An Introduction to Multilevel Modeling for Research on the Psychology of Art and Creativity
暂无分享,去创建一个
[1] P. Silvia,et al. Must interesting things be pleasant? A test of competing appraisal structures. , 2006, Emotion.
[2] Jan de Leeuw,et al. Introducing Multilevel Modeling , 1998 .
[3] Lisa F. Smith,et al. The Influence of Presentation Format and Viewer Training in the Visual Arts on the Perception of Pictorial and Aesthetic Qualities of Paintings , 2001, Perception.
[4] G. A. Marcoulides. Multilevel Analysis Techniques and Applications , 2002 .
[5] Paul J. Silvia,et al. Artistic Training and Interest in Visual Art: Applying the Appraisal Model of Aesthetic Emotions , 2006 .
[6] Roel Bosker,et al. Multilevel analysis : an introduction to basic and advanced multilevel modeling , 1999 .
[7] Jacob Cohen,et al. Applied multiple regression/correlation analysis for the behavioral sciences , 1979 .
[8] P. Silvia. Cognitive Appraisals and Interest in Visual Art: Exploring an Appraisal Theory of Aesthetic Emotions , 2005 .
[9] P. Locher. Experimental Scrutiny of the Role of Balance in the Visual Arts , 2006 .
[10] Dean Keith Simonton,et al. Film as Art versus Film as Business: Differential Correlates of Screenplay Characteristics , 2005 .
[11] P. Silvia. Emotional Responses to Art: From Collation and Arousal to Cognition and Emotion , 2005 .
[12] B. Bastian,et al. Painting Preference and Personality, with Particular Reference to Gray's Behavioral Inhibition and Behavioral Approach Systems , 2002 .
[13] D. Polzella,et al. The Effect of Color on Viewers' Ratings of Paintings , 2005 .
[14] John B. Nezlek,et al. Multilevel Random Coefficient Analyses of Event- and Interval-Contingent Data in Social and Personality Psychology Research , 2001 .
[15] A. Chatterjee,et al. The Assessment of Preference for Balance: Introducing a New Test , 2005 .
[16] M. Aldenderfer,et al. Cluster Analysis. Sage University Paper Series On Quantitative Applications in the Social Sciences 07-044 , 1984 .
[17] Anthony S. Bryk,et al. Hierarchical Linear Models: Applications and Data Analysis Methods , 1992 .
[18] P. Silvia. What is interesting? Exploring the appraisal structure of interest. , 2005, Emotion.
[19] Judith D. Singer,et al. Using SAS PROC MIXED to Fit Multilevel Models, Hierarchical Models, and Individual Growth Models , 1998 .
[20] G. Burch. This is interesting. , 1970, American heart journal.
[21] Timothy J. Robinson,et al. Multilevel Analysis: Techniques and Applications , 2002 .
[22] Peter Kuppens,et al. The appraisal basis of anger: specificity, necessity and sufficiency of components. , 2003, Emotion.
[23] D. Berlyne,et al. Aesthetics and Psychobiology , 1975 .
[24] R. Dodhia. A Review of Applied Multiple Regression/Correlation Analysis for the Behavioral Sciences (3rd ed.) , 2005 .
[25] Yuk Fai Cheong,et al. HLM 6: Hierarchical Linear and Nonlinear Modeling , 2000 .
[26] Gregory J. Feist,et al. Openness to Experience, Non-Conformity, and the Preference for Abstract Art , 2004 .
[27] D. Rawlings. Personality correlates of liking for 'unpleasant' paintings and photographs , 2003 .
[28] Paul J. Locher,et al. The Contribution of Eye-Movement Research to an Understanding of the Nature of Pictorial Balance Perception: A Review of the Literature , 1996 .
[29] D. Rawlings. The Interaction of Openness to Experience and Schizotypy in Predicting Preference for Abstract and Violent Paintings , 2000 .
[30] P. Silvia. Exploring the Psychology of Interest , 2006 .
[31] W. S. Robinson,et al. Ecological correlations and the behavior of individuals. , 1950, International journal of epidemiology.