Auditory-nerve responses predict pitch attributes related to musical consonance-dissonance for normal and impaired hearing.
暂无分享,去创建一个
[1] E. M. Burns. Intervals, Scales, and Tuning , 1999 .
[2] Gavin M. Bidelman,et al. Neural Correlates of Consonance, Dissonance, and the Hierarchy of Musical Pitch in the Human Brainstem , 2009, The Journal of Neuroscience.
[3] I. Peretz,et al. Musical scale properties are automatically processed in the human auditory cortex , 2006, Brain Research.
[4] Tsutomu Nakada,et al. Central auditory processing of noncontextual consonance in music: an evoked potential study. , 2010, The Journal of the Acoustical Society of America.
[5] Vesa Välimäki,et al. Neural representations of the hierarchical scale pitch structure , 2007 .
[6] E. F. Evans,et al. Some aspects of temporal coding by single cochlear fibres from regions of cochlear hair cell degeneration in the guinea pig , 2004, Archives of oto-rhino-laryngology.
[7] E D Young,et al. Rate responses of auditory nerve fibers to tones in noise near masked threshold. , 1986, The Journal of the Acoustical Society of America.
[8] Michael G. Heinz,et al. Envelope Coding in Auditory Nerve Fibers Following Noise-Induced Hearing Loss , 2010, Journal of the Association for Research in Otolaryngology.
[9] S. Watanabe,et al. Discrimination of consonance and dissonance in Java sparrows , 2005, Behavioural Processes.
[10] R. Patterson,et al. The lower limit of melodic pitch. , 2001, The Journal of the Acoustical Society of America.
[11] Lewi Stone,et al. Perception of musical consonance and dissonance: an outcome of neural synchronization , 2008, Journal of The Royal Society Interface.
[12] G. K. Yates,et al. Outer hair cell receptor current and sensorineural hearing loss , 1989, Hearing Research.
[13] Brian C. J. Moore,et al. Perception of Pitch by People with Cochlear Hearing Loss and by Cochlear Implant Users , 2005 .
[14] Gavin M Bidelman,et al. Brainstem correlates of behavioral and compositional preferences of musical harmony , 2011, Neuroreport.
[15] B. Delgutte,et al. Neurobiological Foundations for the Theory of Harmony in Western Tonal Music , 2001, Annals of the New York Academy of Sciences.
[16] R. Plomp,et al. Tonal consonance and critical bandwidth. , 1965, The Journal of the Acoustical Society of America.
[17] C E Schreiner,et al. Neural processing of amplitude-modulated sounds. , 2004, Physiological reviews.
[18] A comparison of monotic and dichotic complex-tone pitch perception in listeners with hearing loss. , 1999, The Journal of the Acoustical Society of America.
[19] W. Sethares. Local consonance and the relationship between timbre and scale , 1993 .
[20] M. Liberman,et al. Single-neuron labeling and chronic cochlear pathology. III. Stereocilia damage and alterations of threshold tuning curves , 1984, Hearing Research.
[21] K. James,et al. Neural correlates of the Pythagorean ratio rules , 2007, Neuroreport.
[22] Martin Ebeling,et al. Neuronal periodicity detection as a basis for the perception of consonance: a mathematical model of tonal fusion. , 2008, The Journal of the Acoustical Society of America.
[23] Josh H. McDermott,et al. Nonhuman primates prefer slow tempos but dislike music overall , 2007, Cognition.
[24] E. Terhardt. On the perception of periodic sound fluctuations (roughness) , 1974 .
[25] Frank H. Slaymaker,et al. Chords from Tones Having Stretched Partials , 1970 .
[26] B. Delgutte,et al. Pitch of complex tones: rate-place and interspike interval representations in the auditory nerve. , 2005, Journal of neurophysiology.
[27] P. Cariani,et al. A TEMPORAL MODEL FOR PITCH MULTIPLICITY AND TONAL CONSONANCE , 2004 .
[28] Hideko Takeshita,et al. Preference for consonant music over dissonant music by an infant chimpanzee , 2009, Primates.
[29] Ludovico Minati,et al. Functional MRI/Event-related potential study of sensory consonance and dissonance in musicians and nonmusicians , 2009, Neuroreport.
[30] Laurel H Carney,et al. A phenomenological model of the synapse between the inner hair cell and auditory nerve: long-term adaptation with power-law dynamics. , 2009, The Journal of the Acoustical Society of America.
[31] Gavin M. Bidelman,et al. Cross-domain Effects of Music and Language Experience on the Representation of Pitch in the Human Auditory Brainstem , 2011, Journal of Cognitive Neuroscience.
[32] A. Kameoka,et al. Consonance theory part I: consonance of dyads. , 1969, The Journal of the Acoustical Society of America.
[33] Daniel I. Brooks,et al. Chord Discrimination by Pigeons , 2010 .
[34] Vit Drga,et al. Inferred basilar-membrane response functions for listeners with mild to moderate sensorineural hearing loss. , 2004, The Journal of the Acoustical Society of America.
