Enlighten Me
暂无分享,去创建一个
[1] Tom Wallis,et al. Film: A Critical Introduction , 2005 .
[2] John Lasseter,et al. Principles of traditional animation applied to 3D computer animation , 1987, SIGGRAPH.
[3] Kimberly A Barchard,et al. Is sadness blue? The problem of using figurative language for emotions on psychological tests , 2017, Behavior research methods.
[4] Kazuo Okanoya,et al. Shadows Alter Facial Expressions of Noh Masks , 2013, PloS one.
[5] James Gurney. Color and Light: A Guide for the Realist Painter , 2010 .
[6] E. Mingolla,et al. Perception of surface curvature and direction of illumination from patterns of shading. , 1983, Journal of experimental psychology. Human perception and performance.
[7] C. Wallraven,et al. Dynamic information for the recognition of conversational expressions. , 2009, Journal of vision.
[8] Aparna A. Labroo,et al. Incandescent Affect: Turning on the Hot Emotional System With Bright Light , 2014 .
[9] Christian Wallraven,et al. The interaction between motion and form in expression recognition , 2009, APGV '09.
[10] Heinrich H. Bülthoff,et al. Render me real? , 2012, ACM Trans. Graph..
[11] Ana Paiva,et al. Expression of Emotions in Virtual Humans Using Lights, Shadows, Composition and Filters , 2007, ACII.
[12] Catherine Pelachaud,et al. Modelling multimodal expression of emotion in a virtual agent , 2009, Philosophical Transactions of the Royal Society B: Biological Sciences.
[13] Boaz M. Ben-David,et al. A resource of validated affective and neutral sentences to assess identification of emotion in spoken language after a brain injury , 2011, Brain injury.
[14] Ulrike Wirth. Cinematography Theory And Practice Image Making For Cinematographers And Directors , 2016 .
[15] Jean-Claude Martin,et al. Combining Facial and Postural Expressions of Emotions in a Virtual Character , 2009, IVA.
[16] Jessica K. Hodgins,et al. The saliency of anomalies in animated human characters , 2010, TAP.
[17] Laurence T Maloney,et al. The proximity structure of achromatic surface colors and the impossibility of asymmetric lightness matching , 2006, Perception & psychophysics.
[18] Magy Seif El-Nasr,et al. Dynamic Lighting for Tension in Games , 2007, Game Stud..
[19] A. Reeves,et al. Effect of luminance on suprathreshold contrast perception. , 1991, Journal of the Optical Society of America. A, Optics and image science.
[20] Michael D. Robinson,et al. Anger as “seeing red”: Evidence for a perceptual association , 2012, Cognition & emotion.
[21] Richard F Murray,et al. Human vision is attuned to the diffuseness of natural light. , 2014, Journal of vision.
[22] Douglas W. Cunningham,et al. A psychophysical model to control the brightness and key-to-fill ratio in CG cartoon character lighting , 2019, SAP.
[23] E. Adelson. Lightness Perception and Lightness Illusions , 1999 .
[24] Ross Lowell. Matters of Light & Depth: Creating Memorable Images for Video, Film & Stills Through Lighting , 1992 .
[25] David Landau. Lighting for Cinematography: A Practical Guide to the Art and Craft of Lighting for the Moving Image , 2014 .
[26] Olivier D. Faugeras,et al. Shape From Shading , 2006, Handbook of Mathematical Models in Computer Vision.
[27] P. Ekman. An argument for basic emotions , 1992 .
[28] Fan Zhang,et al. Asymmetric perceptual confounds between canonical lightings and materials. , 2018, Journal of vision.
[29] Brian P. Meier,et al. Brighten up: Smiles facilitate perceptual judgment of facial lightness , 2012 .
[30] M. A. Bouman,et al. Spatial Modulation Transfer in the Human Eye , 1967 .
[31] S. S. Stevens. On the psychophysical law. , 1957, Psychological review.
[32] Bin Zuo,et al. Feeling light or dark? Emotions affect perception of brightness , 2016 .
[33] Karl F. MacDorman,et al. Too real for comfort? Uncanny responses to computer generated faces , 2009, Comput. Hum. Behav..
[34] Elen Lotman,et al. Exploring the Ways Cinematography Affects Viewers’ Perceived Empathy towards Onscreen Characters , 2016 .
[35] Ludovic Hoyet,et al. Emotion Capture: Emotionally Expressive Characters for Games , 2013, MIG.
[36] A. Gilchrist,et al. An anchoring theory of lightness perception. , 1999, Psychological review.
[37] Chris Christou,et al. Shape Constancy in Pictorial Relief , 1996, Object Representation in Computer Vision.
[38] Heinrich H. Bülthoff,et al. Evaluation of real-world and computer-generated stylized facial expressions , 2007, TAP.
[39] F. Thomas,et al. The illusion of life : Disney animation , 1981 .
[40] Blain Brown,et al. Cinematography : theory and practice : imagemaking for cinematographers and directors , 2016 .
[41] Pascal Barla,et al. A systematic approach to testing and predicting light-material interactions. , 2019, Journal of vision.
[42] Jeremy Birn,et al. Digital Lighting and Rendering , 2006 .
[43] Jennifer Lee Poland. LIGHTS, CAMERA, EMOTION! AN EXAMINATION ON FILM LIGHTING AND ITS IMPACT ON AUDIENCES’ EMOTIONAL RESPONSE , 2015 .
[44] LasseterJohn. Principles of traditional animation applied to 3D computer animation , 1987 .
[45] D. Brainard. 5 – Color Appearance and Color Difference Specification , 2003 .
[46] John Dingliana,et al. Perception of lighting and shading for animated virtual characters , 2016, SAP.
[47] Richard F Murray,et al. The human visual system's assumption that light comes from above is weak , 2011, Proceedings of the National Academy of Sciences.
[48] Huseyin Boyaci,et al. Context-dependent lightness affects perceived contrast , 2016, Vision Research.
[49] Diego Gutierrez,et al. To stylize or not to stylize? , 2015, ACM Trans. Graph..
[50] Gustav Theodor Fechner,et al. Elements of psychophysics , 1966 .
[51] Sabarish V. Babu,et al. Effects of Virtual Human Appearance Fidelity on Emotion Contagion in Affective Inter-Personal Simulations , 2016, IEEE Transactions on Visualization and Computer Graphics.
[52] Zbigniew Zaleski,et al. The Colors of Anger, Envy, Fear, and Jealousy , 1997 .
[53] Jessica K. Hodgins,et al. Perceptual effects of damped and exaggerated facial motion in animated characters , 2013, 2013 10th IEEE International Conference and Workshops on Automatic Face and Gesture Recognition (FG).
[54] Ludwig. Kardos,et al. Ding und Schatten : eine experimentelle untersuchung über die Grundlagen des Farbensehens , 1934 .
[55] K. Gegenfurtner,et al. Color Perception: Objects, Constancy, and Categories. , 2018, Annual review of vision science.