The perception of art and the science of perception

For many centuries, artists have studied the nature of visual experience and how to convincingly render what we see. The results of these investigations can be found in all the countless artworks deposited in museums and galleries around the world. Works of art represent a rich source of ideas and understanding about how the world appears to us, and only relatively recently have those interested in the science of vision started to appreciate the many discoveries made by artists in this field. In this paper I will discuss some key insights into vision and perception revealed by artists, and show how they can help current thinking in science and technology about how best to understand the process of seeing. In particular, I will suggest some artistic ideas continue to present fundamental challenges to conventional ideas about the nature of visual experience and how it is represented.

[1]  Richard G. T. Gipps Making up the Mind: How the Brain Creates our Mental World , 2009 .

[2]  Tim S. Meese,et al.  Basic vision: an introduction to visual perception , 2007 .

[3]  James L. Park,et al.  Space-Perception and the Philosophy of Science , 2023 .

[4]  Peter J. Bex,et al.  Visual Crowding Is Correlated with Awareness , 2011, Current Biology.

[5]  A. H.,et al.  The Science of Art , 1897, Nature.

[6]  Jan J. Koenderink,et al.  Vision as a user interface , 2011, Electronic Imaging.

[7]  G. Humphreys,et al.  To See But Not To See: A Case Study Of Visual Agnosia , 1987 .

[8]  N. Wade,et al.  Visual Perception: An Introduction , 1991 .

[9]  K. Grill-Spector,et al.  The human visual cortex. , 2004, Annual review of neuroscience.

[10]  L. R. Newsome,et al.  Visual angle and apparent size of objects in peripheral vision , 1972 .

[11]  Kenneth C. Lindsay,et al.  Kandinsky, complete writings on art , 1982 .

[12]  J. Bennett Vision and Art: The Biology of Seeing , 2003 .

[13]  H. Janowitz,et al.  The Cabinet of Dr. Caligari , 1984 .

[14]  S. Palmer Vision Science : Photons to Phenomenology , 1999 .

[15]  Eero P. Simoncelli,et al.  Metamers of the ventral stream , 2011, Nature Neuroscience.

[16]  J. Gallant,et al.  Reconstructing Visual Experiences from Brain Activity Evoked by Natural Movies , 2011, Current Biology.

[17]  R. Hetherington The Perception of the Visual World , 1952 .

[18]  Martin Gayford,et al.  A Bigger Message: Conversations with David Hockney , 2011 .

[19]  Robert Pepperell,et al.  Seeing without Objects: Visual Indeterminacy and Art , 2006, Leonardo.

[20]  A. Ishai,et al.  Perception, memory and aesthetics of indeterminate art , 2007, Brain Research Bulletin.

[21]  Andrea J. van Doorn,et al.  Blur and Disorder , 1999, J. Vis. Commun. Image Represent..

[22]  Paul J. Olscamp,et al.  Discourse on method, Optics, Geometry, and Meteorology , 1965 .

[23]  R. L. Solso The Psychology of Art and the Evolution of the Conscious Brain , 2003 .

[24]  S. Zeki,et al.  Inner Vision: An Exploration of Art and the Brain , 2000 .

[25]  Alvin Raj,et al.  What your design looks like to peripheral vision , 2010, APGV '10.

[26]  David Hockney,et al.  Optical Insights into Renaissance Art , 2000 .

[27]  Heinrich H. Bülthoff,et al.  Psychophysics for perception of (in)determinate art , 2007, APGV.

[28]  Martha J. Farah [Visual agnosia]. , 1971, Shinkei kenkyu no shimpo. Advances in neurological sciences.

[29]  H. Henrik Ehrsson,et al.  Being Barbie: The Size of One’s Own Body Determines the Perceived Size of the World , 2011, PloS one.

[30]  H. Helmholtz,et al.  Selected writings of Hermann von Helmholtz , 1971 .

[31]  Scott L. Fairhall,et al.  Neural correlates of object indeterminacy in art compositions , 2008, Consciousness and Cognition.

[32]  V. Bruce,et al.  Visual Perception: Physiology, Psychology and Ecology , 1985 .

[33]  Robert Pepperell,et al.  Connecting Art and the Brain: An Artist's Perspective on Visual Indeterminacy , 2011, Front. Hum. Neurosci..