“This Is What I Need, This Is What Will Travel”

Until recently, broadcast television in the US was premised on profits arising from expanding space (national distribution, national and international syndication) and from limiting time (the imposed scarcity of access). Technological and regulatory changes have meant that television producers have had (reluctantly) to acquiesce in basic changes to this formula. This chapter looks at four ways these changes have affected the production of television programming. Specifically, program producers are compelled to create programs designed to travel over borders and through time, to translate to different cultures as well as to media, to tether to new viewing and new sponsorship practices, and, throughout all these conditions, to continue to tantalize viewers, attracting and holding the attention of industry and audience alike, at all these different sites. Keywords: branding; cross-media production; fan production; franchising; television exports; television industry; television programs