The Effect of Digital Sharing Technologies on Music Markets

Recent technological and market forces have profoundly impacted the music industry. Emphasizing threats from peer-to-peer (P2P) technologies, the industry continues to seek sanctions against indivi...

[1]  Raymond A. K. Cox,et al.  A Stochastic Model of Superstardom: An Application of the Yule Distribution , 1994 .

[2]  Felix Oberholzer-Gee,et al.  The Effect of File Sharing on Record Sales: An Empirical Analysis , 2007, Journal of Political Economy.

[3]  W. Walls,et al.  Uncertainty in the Movie Industry: Does Star Power Reduce the Terror of the Box Office? , 1999 .

[4]  Peter S. Fader,et al.  Modeling Hedonic Portfolio Products: A Joint Segmentation Analysis of Music Compact Disc Sales , 2001 .

[5]  Ann Maria Bell,et al.  Locally interdependent preferences in a general equilibrium environment , 2002 .

[6]  E. Strobl,et al.  The Dynamics of Chart Success in the U.K. Pre-Recorded Popular Music Industry , 2000 .

[7]  G. L. Sanders,et al.  Do Artists Benefit from Online Music Sharing? , 2004 .

[8]  Stan J. Liebowitz,et al.  Will Mp3 Downloads Annihilate the Record Industry? The Evidence so Far , 2003 .

[9]  Eric T. Bradlow,et al.  A Bayesian Lifetime Model for the “Hot 100” Billboard Songs , 2001 .

[10]  P. Nelson.  Information and Consumer Behavior , 1970, Journal of Political Economy.

[11]  Robert D. Tollison,et al.  Consumer Choice and the Popular Music Industry: A Test of the Superstar Theory , 2002 .

[12]  Moshe Adler,et al.  Stardom and Talent , 1985 .

[13]  W. Walls.  Modelling heavy tails and skewness in film returns , 2005 .

[14]  C. Belzil,et al.  Unemployment Insurance and Unemployment over Time: An Analysis with Event History Data , 1995 .

[15]  R. Dhar,et al.  Consumer Choice between Hedonic and Utilitarian Goods , 2000 .

[16]  Sudip Bhattacharjee,et al.  A Behavioral Model of Digital Music Piracy , 2004, J. Organ. Comput. Electron. Commer..

[17]  W. David Walls,et al.  Independent Film Finance, Pre-Sale Agreements, and the Distribution of Film Earnings , 2003 .

[18]  Yannis Bakos,et al.  Shared Information Goods , 1999 .

[19]  S. Ravid.  Information, Blockbusters and Stars? A Study of the Film Industry , 1997 .

[20]  Glenn M. MacDonald,et al.  The Economics of Rising Stars , 1988 .

[21]  S. Rosen.  The Economics of Superstars , 1981 .

[22]  Erik Brynjolfsson,et al.  Frictionless Commerce? A Comparison of Internet and Conventional Retailers , 2000 .

[23]  W. D. Walls,et al.  Modeling Movie Success When ‘Nobody Knows Anything’: Conditional Stable-Distribution Analysis Of Film Returns , 2005 .

[24]  Ruth Towse,et al.  The Earnings of Singers: An Economic Analysis , 1992 .

[25]  Andrew Whinston,et al.  Driving E-Business Excellence , 2001 .

[26]  William Hamlen,et al.  Superstardom in Popular Music: Empirical Evidence , 1991 .

[27]  S. Love,et al.  Survival Analysis Part II: Multivariate data analysis – an introduction to concepts and methods , 2003, British Journal of Cancer.

[28]  Nodir Adilov,et al.  Peer-to-peer file sharing communities , 2004, Inf. Econ. Policy.

[29]  S. Liebowitz.  File Sharing: Creative Destruction or Just Plain Destruction?* , 2006, The Journal of Law and Economics.

[30]  H. Leibenstein.  Bandwagon, Snob, and Veblen Effects in the Theory of Consumers' Demand , 1950 .

[31]  Arthur De Vany,et al.  Motion picture profit, the stable Paretian hypothesis, and the curse of the superstar , 2004 .