Expressiveness in musical emotions
暂无分享,去创建一个
[1] S. Vanderark,et al. Biochemical and Galvanic Skin Responses to Music Stimuli by College Students in Biology and Music , 1992, Perceptual and motor skills.
[2] M. Bradley,et al. Affective reactions to acoustic stimuli. , 2000, Psychophysiology.
[3] I. Peretz,et al. Music and emotion: perceptual determinants, immediacy, and isolation after brain damage , 1998, Cognition.
[4] M. Bradley,et al. Emotional arousal and activation of the visual cortex: an fMRI analysis. , 1998, Psychophysiology.
[5] P. Juslin. Perceived Emotional Expression in Synthesized Performances of a Short Melody: Capturing the Listener's Judgment Policy , 1997 .
[6] N. Rickard. Intense emotional responses to music: a test of the physiological arousal hypothesis , 2004 .
[7] K. Scherer,et al. Handbook of affective sciences. , 2003 .
[8] I. Peretz,et al. Cortical deafness to dissonance. , 2001, Brain : a journal of neurology.
[9] B. Parkinson,et al. Emotion and motivation , 1995 .
[10] A. Ohman,et al. The face in the crowd revisited: a threat advantage with schematic stimuli. , 2001, Journal of personality and social psychology.
[11] D. Västfjäll,et al. An experience sampling study of emotional reactions to music: listener, music, and situation. , 2008, Emotion.
[12] A. Gabrielsson. Emotions in strong experiences with music. , 2001 .
[13] M. Bradley,et al. Emotion and motivation I: defensive and appetitive reactions in picture processing. , 2001, Emotion.
[14] M. Bradley,et al. Remembering pictures: pleasure and arousal in memory. , 1992, Journal of experimental psychology. Learning, memory, and cognition.
[15] E. Schellenberg,et al. Arousal, Mood, and The Mozart Effect , 2001, Psychological science.
[16] A. Mathews,et al. Anxiety and Attention to Threatening Pictures , 2001, The Quarterly journal of experimental psychology. A, Human experimental psychology.
[17] J. Sloboda,et al. Music and emotion: Theory and research , 2001 .
[18] Jerome Kagan,et al. Perception of music by infants , 1996, Nature.
[19] P. Juslin,et al. The Role of Timing Patterns in Recognition of Emotional Expression from Musical Performance , 1999 .
[20] P. Laukka,et al. Communication of emotions in vocal expression and music performance: different channels, same code? , 2003, Psychological bulletin.
[21] A. Ohman,et al. Emotion drives attention: detecting the snake in the grass. , 2001, Journal of experimental psychology. General.
[22] L. Nadel,et al. Cognitive neuroscience of emotion , 2000 .
[23] P. Gomez,et al. Relationships between musical structure and psychophysiological measures of emotion. , 2007, Emotion.
[24] Alan C. Evans,et al. Emotional responses to pleasant and unpleasant music correlate with activity in paralimbic brain regions , 1999, Nature Neuroscience.
[25] Andrew W Young,et al. The eyebrow frown: a salient social signal. , 2002, Emotion.
[26] C. Witvliet,et al. Play it again Sam: Repeated exposure to emotionally evocative music polarises liking and smiling responses, and influences other affective reports, facial EMG, and heart rate , 2007 .
[27] Matthew Flatt,et al. PsyScope: An interactive graphic system for designing and controlling experiments in the psychology laboratory using Macintosh computers , 1993 .
[28] S. Green,et al. The Ability to Identify Emotional Content of Solo Improvisations Performed Vocally and on Three Different Instruments , 1993 .
[29] I. Peretz,et al. A developmental study of the affective value of tempo and mode in music , 2001, Cognition.
[30] A. Gabrielsson,et al. The influence of musical structure on emotional expression. , 2001 .
[31] E. Bigand,et al. Are we “experienced listeners”? A review of the musical capacities that do not depend on formal musical training , 2006, Cognition.
