Painterly rendering techniques: a state‐of‐the‐art review of current approaches
暂无分享,去创建一个
[1] S. Eiho,et al. Processing of RI-Angiocardiographic Images , 1976 .
[2] Douglas DeCarlo,et al. Abstracted painterly renderings using eye-tracking data , 2002, NPAR '02.
[3] Steve Strassmann,et al. Hairy brushes , 1986, SIGGRAPH.
[4] Masayuki Nakajima,et al. IR2s: interactive real photo to Sumi-e , 2010, NPAR.
[5] Paul Haeberli,et al. Paint by numbers: abstract image representations , 1990, SIGGRAPH.
[6] Liang Lin,et al. Painterly animation using video semantics and feature correspondence , 2010, NPAR.
[7] Song-Chun Zhu,et al. Sisley the abstract painter , 2010, NPAR.
[8] Bruce Gooch,et al. Interactive vector fields for painterly rendering , 2005, Graphics Interface.
[9] Peter Meer,et al. Synergism in low level vision , 2002, Object recognition supported by user interaction for service robots.
[10] William V. Baxter,et al. Detail-preserving paint modeling for 3D brushes , 2010, NPAR.
[11] Irfan A. Essa,et al. Image and video based painterly animation , 2004, NPAR '04.
[12] Jiri Matas,et al. Robust wide-baseline stereo from maximally stable extremal regions , 2004, Image Vis. Comput..
[13] Youngsup Park,et al. Painterly animation using motion maps , 2008, Graph. Model..
[14] Henry Kang,et al. Image and Video Abstraction by Coherence‐Enhancing Filtering , 2011, Comput. Graph. Forum.
[15] Luiz Velho,et al. Digital halftoning with space filling curves , 1991, SIGGRAPH.
[16] David Salesin,et al. Computer-generated watercolor , 1997, SIGGRAPH.
[17] Tong-Yee Lee,et al. Stylized and abstract painterly rendering system using a multiscale segmented sphere hierarchy , 2006, IEEE Transactions on Visualization and Computer Graphics.
[18] Aaron Hertzmann,et al. A survey of stroke-based rendering , 2003, IEEE Computer Graphics and Applications.
[19] H. Lee,et al. Motion based Painterly Rendering , 2009, Comput. Graph. Forum.
[20] Adam Finkelstein,et al. Interactive painterly stylization of images, videos and 3D animations , 2010, I3D '10.
[21] Barbara J. Meier. Painterly rendering for animation , 1996, SIGGRAPH.
[22] Peter Shirley,et al. Artistic Vision: painterly rendering using computer vision techniques , 2002, NPAR '02.
[23] Christopher D. Kulla,et al. Using texture synthesis for non-photorealistic shading from paint samples , 2003, 11th Pacific Conference onComputer Graphics and Applications, 2003. Proceedings..
[24] Markus H. Gross,et al. Interactive 3D Painting on Point-Sampled Objects , 2004, PBG.
[25] Sangwon Lee,et al. Interactive 3D fluid jet painting , 2006, SIGGRAPH Sketches.
[26] Thomas Strothotte,et al. RenderBots—Multi‐Agent Systems for Direct Image Generation , 2005, Comput. Graph. Forum.
[27] Peter Shirley,et al. Artistic rendering of mountainous terrain , 2009, TOGS.
[28] Jintae Lee. Simulating Oriental Black-Ink Painting , 1999, IEEE Computer Graphics and Applications.
[29] Blair MacIntyre,et al. Watercolor inspired non-photorealistic rendering for augmented reality , 2008, VRST '08.
[30] Masayuki Nakajima,et al. Volumetric modeling of colored pencil drawing , 1999, Proceedings. Seventh Pacific Conference on Computer Graphics and Applications (Cat. No.PR00293).
[31] Brian Cabral,et al. Imaging vector fields using line integral convolution , 1993, SIGGRAPH.
[32] Adam Finkelstein,et al. WYSIWYG NPR: drawing strokes directly on 3D models , 2002, SIGGRAPH.
[33] Frédo Durand,et al. An invitation to discuss computer depiction , 2002, NPAR '02.
[34] Adrien Bousseau,et al. Interactive watercolor rendering with temporal coherence and abstraction , 2006, NPAR.
[35] 金子 光枝,et al. The Old Man and the Seaにおける文体 , 1972 .
[36] William V. Baxter,et al. DAB: Interactive Haptic Painting with 3D Virtual Brushes , 2001, SIGGRAPH Courses.
