Painting with recycled materials: on the morphology of calcite pseudomorphs as evidence of the use of wood ash residues in Baroque paintings

[1]  J. Akkanen,et al.  A Combined Field and Laboratory Study on Activated Carbon-Based Thin Layer Capping in a PCB-Contaminated Boreal Lake , 2018, Environmental science & technology.

[2]  J. Henderson,et al.  The use of electron probe microanalysis and laser ablation-inductively coupled plasma-mass spectrometry for the investigation of 8th–14th century plant ash glasses from the Middle East , 2016 .

[3]  L. Garvie.  Mineralogy of paloverde (parkinsonia microphylla) tree ash from the sonoran desert: a combined field and laboratory study , 2016 .

[4]  Janka Dibdiakova,et al.  Characterization of Ashes from Different Wood Parts of Norway Spruce Tree , 2014 .

[5]  Mikko Hupa,et al.  Chemical forms of ash-forming elements in woody biomass fuels , 2010 .

[6]  G. Kakali,et al.  Ash properties of some dominant Greek forest species , 2005 .

[7]  M. Canti.  Aspects of the chemical and microscopic characteristics of plant ashes found in archaeological soils , 2003 .

[8]  J. Brochier,et al.  Calcite crystals, starch grains aggregates or…POCC? Comment on ‘calcite crystals inside archaeological plant tissues’ , 2003 .

[9]  C. Amrhein,et al.  WOOD‐ASH COMPOSITION AND SOIL PH FOLLOWING INTENSE BURNING , 1993 .

[10]  L. Naylor,et al.  Agricultural use of wood ash as a fertilizer and liming material , 1986 .

[11]  H. Horner,et al.  Calcium oxalate crystals in plants , 1980, The Botanical Review.

[12]  K. Ninan,et al.  Thermal decomposition studies: Part X. Thermal decomposition kinetics of calcium oxalate monohydrate — correlations with heating rate and samples mass , 1978 .

[13]  Lisandra Estevez.  Cristobal De Villalpando: Mexican Painter of the Baroque , 2018 .

[14]  Maite Jover de Celis,et al.  "This they use in Madrid": the ground layer in paintings on canvas in 17th century Madrid , 2014 .

[15]  Alejandro Vergara,et al.  Rubens in Madrid (1628-29): new technical evidence concerning his copies after Titian, and a new portrait , 2013 .

[16]  M. García,et al.  Evolución de las preparaciones en la pintura sobre lienzo de los siglos XVI y XVII en España , 2010 .

[17]  Ian C. Freestone,et al.  Glass production in Late Antiquity and the Early Islamic period: a geochemical perspective , 2006, Geological Society, London, Special Publications.

[18]  J. Kloprogge,et al.  In situ observation of the thermal decomposition of weddelite by heating stage environmental scanning electron microscopy , 2004 .

[19]  A. Campbell,et al.  Physical and chemical characteristics of wood ash , 1991 .

[20]  Bonaventura Bassegoda i Hugas,et al.  Arte de la pintura , 1990 .

[21]  Z. Véliz.  Artists' techniques in Golden Age Spain : six treatises in translation , 1986 .

[22]  R. J. Forbes,et al.  Studies in ancient technology , 1955 .

[23]  Antonio Palomino de Castro y Velasco,et al.  El Museo pictórico y escala óptica , 1947 .