[35] M. Sachs,et al. An auditory-periphery model of the effects of acoustic trauma on auditory nerve responses. , 2003, The Journal of the Acoustical Society of America.
[36] S Shamma,et al. The case of the missing pitch templates: how harmonic templates emerge in the early auditory system. , 2000, The Journal of the Acoustical Society of America.
[37] A. Izumi,et al. Japanese monkeys perceive sensory consonance of chords. , 2000, The Journal of the Acoustical Society of America.
[38] Marc Hauser,et al. Are consonant intervals music to their ears? Spontaneous acoustic preferences in a nonhuman primate , 2004, Cognition.
[39] B. Delgutte,et al. Pitch Representations in the Auditory Nerve: Two Concurrent Complex Tones Chair, Department Committee on Graduate Students , 2022 .
[40] A. Ryan,et al. Neural phase-locking properties in the absence of cochlear outer hair cells , 1981, Hearing Research.
[41] M Steinschneider,et al. Consonance and dissonance of musical chords: neural correlates in auditory cortex of monkeys and humans. , 2001, Journal of neurophysiology.
[42] Andrew J Oxenham,et al. An autocorrelation model with place dependence to account for the effect of harmonic number on fundamental frequency discrimination. , 2005, The Journal of the Acoustical Society of America.
[43] R. G. Crowder,et al. Tonal fusion of consonant musical intervals: The oomph in Stumpf , 1987, Perception & psychophysics.
[44] Jayaganesh Swaminathan,et al. Across-Fiber Coding of Temporal Fine-Structure: Effects of Noise-Induced Hearing Loss on Auditory-Nerve Responses , 2010 .
[45] Brian C. J. Moore,et al. Effect of loudness recruitment on the perception of amplitude modulation , 1996 .
[46] Josh H. McDermott,et al. Individual Differences Reveal the Basis of Consonance , 2010, Current Biology.
[47] E. Lopez-Poveda,et al. The neurophysiological bases of auditory perception , 2010 .
[48] R. Plomp,et al. The connotation of musical consonance , 1962 .
[49] Josh H. McDermott,et al. THE ORIGINS OF MUSIC: INNATENESS, UNIQUENESS, AND EVOLUTION , 2005 .
[50] Paul C. Boomsliter,et al. The Long Pattern Hypothesis in Harmony and Hearing , 1961 .
[51] Michelle R. Molis,et al. Perception of roughness by listeners with sensorineural hearing loss. , 2007, Journal of the Acoustical Society of America.
[52] M. Leek,et al. Pitch strength and pitch dominance of iterated rippled noises in hearing-impaired listeners. , 2001, The Journal of the Acoustical Society of America.
[53] Takashi X. Fujisawa,et al. The Psychophysics of Harmony Perception: Harmony is a Three-Tone Phenomenon , 2006 .
[54] James Tenney,et al. A history of consonance and dissonance , 1988 .
[55] Muhammad S A Zilany,et al. Modeling auditory-nerve responses for high sound pressure levels in the normal and impaired auditory periphery. , 2006, The Journal of the Acoustical Society of America.
[56] S. Trehub,et al. Infant music perception: Domain-general or domain-specific mechanisms? , 2006, Cognition.
[57] Christopher A Shera,et al. Revised estimates of human cochlear tuning from otoacoustic and behavioral measurements , 2002, Proceedings of the National Academy of Sciences of the United States of America.
[58] Ian C. Bruce,et al. Representation of the vowel /ε/ in normal and impaired auditory nerve fibers: Model predictions of responses in cats , 2007 .
[59] Michelle R. Molis,et al. Perception of dissonance by people with normal hearing and sensorineural hearing loss. , 2005, The Journal of the Acoustical Society of America.
[60] Hermann von Helmholtz,et al. On the Sensations of Tone , 1954 .
[61] A. Kameoka,et al. Consonance theory part II: consonance of complex tones and its calculation method. , 1969, The Journal of the Acoustical Society of America.
[62] E. Terhardt,et al. Algorithm for extraction of pitch and pitch salience from complex tonal signals , 1982 .
[63] D. Purves,et al. A Biological Rationale for Musical Scales , 2009, PloS one.
[64] P. Vassilakis,et al. Auditory roughness as means of musical expression , 2005 .
[65] D. Purves,et al. The Statistical Structure of Human Speech Sounds Predicts Musical Universals , 2003, The Journal of Neuroscience.
[66] J. M. Troost,et al. Ascending and Descending Melodic Intervals: Statistical Findings and Their Perceptual Relevance , 1989 .
[67] B. Delgutte,et al. Neural correlates of the pitch of complex tones. I. Pitch and pitch salience. , 1996, Journal of neurophysiology.
[68] J. L. Goldstein. An optimum processor theory for the central formation of the pitch of complex tones. , 1973, The Journal of the Acoustical Society of America.
[69] E D Young,et al. Effects of acoustic trauma on the representation of the vowel "eh" in cat auditory nerve fibers. , 1997, The Journal of the Acoustical Society of America.