[37] Der-Lor Way,et al. The Synthesis of Trees in Chinese Landscape Painting Using Silhouette and Texture Strokes , 2002, WSCG.
[38] Kyunghyun Yoon,et al. Directional texture transfer , 2010, NPAR.
[39] Benjamin Z. Yao,et al. Introduction to a Large-Scale General Purpose Ground Truth Database: Methodology, Annotation Tool and Benchmarks , 2007, EMMCVPR.
[40] Ralph R. Martin,et al. Video-based running water animation in Chinese painting style , 2009, Science in China Series F: Information Sciences.
[41] Bruce Gooch,et al. Viewing progress in non-photorealistic rendering through Heinlein's lens , 2010, NPAR.
[42] David Salesin,et al. Video watercolorization using bidirectional texture advection , 2007, SIGGRAPH 2007.
[43] Lee Markosian,et al. Art-based rendering of fur, grass, and trees , 1999, SIGGRAPH.
[44] John P. Collomosse,et al. Stroke surfaces: temporally coherent artistic animations from video , 2005, IEEE Transactions on Visualization and Computer Graphics.
[45] Song-Chun Zhu,et al. Primal sketch: Integrating structure and texture , 2007, Comput. Vis. Image Underst..
[46] Xiaoyang Mao,et al. Colored pencil filter with custom colors , 2004, 12th Pacific Conference on Computer Graphics and Applications, 2004. PG 2004. Proceedings..
[47] Hui Xu,et al. Stylized rendering of 3D scanned real world environments , 2004, NPAR '04.
[48] Aaron Hertzmann,et al. Paint by relaxation , 2001, Proceedings. Computer Graphics International 2001.
[49] Song-Chun Zhu,et al. From image parsing to painterly rendering , 2009, TOGS.
[50] Jintae Lee,et al. Diffusion rendering of black ink paintings using new paper and ink models , 2001, Comput. Graph..
[51] John Lansdown,et al. Expressive rendering: a review of nonphotorealistic techniques , 1995, IEEE Computer Graphics and Applications.
[52] Douglas DeCarlo,et al. Stylization and abstraction of photographs , 2002, ACM Trans. Graph..
[53] Michio Shiraishi,et al. An algorithm for automatic painterly rendering based on local source image approximation , 2000, NPAR '00.
[54] Elaine Cohen,et al. Interactive artistic rendering , 2000, NPAR '00.
[55] Peter Litwinowicz,et al. Processing images and video for an impressionist effect , 1997, SIGGRAPH.
[56] Siu Chi Hsu,et al. Skeletal strokes , 1993, UIST '93.
[57] Elaine Cohen,et al. A non-photorealistic lighting model for automatic technical illustration , 1998, SIGGRAPH.
[58] Robert W. Sumner,et al. OverCoat: an implicit canvas for 3D painting , 2011, ACM Trans. Graph..
[59] Matthias Zwicker,et al. Pointshop 3D: an interactive system for point-based surface editing , 2002, SIGGRAPH.
[60] Oliver Deussen,et al. Real-time watercolor illustrations of plants using a blurred depth test , 2006, NPAR.
[61] Chung-Ren Yan,et al. Stylized Rendering Using Samples of a Painted Image , 2008, IEEE Transactions on Visualization and Computer Graphics.
[62] Hui Xu,et al. PointWorks: Abstraction and Rendering of Sparsely Scanned Outdoor Environments , 2004, Rendering Techniques.
[63] Aaron Hertzmann,et al. Painterly rendering with curved brush strokes of multiple sizes , 1998, SIGGRAPH.
[64] John Collomosse,et al. Painterly rendering using image salience , 2002, Proceedings 20th Eurographics UK Conference.
[65] Mario Costa Sousa,et al. Observational Model of Blenders and Erasers in Computer-Generated Pencil Rendering , 1999, Graphics Interface.
[66] Chiew-Lan Tai,et al. MoXi: real-time ink dispersion in absorbent paper , 2005, SIGGRAPH '05.
[67] David Salesin,et al. Image Analogies , 2001, SIGGRAPH.
[68] Mario Costa Sousa,et al. Observational Models of Graphite Pencil Materials , 2000, Comput. Graph. Forum.
[69] Tobias Isenberg,et al. Modeling with rendering primitives: an interactive non-photorealistic canvas , 2007, NPAR '07.
[70] Ken Perlin,et al. Painterly rendering for video and interaction , 2000, NPAR '00.
[71] Nicolai Petkov,et al. Artistic Edge and Corner Enhancing Smoothing , 2007, IEEE Transactions on Image Processing.