Authenticity and cultural heritage in the age of 3D digital reproductions

This book was funded by the EU 7th Framework Programme (7FP), DIGIFACT 625637 Project (http://cordis.europa.eu/project/rcn/187953_ en.html) and ADS3DV 625636 Project (http://cordis.europa.eu/project/ rcn/187952_en.html). The book will be Open Access, thanks to FP7 post-grant Open Access (https://www.openaire.eu/postgrantoapilot).

[1]  William Blades,et al.  The Pentateuch of Printing: With a Chapter on Judges... , 1891 .

[2]  W. Benjamin.  The work of art in the age of mechanical reproduction , 2018, A Museum Studies Approach to Heritage.

[3]  Lewis R. Binford,et al.  A Consideration of Archaeological Research Design , 1964, American Antiquity.

[4]  Olaf Olsen,et al.  Fyrkat : en jysk vikingeborg , 1977 .

[5]  J. Gibson.  The Ecological Approach to Visual Perception , 1979 .

[6]  Holger Schmidt.  Trelleborghuset og Fyrkathuset , 1981 .

[7]  Michael R. Booth.  Victorian Spectacular Theatre, 1850-1910 , 1981 .

[8]  H. G. Cohen,et al.  A comparison of the affect of two types of student behavior with manipulatives on the development of projective spatial structures , 1983 .

[9]  M. Millett,et al.  Excavations at Cowdery's Down Basingstoke, Hampshire, 1978–81 , 1983 .

[10]  W. M. Johnston,et al.  Tropics of Discourse: Essays in Cultural Criticism , 1983 .

[11]  H. Schmidt.  Om bygning af et vikingetidshus på Fyrkat , 1985 .

[12]  Michael Shanks,et al.  Re-Constructing Archaeology: Theory and Practice , 1987 .

[13]  Gary James Jason,et al.  The Logic of Scientific Discovery , 1988 .

[14]  Jay Tribby,et al.  Collectionneurs, amateurs et curieux : Paris, Venise, XVIe-XVIIIe siècle , 1988 .

[15]  Peter G. Dorrell,et al.  Photography in archaeology and conservation , 1989 .

[16]  S. Piggott,et al.  A History of Archaeological Thought , 1989 .

[17]  Pierre Bourdieu,et al.  Photography: A Middle-Brow Art , 1990 .

[18]  Sebastian Rahtz,et al.  Archaeology and the information age : a global perspective , 1992 .

[19]  Herbert Golder.  Visual Meaning in Greek Drama: Sophocles’Ajaxand the Art of Dying , 1992 .

[20]  M. Beard.  Casts and cast-offs: the origins of the Museum of Classical Archaeology * , 1994 .

[21]  Luciana Duranti,et al.  Reliability and Authenticity: The Concepts and Their Implications , 1995 .

[22]  S. Bann,et al.  Romanticism and the rise of history , 1995 .

[23]  Michael Shanks,et al.  Photography and archaeology , 1997 .

[24]  Ian Hodder,et al.  ‘Always momentary, fluid and flexible’: towards a reflexive excavation methodology , 1997, Antiquity.

[25]  M. Kuna,et al.  Whither archaeology? :papers in honour of Evžen Neustupný , 1997 .

[26]  K. Kristiansen,et al.  Social Transformations in Archaeology: Global and Local Perspectives , 1998 .

[27]  Derek B. Counts.  Contributions to the study of Cypriote sculpture : limestone votives from Athienou-Malloura , 1998 .

[28]  J. Hoskins.  Biographical Objects: How Things Tell the Stories of Peoples' Lives , 1998 .

[29]  G. Nash.  The Cultural Life of Images: Visual Representation in Archaeology , 1998 .

[30]  S. Bann.  Past looking: Historical imagination and the rhetoric of the image , 1998 .

[31]  B. Latour.  Pandora's Hope: Essays on the Reality of Science Studies , 1999 .

[32]  C. Holtorf.  Age as Artefact: On Archaeological Authenticity , 1999 .

[33]  J. Huggett,et al.  3D interpretative modelling of archaeological sites / a computer reconstruction of a medieval timber and earthwork castle , 2000 .

[34]  Gavin Lucas,et al.  Critical Approaches to Fieldwork: Contemporary and Historical Archaeological Practice , 2000 .

