SOUND AND SOUNDSCAPE CLASSIFICATION: ESTABLISHING KEY AUDITORY DIMENSIONS AND THEIR RELATIVE IMPORTANCE
暂无分享,去创建一个
David Benyon | Grégory Leplâtre | Iain McGregor | Alison Crerar | D. Benyon | I. McGregor | Grégory Leplâtre | A. Crerar
[1] David Sonnenschein,et al. Sound Design: The Expressive Power of Music, Voice and Sound Effects in Cinema , 2001 .
[2] Phil Ellis,et al. A Sound Design , 1990, ICMC.
[3] James L. McClelland,et al. Phenomenology of perception. , 1978, Science.
[4] Pierre Schaeffer. Traité des objets musicaux , 1966 .
[5] A. Gabrielsson,et al. Perceived sound quality of sound-reproducing systems. , 1979, The Journal of the Acoustical Society of America.
[6] Maurice Merleau-Ponty. Phenomenology of Perception , 1964 .
[7] Catriona Macaulay,et al. 'Observing' the workplace soundscape: ethnography and auditory interface design , 1998 .
[8] Paul W. Rodaway. Sensuous Geographies: Body, Sense and Place , 1994 .
[9] E. Owens,et al. An Introduction to the Psychology of Hearing , 1997 .
[10] R. M. Schafer,et al. The tuning of the world , 1977 .
[11] David Benyon,et al. Soundfields and soundscapes reifying auditory communities. , 2002 .
[12] M. Cole. Cultural psychology: a once and future discipline? , 1996, Nebraska Symposium on Motivation. Nebraska Symposium on Motivation.
[13] John Dack,et al. Soundscape: the school of sound lectures. , 2005 .
[14] Stephen Brewster,et al. Providing a Structured Method for Integrating Non-Speech Audio into Human-Computer Interfaces , 1994 .
[15] B. Moore. An Introduction to the Psychology of Hearing , 1977 .
[16] P. Amphoux,et al. L' identité sonore des villes européennes , 1993 .
[17] R. Fay. Acoustic Communication , 2003, Springer Handbook of Auditory Research.