Virtual String Synthesis
暂无分享,去创建一个
[1] Julius Smith,et al. Adaptive Interpolated Time-Delay Estimation , 1985, IEEE Transactions on Aerospace and Electronic Systems.
[2] Julius O. Smith,et al. PARSHL: An Analysis/Synthesis Program for Non-Harmonic Sounds Based on a Sinusoidal Representation , 1987, ICMC.
[3] Stephen Travis Pope,et al. Musical Signal Processing , 1997 .
[4] Unto K. Laine,et al. Splitting the Unit Delay - Tools for fractional delay filter design , 1996 .
[5] Julius O. Smith,et al. A flexible sampling-rate conversion method , 1984, ICASSP.
[6] Vesa Välimäki,et al. DSP equalization of electret film pickup for the acoustic guitar , 2000 .
[7] Vesa Välimäki,et al. Physical Modeling of Plucked String Instruments with Application to Real-Time Sound Synthesis , 1996 .
[8] Vesa Välimäki,et al. Development and Calibration of a Guitar Synthesizer , 1997 .
[9] Xavier Serra,et al. Musical Sound Modeling with Sinusoids plus Noise , 1997 .
[10] Matti Karjalainen,et al. Restoration and Enhancement of Solo Guitar Recordings Based on Sound Source Modeling , 2002 .
[11] Julius O. Smith,et al. Extensions of the Karplus-Strong Plucked-String Algorithm , 1983 .
[12] V. Valimaki,et al. Robust loss filter design for digital waveguide synthesis of string tones , 2003, IEEE Signal Processing Letters.
[13] Matti Karjalainen,et al. Physics-based methods for modeling nonlinear vibrating strings , 2005 .
[14] Julius O. Smith,et al. Excitation signal Extraction for Guitar tones , 2007, ICMC.
[15] Van Valkenburg,et al. Introduction to Modern Network Synthesis , 1960 .
[16] Alan V. Oppenheim,et al. Discrete-time signal processing (2nd ed.) , 1999 .
[17] Matti Karjalainen,et al. Towards High-Quality Sound Synthesis of the Guitar and String Instruments , 1993, ICMC.
[18] James A. Moorer,et al. About This Reverberation Business , 1978 .
[19] J. Laroche. The use of the matrix pencil method for the spectrum analysis of musical signals , 1993 .
[20] W. Putnam,et al. Design of fractional delay filters using convex optimization , 1997, Proceedings of 1997 Workshop on Applications of Signal Processing to Audio and Acoustics.
[21] Tapan K. Sarkar,et al. Matrix pencil method for estimating parameters of exponentially damped/undamped sinusoids in noise , 1990, IEEE Trans. Acoust. Speech Signal Process..
[22] Mu-Huo Cheng,et al. Automated analysis and computationally efficient synthesis of acoustic guitar strings and body , 1995, Proceedings of 1995 Workshop on Applications of Signal Processing to Audio and Accoustics.
[23] Jean Laroche,et al. Multichannel excitation/filter modeling of percussive sounds with application to the piano , 1994, IEEE Trans. Speech Audio Process..
[24] Nelson Lee,et al. Use of the energy decay relief (EDR) to estimate partial‐overtone decay times in a freely vibrating string , 2006 .
[25] Julius O. Smith,et al. Commuted Piano Synthesis , 1995, ICMC.
[26] Julius O. Smith,et al. Efficient Synthesis of Stringed Musical Instruments , 1993, ICMC.
[27] Kevin Karplus,et al. Digital Synthesis of Plucked-String and Drum Timbers , 1983 .
[28] V. Belevitch,et al. Classical network theory , 1968 .
[29] S. Schwerman,et al. The Physics of Musical Instruments , 1991 .
[30] Robert W. Newcomb,et al. Linear multiport synthesis , 1966 .
[31] Unto K. Laine,et al. Splitting the unit delay [FIR/all pass filters design] , 1996, IEEE Signal Process. Mag..
[32] Jean Laroche. Time and Pitch Scale Modification of Audio Signals , 2002 .
[33] Julius O. Smith,et al. Introduction to Digital Filters: with Audio Applications , 2007 .
[34] Alan V. Oppenheim,et al. Discrete-Time Signal Pro-cessing , 1989 .
[35] Gabriel Weinreich,et al. Coupled piano strings , 1977 .
[36] Julius O. Smith,et al. An Allpass Approach to Digital Phasing and Flanging , 1984, ICMC.
[37] M. Karjalainen,et al. Discrete-time modelling of musical instruments , 2005 .
[38] Ove Christensen,et al. Simple model for low-frequency guitar function , 1980 .
[39] Matti Karjalainen,et al. Modeling of tension modulation nonlinearity in plucked strings , 2000, IEEE Trans. Speech Audio Process..
[40] L. Rabiner,et al. A digital signal processing approach to interpolation , 1973 .
[41] Jean-Pierre Dalmont,et al. Acoustic impedance measurement: Plane‐wave mode and first helical mode contributions , 1992 .
[42] Louis Vessot King,et al. On the Acoustic Radiation Pressure on Spheres , 1934 .
[43] Julius O. Smith,et al. MEASURING AND UNDERSTANDING THE GYPSY GUITAR , 2007 .
[44] Julius O. Smith,et al. Physical Modeling Using Digital Waveguides , 1992 .
[45] M. R. Schroeder. Improved Quasi‐Stereophony and “Colorless” Artificial Reverberation , 1961 .