[35]  H. Eiteljorg.  The Compelling Computer Image - a double-edged sword , 2000 .

[36]  The Virtual Aura--Is There Space for Enchantment in a Technological World?. , 2001 .

[37]  Ruth M. Van Dyke.  Archaeological Theory: An Introduction , 2001 .

[38]  Stephanie Moser,et al.  Transforming archaeology through practice: Strategies for collaborative archaeology and the Community Archaeology Project at Quseir, Egypt , 2002 .

[39]  Mark Gillings,et al.  Spatial Technology and Archaeology: The Archaeological Applications of GIS , 2002 .

[40]  Nick S. Ryan,et al.  From CVR to CVRO: The Past, Present, and Future of Cultural Virtual Reality , 2002 .

[41]  V. Karageorghis.  Early Cyprus: Crossroads of the Mediterranean , 2003 .

[42]  Charles D. Trombold.  :Alfred Maudslay and the Maya: A Biography , 2003 .

[43]  Jody Joy.  Biography of a medal: people and the things they value , 2003 .

[44]  Graeme Earl.  Video Killed Engaging VR? Computer Visualizations on the TV Screen , 2004 .

[45]  R. Wheeler,et al.  Archaeology from the Earth , 2004 .

[46]  J.-Angelo Beraldin,et al.  INTEGRATION OF LASER SCANNING AND CLOSE-RANGE PHOTOGRAMMETRY – THE LAST DECADE AND BEYOND , 2004 .

[47]  Barbara W. Fash.  Cast Aside: Revisiting the Plaster Cast Collections from Mesoamerica , 2004 .

[48]  Davide Borra.  Sulla verità del modello 3D. Un metodo per comunicare la validità dell'anastilosi virtuale , 2004 .

[49]  Maureen Jameson.  Promises and challenges of digital libraries and document image analysis: a humanist's perspective , 2004, First International Workshop on Document Image Analysis for Libraries, 2004. Proceedings..

[50]  Jeremy Huggett,et al.  Archaeology and the new technological fetishism , 2004 .

[51]  Stephanie Moser,et al.  Envisioning the past : archaeology and the image , 2005 .

[52]  Mark Gillings,et al.  The Real, the Virtually Real, and the Hyperreal: The Role of VR in Archaeology , 2005 .

[53]  J. Jokilehto.  CONSIDERATIONS ON AUTHENTICITY AND INTEGRITY IN WORLD HERITAGE CONTEXT , 2006 .

[54]  J. Trant.  Investigating social tagging and folksonomy in art museums with steve.museum , 2006 .

[55]  Ruth M. Van Dyke.  Seeing the Past: Visual Media in Archaeology , 2006 .

[56]  Hubert Mara,et al.  The London Charter and its Applicability , 2007 .

[57]  Ross Parry.  Recoding the Museum: Digital Heritage and the Technologies of Change , 2007 .

[58]  K. Dixon,et al.  From Stonehenge to Las Vegas: Archaeology as Popular Culture , 2007 .

[59]  Jonathan Bateman,et al.  Wearing Juninho's Shirt: Record and Negotiation in Excavation Photographs , 2008 .

[60]  Angelos Barmpoutis,et al.  A novel framework for 3D reconstruction and analysis of ancient inscriptions , 2009, Machine Vision and Applications.

[61]  Dominic McIver Lopes,et al.  Drawing in a Social Science: Lithic Illustration , 2009, Perspectives on Science.

[62]  A. Marretta.  Digging the Past : one hundred years of research on Valcamonica rock art , 2009 .

[63]  S. Houston,et al.  The Classic Maya , 2009 .

[64]  S. Conn.  Do Museums Still Need Objects , 2009 .

[65]  Tim Gernat,et al.  Structured light scanning for high-resolution documentation of in situ archaeological finds , 2009 .

[66]  N. C. Nielsen.  Inauthentic archaeologies: public uses and abuses of the past , 2009 .

[67]  R. Dean,et al.  Practice-led Research, Research-led Practice in the Creative Arts , 2009 .

[68]  Timothy Webmoor,et al.  A Political Economy of Visual Media in Archaeology , 2010 .

[69]  Franco Niccolucci,et al.  Five Years After: The London Charter Revisited , 2010, VAST.

