Distinguishing between the Meanings of Music: When Background Music Affects Product Perceptions

Music theory distinguishes between two types of meanings that music can impart: (1) embodied meaning, which is purely hedonic, context independent, and based on the degree of stimulation the musical sound affords, and (2) referential meaning, which is context dependent and reflects networks of semantic-laden, external world concepts. Two studies investigate which (if either) of these background music meanings influence perceptions of an advertised product and when. Findings suggest that people who engage in nonintensive processing are insensitive to either type of meaning. However, more intensive processors base their perceptions on the music's referential meaning when ad message processing requires few resources, but they use the music's embodied meaning when such processing is relatively resource demanding.

[1]  W. Jay Dowling,et al.  Emotion and Meaning , 1985 .

[2]  C. Whan Park,et al.  The Differential Role of Characteristics of Music on High- and Low-Involvement Consumers' Processing of Ads , 1991 .

[3]  Joan Meyers-Levy,et al.  Evaluating persuasion-enhancing techniques from a resource-matching perspective , 1997 .

[4]  Curtis P. Haugtvedt,et al.  Personality and Persuasion : Need for Cognition Moderates the Persistence and Resistance of Attitude Changes , 2004 .

[5]  D. Simonton Musical Aesthetics and Creativity in Beethoven: A Computer Analysis of 105 Compositions , 1987 .

[6]  M. Boltz Musical Soundtracks as a Schematic Influence on the Cognitive Processing of Filmed Events , 2001 .

[7]  E. Gaston Man and music , 1995 .

[8]  Adrian C. North,et al.  Experimental Aesthetics and Everyday Music Listening , 1997 .

[9]  D. Simonton Emotion and Composition in Classical Music , 1993 .

[10]  D. Hargreaves The Effects of Repetition on Liking for Music , 1984 .

[11]  Nader T. Tavassoli Language in Multimedia: Interaction of Spoken and Written Information , 1998 .

[12]  Joel B. Cohen,et al.  Affect Monitoring and the Primacy of Feelings in Judgment , 2001 .

[13]  S. Davies Philosophical perspectives on music's expressiveness , 2001 .

[14]  Mark I. Alpert,et al.  Music influences on mood and purchase intentions , 1990 .

[15]  Nicholas Cook,et al.  Analysing Musical Multimedia , 1998 .

[16]  Adrian C. North,et al.  The social psychology of music. , 1997 .

[17]  C. Krumhansl Music as Cognition. , 1987 .

[18]  Leonard B. Meyer Universalism and Relativism in the Study of Ethnic Music , 1960 .

[19]  D. Hargreaves,et al.  Development of Liking for Familiar and Unfamiliar Melodies. , 1987 .

[20]  A. Gabrielsson,et al.  The influence of musical structure on emotional expression. , 2001 .

[21]  C. F. Kao,et al.  The efficient assessment of need for cognition. , 1984, Journal of personality assessment.

[22]  D. Stapel,et al.  The effects of diffuse and distinct affect. , 2002, Journal of personality and social psychology.

[23]  Kineta Hung Framing Meaning Perceptions with Music: The Case of Teaser Ads , 2001 .