. Cognitive and biomechanical influences in pianists’ finger tapping , 2007, Experimental Brain Research.
[13] Giovanni De Poli,et al. Note‐by‐note analysis of the influence of expressive intentions and musical structure in violin performance* , 1998 .
[14] D. Ostry,et al. Velocity curves of human arm and speech movements , 2004, Experimental Brain Research.
[15] N. Hogan. An organizing principle for a class of voluntary movements , 1984, The Journal of neuroscience : the official journal of the Society for Neuroscience.
[16] J. Perkell,et al. Economy of effort in different speaking conditions. I. A preliminary study of intersubject differences and modeling issues. , 2002, The Journal of the Acoustical Society of America.
[17] Esther Thelen,et al. Coordination and Control in the Bow Arm Movements of Highly Skilled Cellists , 1994 .
[18] P. Janata,et al. Embodied music cognition and mediation technology , 2009 .
[19] Rolf Inge Godøy,et al. Gestural Imagery in the Service of Musical Imagery , 2003, Gesture Workshop.
[20] Marcelo M. Wanderley,et al. String Bowing Gestures at Varying Bow Stroke Frequencies: A Case Study , 2007, Gesture Workshop.
[21] René Causse,et al. Mesure de la "pression d'archet" des instruments à cordes frottées. Application à la synthèse sonore , 2006 .