Deep Unsupervised Drum Transcription
暂无分享,去创建一个
[1] Karen Simonyan,et al. Neural Audio Synthesis of Musical Notes with WaveNet Autoencoders , 2017, ICML.
[2] Gaël Richard,et al. Drum extraction in single channel audio signals using multi-layer Non negative Matrix Factor Deconvolution , 2017, 2017 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP).
[3] Daniel P. W. Ellis,et al. MIR_EVAL: A Transparent Implementation of Common MIR Metrics , 2014, ISMIR.
[4] Masataka Goto,et al. Unsupervised music understanding based on nonparametric Bayesian models , 2012, 2012 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP).
[5] Gerhard Widmer,et al. A Review of Automatic Drum Transcription , 2018, IEEE/ACM Transactions on Audio, Speech, and Language Processing.
[6] Florian Krebs,et al. madmom: A New Python Audio and Music Signal Processing Library , 2016, ACM Multimedia.
[7] Alexander Lerch,et al. Automatic Drum Transcription Using the Student-Teacher Learning Paradigm with Unlabeled Music Data , 2017, ISMIR.
[8] Jiri Matas,et al. Forward-Backward Error: Automatic Detection of Tracking Failures , 2010, 2010 20th International Conference on Pattern Recognition.
[9] Jouni Paulus,et al. Drum transcription with non-negative spectrogram factorisation , 2005, 2005 13th European Signal Processing Conference.
[10] Peter Knees,et al. Drum transcription from polyphonic music with recurrent neural networks , 2017, 2017 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP).
[11] Jason Hockman,et al. Automatic Drum Transcription Using Bi-Directional Recurrent Neural Networks , 2016, ISMIR.
[12] Mark D. Plumbley,et al. Unsupervised analysis of polyphonic music by sparse coding , 2006, IEEE Transactions on Neural Networks.
[13] Markus Schedl,et al. Polyphonic piano note transcription with recurrent neural networks , 2012, 2012 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP).
[14] Florian Krebs,et al. Evaluating the Online Capabilities of Onset Detection Methods , 2012, ISMIR.
[15] Hendrik Purwins,et al. Convolutional Neural Networks with Batch Normalization for Classifying Hi-hat, Snare, and Bass Percussion Sound Samples , 2016, Audio Mostly Conference.
[16] Gaël Richard,et al. ENST-Drums: an extensive audio-visual database for drum signals processing , 2006, ISMIR.
[17] Jason Hockman,et al. Automatic Drum Transcription for Polyphonic Recordings Using Soft Attention Mechanisms and Convolutional Neural Networks , 2017, ISMIR.
[18] Jason Hockman,et al. Player Vs Transcriber: A Game Approach To Data Manipulation For Automatic Drum Transcription , 2018, ISMIR.
[19] Alexander Lerch,et al. Drum transcription using partially fixed non-negative matrix factorization , 2015, 2015 23rd European Signal Processing Conference (EUSIPCO).
[20] Anssi Klapuri,et al. Drum Sound Detection in Polyphonic Music with Hidden Markov Models , 2009, EURASIP J. Audio Speech Music. Process..
[21] Geoffrey E. Hinton,et al. Distilling the Knowledge in a Neural Network , 2015, ArXiv.
[22] Luca Antiga,et al. Automatic differentiation in PyTorch , 2017 .
[23] Henry Lindsay-Smith. DRUMKIT TRANSCRIPTION VIA CONVOLUTIVE NMF , 2012 .
[24] Peter Knees,et al. Recurrent Neural Networks for Drum Transcription , 2016, ISMIR.
[25] Daniel Gärtner,et al. Real-Time Transcription and Separation of Drum Recordings Based on NMF Decomposition , 2014, DAFx.
[26] Ramón Fernández Astudillo,et al. From Softmax to Sparsemax: A Sparse Model of Attention and Multi-Label Classification , 2016, ICML.
[27] Peter Knees,et al. Towards multi-instrument drum transcription , 2018, ArXiv.
[28] Alexander Lerch,et al. MDB Drums: An annotated subset of MedleyDB for automatic drum transcription , 2017 .
[29] Jitendra Malik,et al. Learning Category-Specific Mesh Reconstruction from Image Collections , 2018, ECCV.
[30] Axel Röbel,et al. On automatic drum transcription using non-negative matrix deconvolution and itakura saito divergence , 2015, 2015 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP).
[31] Simon Dixon,et al. An End-to-End Neural Network for Polyphonic Piano Music Transcription , 2015, IEEE/ACM Transactions on Audio, Speech, and Language Processing.
[32] Jordi Bonada,et al. A Neural Parametric Singing Synthesizer , 2017, INTERSPEECH.
[33] François Pachet,et al. ON THE USE OF ZERO-CROSSING RATE FOR AN APPLICATION OF CLASSIFICATION OF PERCUSSIVE SOUNDS , 2000 .
[34] Daniel P. W. Ellis,et al. A Discriminative Model for Polyphonic Piano Transcription , 2007, EURASIP J. Adv. Signal Process..
[35] Dan Klein,et al. Unsupervised Transcription of Piano Music , 2014, NIPS.
[36] E. Owens,et al. An Introduction to the Psychology of Hearing , 1997 .
[37] Sepp Hochreiter,et al. Fast and Accurate Deep Network Learning by Exponential Linear Units (ELUs) , 2015, ICLR.
[38] Alexander Lerch,et al. From Labeled to Unlabeled Data - On the Data Challenge in Automatic Drum Transcription , 2018, ISMIR.
[39] Derry Fitzgerald,et al. Harmonic/Percussive Separation Using Median Filtering , 2010 .
[40] Juan Pablo Bello,et al. Increasing drum transcription vocabulary using data synthesis , 2018 .
[41] Thomas Brox,et al. U-Net: Convolutional Networks for Biomedical Image Segmentation , 2015, MICCAI.
[42] Yoshua Bengio,et al. Empirical Evaluation of Gated Recurrent Neural Networks on Sequence Modeling , 2014, ArXiv.