[32] A. Gabrielsson. The Performance of Music , 1999 .
[33] C. Krumhansl. An exploratory study of musical emotions and psychophysiology. , 1997, Canadian journal of experimental psychology = Revue canadienne de psychologie experimentale.
[34] E. Fox,et al. Do threatening stimuli draw or hold visual attention in subclinical anxiety? , 2001, Journal of experimental psychology. General.
[35] P. Juslin,et al. Toward a computational model of expression in music performance: The GERM model , 2001 .
[36] S. Nieuwenhuis,et al. The Beneficial Effect of Concurrent Task-Irrelevant Mental Activity on Temporal Attention , 2005, Psychological science.
[37] I. Peretz,et al. Happy, sad, scary and peaceful musical excerpts for research on emotions , 2008 .
[38] Paul Boersma,et al. Praat, a system for doing phonetics by computer , 2002 .
[39] E. Fox. Processing emotional facial expressions: The role of anxiety and awareness , 2002, Cognitive, affective & behavioral neuroscience.
[40] M. Bradley,et al. Measuring emotion: Behavior, feeling, and physiology , 2000 .
[41] Jeff T. Larsen,et al. Effects of positive and negative affect on electromyographic activity over zygomaticus major and corrugator supercilii. , 2003, Psychophysiology.
[42] J. Marozeau,et al. Multidimensional scaling of emotional responses to music: The effect of musical expertise and of the duration of the excerpts , 2005 .
[43] S. Khalfa,et al. Event-related skin conductance responses to musical emotions in humans , 2002, Neuroscience Letters.
[44] P. Lang. International Affective Picture System (IAPS) : Technical Manual and Affective Ratings , 1995 .
[45] S. Davies. Infectious Music: Music-Listener Emotional Contagion , 2011 .
[46] L. Trainor,et al. The development of evaluative responses to music:: Infants prefer to listen to consonance over dissonance , 1998 .
[47] S. Koelsch,et al. Effects of Unexpected Chords and of Performer's Expression on Brain Responses and Electrodermal Activity , 2008, PloS one.
[48] J. Kagan,et al. INFANTS' PERCEPTION OF CONSONANCE AND DISSONANCE IN MUSIC , 1998 .
[49] P. Juslin,et al. Emotional expression in music. , 2003 .
[50] A. Hamm,et al. Physiological and Musico-Acoustic Correlates of the Chill Response , 2007 .
[51] Peter Goldie,et al. Empathy: Philosophical and Psychological Perspectives , 2011 .
[52] P. Juslin. Emotional Communication in Music Performance: A Functionalist Perspective and Some Data , 1997 .
[53] Isabelle Peretz,et al. Role of tempo entrainment in psychophysiological differentiation of happy and sad music? , 2008, International journal of psychophysiology : official journal of the International Organization of Psychophysiology.
[54] D. Västfjäll,et al. Emotional responses to music: the need to consider underlying mechanisms. , 2008, The Behavioral and brain sciences.
[55] I. Peretz,et al. Impaired recognition of scary music following unilateral temporal lobe excision. , 2005, Brain : a journal of neurology.
[56] K. Kallinen,et al. The effects of pre-existing moods on the emotional responses to music , 2006 .
[57] P. Juslin,et al. Emotional Expression in Music Performance: Between the Performer's Intention and the Listener's Experience , 1996 .
[58] J. Cacioppo,et al. Handbook of psychophysiology (2nd ed.). , 2000 .
[59] P. Gomez,et al. Affective and physiological responses to environmental noises and music. , 2004, International journal of psychophysiology : official journal of the International Organization of Psychophysiology.
[60] E. Fox,et al. Facial Expressions of Emotion: Are Angry Faces Detected More Efficiently? , 2000, Cognition & emotion.
[61] P. Vuilleumier,et al. Facial expression and selective attention , 2002 .