Introduction: The Manuscript Copy and the Printed Original in the Digital Present

[1]  Joyce Coleman,et al.  The social life of illumination : manuscripts, images, and communities in the Late Middle Ages , 2013 .

[2]  J. Crick,et al.  Introduction: script, print and history , 2004 .

[3]  K. Hindley.  The Role of the Scroll: An Illustrated Introduction to Scrolls in the Middle Ages by Thomas Forrest Kelly (review) , 2020, Manuscript Studies: A Journal of the Schoenberg Institute for Manuscript Studies.

[4]  William M. Ivins join,et al.  Prints and Visual Communication , 1953 .

[5]  A. J. D. Furia.  Raphael, Dürer, and Marcantonio Raimondi : copying and the Italian Renaissance print , 2005 .

[6]  A. V. Buren,et al.  Playing Cards and Manuscripts: Some Widely Disseminated Fifteenth-Century Model Sheets , 1974 .

[7]  Edward H. Wouk.  Toward an Anthropology of Print , 2016 .

[8]  Jessica Berenbeim.  Script after print: Juan de Yciar and the art of writing , 2010 .

[9]  U. Neddermeyer.  Why were there no riots of the scribes , 1997 .

[10]  R. Chartier.  The Cultural Uses of Print in Early Modern France , 1989 .

[11]  J. Hamburger.  Enluminure et incunable. L'exemplaire alsacien des Soixante-cinq articles de Jourdain de Quedlinbourg , 2004 .

[12]  Julie Nelson Davis,et al.  The Handwritten and the Printed: Issues of Format and Medium in Japanese Premodern Books , 2016 .

[13]  M. Reeve.  Manuscripts and methods : essays on editing and transmission , 2011 .

[14]  A. Hutchison.  Marking the hours. English people and their prayers, 1240–1570 . By Eamon Duffy. Pp. xiv+202 incl. colour frontispiece and 114 black-and-white and colour plates. New Haven–London: Yale University Press, 2006. £19.99. 0 300 11714 0 , 2009, The Journal of Ecclesiastical History.

[15]  A. Derolez.  The copying of printed books for humanistic bibliophiles in the fifteenth century , 1986 .

[16]  I. Galambos.  7 Manuscript and Print in the Tangut State: The Case of the Sunzi , 2016 .

[17]  Jessica Brantley,et al.  The Prehistory of the Book , 2009, PMLA/Publications of the Modern Language Association of America.

[18]  Howard W. Winger,et al.  : The Fifteenth-Century Book: The Scribes, the Printers, the Decorators , 1961 .

[19]  E. Nyström.  Codicological Crossover: The Merging of Manuscript and Print , 2014 .

[20]  E. Kropf.  Will That Surrogate Do?: Reflections on Material Manuscript Literacy in the Digital Environment from Islamic Manuscripts at the University of Michigan Library , 2016 .

[21]  C. Dondi.  Introduction: The 15cBOOKTRADE Project and the Study of Incunabula as Historical Sources , 2020 .

[22]  W. Benjamin.  The work of art in the age of mechanical reproduction , 2018, A Museum Studies Approach to Heritage.

[23]  M. Camille.  The "Très Riches Heures": An Illuminated Manuscript in the Age of Mechanical Reproduction , 1990, Critical Inquiry.

[24]  Larry Silver.  Larry Silver. Review of "Painted Prints: The Revelation of Color in Northern Renaissance and Baroque Engravings, Etchings, and Woodcuts" . , 2002 .

[25]  A. Blair.  Reflections on Technological Continuities: Manuscripts Copied from Printed Books , 2015 .

[26]  Hans Belting,et al.  Likeness and Presence: A History of the Image before the Era of Art , 1994 .

[27]  Michelle P Brown.  The Triumph of the Codex: The Manuscript Book before 1100 , 2019 .

[28]  M. Erler.  Pasted-In Embellishments in English Manuscripts and Printed Books c. 1480–1533 , 1992 .

[29]  K. Chow.  Reinventing Gutenberg: Woodblock and movable-type printing in Europe and China , 2007 .