[70]  C. Holtorf.  The Presence of Pastness : Themed Environments and Beyond , 2010 .

[71]  David Beer,et al.  Consumption, Prosumption and Participatory Web Cultures , 2010 .

[72]  Sharon Adam,et al.  Preserving authenticity in the digital age , 2010, Libr. Hi Tech.

[73]  Siân Jones,et al.  Title: Negotiating Authentic Objects and Authentic Selves: beyond the Deconstruction of Authenticity Negotiating Authentic Objects and Authentic Selves: beyond the Deconstruction of Authenticity Negotiating Authentic Selves and Authentic Objects – the Case of Hilton of Cadboll , 2022 .

[74]  Greg Humphreys,et al.  Research challenges for digital archives of 3D cultural heritage models , 2009, JOCCH.

[75]  Franco Niccolucci,et al.  An Introduction to the London Charter , 2011 .

[76]  Martin Breunig,et al.  3D geo-database research: Retrospective and future directions , 2011, Comput. Geosci..

[77]  Aura, Self, and Aesthetic Experience , 2011 .

[78]  Graeme Earl,et al.  Authority and authenticity in future archaeological visualisation , 2011 .

[79]  Timothy Webmoor,et al.  Archaeology: The Discipline of Things , 2012 .

[80]  B. H. Leneyr.  Authenticity in a Digital Environment , 2012 .

[81]  W. Funk,et al.  Exploring the Empty Plinth. The Aesthetics of Authenticity , 2012 .

[82]  Maria Dolores,et al.  La "Restauración Virtual" según la interpretación arquitectónico-constructiva: metodología y aplicación al caso de la Villa de Livia. , 2012 .

[83]  Thomas P. Kersten,et al.  Image-Based Low-Cost Systems for Automatic 3D Recording and Modelling of Archaeological Finds and Objects , 2012, EuroMed.

[84]  Heather A. Horst,et al.  The Digital and the Human: A Prospectus for Digital Anthropology , 2012 .

[85]  Sorin Hermon,et al.  A Metadata Schema for Cultural Heritage Documentation , 2012 .

[86]  Valentina Bonora,et al.  FROM REAL TO..."REAL". A REVIEW OF GEOMATIC AND RAPID PROTOTYPING TECHNIQUES FOR SOLID MODELLING IN CULTURAL HERITAGE FIELD , 2012 .

[87]  M. Holst,et al.  The Late Viking-Age Royal Constructions at Jelling, central Jutland, Denmark. , 2013 .

[88]  Clifford Lynch,et al.  Authenticity and Integrity in the Digital Environment: an exploratory analysis of the central role of trust , 2013 .

[89]  C. Holtorf.  On Pastness: A Reconsideration of Materiality in Archaeological Object Authenticity , 2013 .

[90]  Nicole Beale,et al.  Making Digital: Visual Approaches to the Digital Humanities , 2013, EVA.

[91]  Marco Callieri,et al.  Digital reconstruction and visualization in archaeology: Case-study drawn from the work of the Swedish Pompeii Project , 2013, 2013 Digital Heritage International Congress (DigitalHeritage).

[92]  Siân Jones,et al.  Crafting authenticity: An ethnography of conservation practice , 2013 .

[93]  Franco Niccolucci,et al.  Quality management of 3D cultural heritage replicas with CIDOC-CRM , 2013, CRMEX@TPDL.

[94]  Paolo Cignoni,et al.  Digital Fabrication Technologies for Cultural Heritage (STAR) , 2014, GCH.

[95]  From illusions to reality: transformation of the term ‛virtual archaeology’ , 2016, Archaeological and Anthropological Sciences.

[96]  A. Pinz,et al.  A novel high accuracy 3D scanning device for rock-art sites , 2014 .

[97]  Paolo Cignoni,et al.  Interlocking Pieces for Printing Tangible Cultural Heritage Replicas , 2014, GCH.

[98]  Sara Perry.  Crafting knowledge with (digital) visual media in archaeology , 2014 .

[99]  David Matthey,et al.  Museum in transition , 2014 .

[100]  Horst Bischof,et al.  Active monocular localization: Towards autonomous monocular exploration for multirotor MAVs , 2014, 2014 IEEE International Conference on Robotics and Automation (ICRA).

