Using room acoustical parameters for evaluating the quality of urban squares for open-air rock concerts

Abstract Sound quality research of urban squares used for open-air (rock) concerts is very scarce. In contrast to the study of (classical) concert halls, little is known about useful design parameters. For the design of the amplification system, the sound engineer currently often takes into account the desired sound pressure level only. In this study, the ability of existing room acoustical parameters to characterize urban squares acoustically is investigated. An independent parameter set is identified for specific use on such squares. Besides the distribution of the sound pressure level over the square, different impulse response related parameters such as the clarity, center time, reverberation time and bass ratio were considered. In addition, binaural measures were included to measure qualities related to human spatial hearing. This study is based on a measurement campaign, performed at five squares in Belgium before and during life rock concerts. Special attention was paid to the signal processing methodology, given the significant amount of environmental noise often found at such squares during measurements. The variation of these parameters is investigated in relation to the square geometry, the amplification set-up and the presence of delay-lines. Parameters like C80, T30, IACCE3/L3 and ΔLeq,A/C were shown to be very useful when characterizing the sound field at urban squares.