Music Downloads and the Flip Side of Digital Rights Management

Digital rights management (DRM) is an important yet controversial issue in the information goods markets. Although DRM is supposed to help copyright owners by protecting digital content from illegal copying or distribution, it is controversial because DRM imposes restrictions on even legal users, and there are many industry practitioners who believe that the industry would be better off without DRM. In this paper, we model consumers' utilities and their incentives to purchase legal products versus pirate illegal ones. This allows us to endogenize the level of piracy and understand how it is influenced by the presence or absence of DRM. Our analysis suggests that, counterintuitively, download piracy might decrease when the firm allows legal DRM-free downloads. Furthermore, we find that a decrease in piracy does not guarantee an increase in firm profits and that that copyright owners do not always benefit from making it harder to copy music illegally. By analyzing the competition among the traditional retailer, the digital retailer, and pirated sources of information goods, we get a better understanding of the competitive forces in the market and provide insights into the role of digital rights management.

[1]  Marvin A. Sirbu,et al.  Price Competition and Compatibility in the Presence of Positive Demand Externalities , 1995 .

[2]  Hervey Elwes,et al.  Thoughts on Music , 1926 .

[3]  K. R. Conner,et al.  Software piracy: an analysis of protection strategies , 1991 .

[4]  Mikhael Shor,et al.  Social Sharing of Information Goods: Implications for Pricing and Profits , 2012, Mark. Sci..

[5]  Rajiv K. Sinha,et al.  Preventing Digital Music Piracy: The Carrot or the Stick? , 2008 .

[6]  D. Bernhardt,et al.  Pirated for Profit , 1998 .

[7]  Sanjay Jain,et al.  Digital Piracy: A Competitive Analysis , 2008, Mark. Sci..

[8]  Alejandro Zentner Measuring the Effect of File Sharing on Music Purchases* , 2006, The Journal of Law and Economics.

[9]  Shivendu Shivendu,et al.  Managing Piracy: Pricing and Sampling Strategies for Digital Experience Goods in Vertically Segmented Markets , 2003, Inf. Syst. Res..

[10]  J. M. Villas-Boas,et al.  Dynamic Competition with Experience Goods , 2006 .

[11]  Annemarie Bridy Why Pirates (Still) Won't Behave: Regulating P2P in the Decade after Napster , 2009 .

[12]  黄敏尧 Thoughts on Music , 2000 .

[13]  Rahul Telang,et al.  DRAFT : Preliminary and Incomplete Comments Welcome Competing with Free : The Impact of Movie Broadcasts on DVD Sales and Internet Piracy , 2006 .

[14]  Cory Doctorow,et al.  Content: Selected Essays on Technology, Creativity, Copyright, and the Future of the Future , 2008 .

[15]  Lisa N. Takeyama The Welfare Implications of Unauthorized Reproduction of Intellectual Property in the Presence of Demand Network Externalities , 1994 .

[16]  Vijay Mahajan,et al.  Software Piracy: Estimation of Lost Sales and the Impact on Software Diffusion , 1995 .

[17]  Joan Van Tassel Digital Rights Management: Protecting and Monetizing Content (NAB Executive Technology Briefings) , 2006 .

[18]  Joan Van Tassel Digital Rights Management: Protecting and Monetizing Content , 2006 .

[19]  Dave Laing,et al.  International Federation Of The Phonographic Industry , 2010 .

[20]  H. Hotelling Stability in Competition , 1929 .

[21]  Patrick Waelbroeck,et al.  Marketing Digital Music: Can Drm Help? , 2005 .

[22]  Selected That's What I want! , 1935 .

[23]  T. Hennig-Thurau,et al.  Consumer File Sharing of Motion Pictures , 2007 .