[101]  G. Earl,et al.  Archaeology in the Digital Era Volume II e-Papers from the 40th Conference on Computer Applications and Quantitative Methods in Archaeology , 2014 .

[102]  Hembo Pagi,et al.  New applications of photogrammetry and reflectance transformation imaging to an Easter Island statue , 2014, Antiquity.

[103]  A Palisade Fit for a King: Ideal Architecture in King Harald Bluetooth’s Jelling , 2014 .

[104]  M. Dorrian.  Museum atmospheres: notes on aura, distance and affect , 2014 .

[105]  Leore Avshalom Ortal Uzy Grosman,et al.  Archaeology in Three Dimensions: Computer-Based Methods in Archaeological Research , 2014 .

[106]  Kay Sanderson.  Paradata and Transparency in Virtual Heritage , 2014, Electron. Libr..

[107]  Maurizio Forte,et al.  3D Archaeology: New Perspectives and Challenges—The Example of Çatalhöyük , 2014 .

[108]  Gareth Beale,et al.  Community-driven approaches to open source archaeological imaging , 2015 .

[109]  D. Goldberg,et al.  Cyber Archaeology: A Post-virtual Perspective , 2015 .

[110]  S. Jeffrey.  Challenging Heritage Visualisation: Beauty, Aura and Democratisation , 2015 .

[111]  Derek B. Counts,et al.  Shedding light on the Cypriot rural landscape: Investigations of the Athienou Archaeological Project in the Malloura Valley, Cyprus, 2011–2013 , 2015 .

[112]  F. M.,et al.  The Thing about Replicas — Why Historic Replicas Matter , 2015 .

[113]  Rosemary A. Joyce,et al.  Things in Motion: Object Itineraries in Anthropological Practice , 2015 .

[114]  Maurizio Forte,et al.  Revisiting reflexive archaeology at Çatalhöyük: integrating digital and 3D technologies at the trowel's edge , 2015, Antiquity.

[115]  Cara Jones,et al.  The ACCORD project: Archaeological Community Co-Production of Research Resources , 2015 .

[116]  Jeremy Huggett,et al.  Challenging Digital Archaeology , 2015 .

[117]  Judith Winters,et al.  Introduction: Critical Blogging in Archaeology , 2015 .

[118]  Eldon Yellowhorn.  Just Methods, No Madness: Historical Archaeology on the Piikani First Nation , 2015 .

[119]  P. Reilly,et al.  Additive Archaeology: An Alternative Framework for Recontextualising Archaeological Entities , 2015 .

[120]  M. Forte,et al.  Interpretation Process at Çatalhöyük using 3D , 2015 .

[121]  Diana Sommer,et al.  New Perspectives On Historical Writing , 2016 .

[122]  Justin L. Matthews,et al.  Framing the past: How virtual experience affects bodily description of artefacts , 2016 .

[123]  M. Hall.  Celts: Art and Identity , 2016, European Journal of Archaeology.

[124]  Hugh Denard,et al.  A New Introduction to the London Charter , 2016 .

[125]  Frederick Baker,et al.  Beyond stereoscopic: Combining spatial acquisition technologies in real-time engines to produce immersive virtual reality expereinces for the dissemination of archaeological research , 2016, 2016 International Conference on 3D Imaging (IC3D).

[126]  Neil Leach.  The Culture of the Copy , 2016 .

[127]  Jude Jones,et al.  The strange case of Dame Mary May's tomb: the performative value of reflectance transformation imaging and its use in deciphering the visual and biographical evidence of a late 17th-century portrait effigy , 2017 .

[128]  Kevin Garstki,et al.  Virtual Representation: the Production of 3D Digital Artifacts , 2016, Journal of Archaeological Method and Theory.

[129]  Holly Wright,et al.  Pencils and Pixels: Drawing and Digital Media in Archaeological Field Recording , 2018 .

[130]  Mónica Trujillo-López.  Art and Agency , 2019, Science, Technology, and Art in International Relations.

[131]  W. Petrie.  METHODS AND AIMS IN ARCHAEOLOGY , 2020 .

[132]  A. T. Olmstead,et al.  Travels and Studies in the Nearer East , 2022 .