[30]  Michael F. S. J. Suarez,et al.  Making meaning : "Printers of the mind" and other essays , 2002 .

[31]  David N. Wells,et al.  A Companion to the History of the Book , 2010 .

[32]  J. Black.  Print, Manuscript and the Search for Order, 1450–1830. David McKitterick , 2004 .

[33]  Julian Luxford,et al.  Seals and Status: The Power of Objects , 2018 .

[34]  Alison Stewart.  Early Engravers and Their Public: The Master of the Berlin Passion and Manuscripts From Convents in the Rhine-Maas Region, ca. 1450-1500 , 2006 .

[35]  Zeynep Tenger,et al.  From Print versus Manuscript to Sociable Authorship and Mixed Media: A Review of Trends in the Scholarship of Early Modern Publication , 2010 .

[36]  Kathryn A. Schwartz.  Did Ottoman Sultans Ban Print? , 2017 .

[37]  J. Marrow.  A Book of Hours from the Circle of the Master of the Berlin Passion: Notes on the Relationship between Fifteenth-Century Manuscript Illumination and Printmaking in the Rhenish Lowlands , 1978 .

[38]  D. Watt,et al.  Towards a queer philology , 2018, postmedieval.

[39]  A. Gillespie.  Poets, printers, and early English Sammelbände , 2004 .

[40]  Richard G. Landon.  The nature of the book: Print and knowledge in the making , 1999 .

[41]  S. Mareel,et al.  Introduction: Walter Benjamin's aura and early modern textuality , 2016 .

[42]  Andrew Hope,et al.  A companion to the early printed book in Britain, 1476-1558 , 2014 .

[43]  V. Schmidt.  Some Notes on Scrolls in the Middle Ages , 2011 .

[44]  H. W. Winger.  : The Gutenberg Galaxy: The Making of Typographic Man , 1963 .

[45]  H. Phillips.  How Soon is Now? Medieval Texts, Amateur Readers, and the Queerness of Time , 2014 .

[46]  Hang Lin,et al.  INTERSECTING BOUNDARIES: MANUSCRIPT, PRINTING, AND BOOK CULTURE IN LATE MING CHINA , 2016 .

[47]  Kristina Luce.  The viewer and the printed image in late medieval Europe , 2011 .

[48]  Christopher S. Wood.  Forgery, Replica, Fiction: Temporalities of German Renaissance Art , 2008 .

[49]  P. Kornicki.  Manuscript, not Print: Scribal Culture in the Edo Period , 2006 .

[50]  H. Love.  Scribal publication in seventeenth-century England , 1995 .

[51]  C. E. Lutz,et al.  Manuscripts Copied from Printed Books , 2016 .

[52]  Aden Kumler.  The multiplication of the species: Eucharistic morphology in the Middle Ages , 2011, RES: Anthropology and Aesthetics.

[53]  G. Clark.  Painting the Page in the Age of Print: Central European Manuscript Illumination of the Fifteenth Century ed. by Jeffrey F. Hamburger, Robert Suckale, and Gude Suckale-Redlefsen (review) , 2020, Manuscript Studies: A Journal of the Schoenberg Institute for Manuscript Studies.

[54]  Michael D. Bristol,et al.  PRINT MANUSCRIPT PERFORMANCE: THE CHANGING RELATIONS OF THE MEDIA IN EARLY MODERN ENGLAND , 2000 .

[55]  Richard F. Teichgraeber.  The printing press as an agent of change: Communications and cultural transformations in early-modern europe , 1984 .

[56]  Maria H. Loh.  New and Improved: Repetition as Originality in Italian Baroque Practice and Theory , 2004 .

[57]  J. Griffiths,et al.  Book Production and Publishing in Britain 1375-1475. , 1989 .

[58]  Aden Kumler.  Manufacturing the Sacred in the Middle Ages: The eucharist and other medieval works of ars , 2015 .

[59]  Bill Endres.  Digitizing Medieval Manuscripts , 2019 .

[60]  E. Panofsky,et al.  Original and facsimile reproduction , 2010, RES: Anthropology and Aesthetics.

[61]  Dominique Coq.  L'incunable, un bâtard du manuscrit ? , 1982 .