The ps13 pitch spelling algorithm
暂无分享,去创建一个
[1] E. Chew. Towards a mathematical model of tonality , 2000 .
[2] Elaine Chew,et al. Mapping Midi to the Spiral Array: Disambiguating Pitch Spellings , 2003 .
[3] Maxime Crochemore,et al. Approximate String Matching in Musical Sequences , 2001, Stringology.
[4] Maxime Crochemore,et al. Algorithms For Computing Approximate Repetitions In Musical Sequences , 2002, Int. J. Comput. Math..
[5] Terry Winograd,et al. Linguistics and the computer analysis of tonal harmony , 1968 .
[6] Florence Wickins. Rudiments and theory of music , 1899 .
[7] Eleanor Selfridge-Field,et al. Beyond MIDI: the handbook of musical codes , 1997 .
[8] Robert Rowe,et al. Review of The Cognition of Basic Musical Structures by David Temperley , 2005 .
[9] Mark D. Plumbley,et al. Polyphonic transcription by non-negative sparse coding of power spectra , 2004, ISMIR.
[10] Mark D. Plumbley,et al. Polyphonic music transcription by non-negative sparse coding of power spectra , 2004 .
[11] H. C. Longuet-Higgins,et al. Perception of melodies , 1976, Nature.
[12] Elaine Chew,et al. Real-Time Pitch Spelling Using the Spiral Array , 2005, Computer Music Journal.
[13] Donald E. Knuth,et al. Fast Pattern Matching in Strings , 1977, SIAM J. Comput..
[14] S. R. Holtzman. A program for key determination , 1977 .
[15] Robert Morris,et al. Composition With Pitch-Classes: A Theory of Compositional Design , 1991 .
[16] Raúl Coré,et al. Grove Music Online , 2006 .
[17] Robert S. Boyer,et al. A fast string searching algorithm , 1977, CACM.
[18] David Temperley,et al. What's Key for Key? The Krumhansl-Schmuckler Key-Finding Algorithm Reconsidered , 1999 .
[19] R. Young. Terminology for Logarithmic Frequency Units , 1939 .
[20] Mira Balaban,et al. Understanding music with AI: perspectives on music cognition , 1992 .
[21] Alexander R. Brinkman. Pascal Programming for Music Research , 1989 .
[22] A. Gabrielsson. The Performance of Music , 1999 .
[23] Mark Steedman,et al. On Interpreting Bach , 1987 .
[24] R. Shepard,et al. Quantification of the hierarchy of tonal functions within a diatonic context. , 1979, Journal of experimental psychology. Human perception and performance.
[25] A. Forte. The Structure of Atonal Music , 1973 .
[26] Simon J. Godsill,et al. Bayesian harmonic models for musical signal analysis , 2003 .
[27] Bjarne Stroustrup,et al. C++ Programming Language , 1986, IEEE Softw..
[28] C. Krumhansl,et al. Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys. , 1982, Psychological review.
[29] L. Knopoff,et al. Entropy as a Measure of Style: The Influence of Sample Length , 1983 .
[30] John Rahn,et al. Basic Atonal Theory , 1980 .
[31] Eric Regener. Pitch notation and equal temperament: A formal study , 1973 .
[32] Zvi Galil. On improving the worst case running time of the Boyer-Moore string matching algorithm , 1979, CACM.
[33] David Meredith. Comparing pitch spelling algorithms on a large corpus of tonal music , 2004 .
[34] J. Youngblood. Style as Information , 1958 .
[35] Walter B. Hewlett. MuseData : multipurpose representation , 1997 .
[36] Emilios Cambouropoulos. Automatic Pitch Spelling: From Numbers to Sharps and Flats , 2001 .
[37] John Backus,et al. The Acoustical Foundations of Music , 1970 .
[38] Daniel Dominic Sleator,et al. Modeling Meter and Harmony: A Preference-Rule Approach , 1999, Computer Music Journal.
[39] Piet G. Vos,et al. A parallel-processing key-finding model , 1996 .
[40] Costas S. Iliopoulos,et al. Computing Approximate Repetitions in Musical Sequences , 2000, Stringology.
[41] Robert O. Gjerdingen,et al. The Cognition of Basic Musical Structures , 2004 .
[42] H. John Maxwell,et al. An expert system for harmonizing analysis of tonal music , 1992 .
[43] Michael Droettboom,et al. ISMIR 2004: International Conference on Music Information Retrieval, October 10-14, 2004, Universitat Pompeu Fabra, Barcelona, Spain , 2004 .
[44] Emilios Cambouropoulos,et al. Towards a General Computational Theory of Musical Structure , 1998 .
[45] David Temperley,et al. An Algorithm for Harmonic Analysis , 1997 .
[46] John A. Sloboda,et al. The performance of music , 1986 .
[47] C. Krumhansl,et al. Tracing the dynamic changes in perceived tonal organization in a spatial representation of musical keys. , 1982 .
[48] David Meredith,et al. Computing Pitch Names In Tonal Music: A Comparative Analysis of Pitch Spelling Algorithms , 2007 .
[49] Mark D. Plumbley,et al. Automatic Music Transcription and Audio Source Separation , 2002, Cybern. Syst..
[50] Geraint A. Wiggins,et al. Algorithms for discovering repeated patterns in multidimensional representations of polyphonic music , 2002 .
[51] David Meredith,et al. Pitch Spelling Algorithms , 2003 .
[52] Christopher Raphael,et al. Well-Tempered Spelling: A Key Invariant Pitch Spelling Algorithm , 2004, ISMIR.
[53] Christopher Raphael,et al. Harmonic analysis with probabilistic graphical models , 2003, ISMIR.
[54] Emilios Cambouropoulos,et al. A general pitch interval representation: Theory and applications , 1996 .
[55] Geraint A. Wiggins,et al. Comparing Pitch Spelling Algorithms , 2004, ISMIR.
[56] Elaine Chew,et al. Determining context-defining windows: Pitch spelling using the spiral array , 2003, ISMIR.
[57] Emilios Cambouropoulos. Pitch Spelling: A Computational Model , 2003 .