Surfing for Inspiration: digital inspirational material in design practice

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[1]  Brian P. Bailey,et al.  Getting inspired!: understanding how and why examples are used in creative design practice , 2009, CHI.

[2]  Karel Vredenburg,et al.  A survey of user-centered design practice , 2002, CHI.

[3]  Ranjitha Kumar,et al.  Ranking Designs and Users in Online Social Networks , 2015, CHI Extended Abstracts.

[4]  Yvonne Rogers,et al.  NEW THEORETICAL APPROACHES FOR HCI , 2004 .

[5]  Claudia Eckert,et al.  Sources of inspiration: a language of design , 2000 .

[6]  Lee Humphreys,et al.  Pinning Design: The Curatorial Labor of Creative Professionals , 2016 .

[7]  Janin Koch,et al.  Design implications for Designing with a Collaborative AI , 2017, AAAI Spring Symposia.

[8]  Ron Wakkary,et al.  Understanding interaction design practices , 2011, CHI.

[9]  Robert Woodbury,et al.  Interactive design galleries: A general approach to interacting with design alternatives , 2017 .

[10]  Nigel Ford,et al.  Information retrieval and creativity: towards support for the original thinker , 1999, J. Documentation.

[11]  A. A. Salah,et al.  deviantArt in Spotlight: A network of Artists , 2012, Leonardo.

[12]  Saeideh Bakhshi,et al.  "I need to try this"?: a statistical overview of pinterest , 2013, CHI.

[13]  B. Lawson.  Schemata, gambits and precedent: some factors in design expertise , 2004 .

[14]  Andrés Lucero.  Funky-Design-Spaces: Interactive Environments for Creativity Inspired by Observing Designers Making Mood Boards , 2015, INTERACT.

[15]  Susan Groundwater-Smith.  Understanding and researching professional practice , 2010 .

[16]  Nuno Seco,et al.  The importance of retrieval in creative design analogies , 2006, Knowl. Based Syst..

[17]  William Snyder,et al.  Cultivating Communities of Practice: A Guide to Managing Knowledge , 2002 .

[18]  Pamela I. Ansburg,et al.  Creative and analytic thinkers differ in their use of attentional resources , 2003 .

[19]  Nathalie Bonnardel,et al.  Creativity in design activities: the role of analogies in a constrained cognitive environment , 1999, Creativity & Cognition.

[20]  Pieter Jan Stappers,et al.  Collecting with Cabinet: or how designers organise visual material, researched through an experiential prototype , 2009 .

[21]  Andrés Lucero,et al.  Framing, aligning, paradoxing, abstracting, and directing: how design mood boards work , 2012, DIS '12.

[22]  Pieter Jan Stappers,et al.  Collections designers keep: Collecting visual material for inspiration and reference , 2006 .

[23]  Martin Porcheron,et al.  Co-curator: designing for mobile ideation in groups , 2016, MindTrek.

[24]  V. Braun,et al.  Using thematic analysis in psychology , 2006 .

[25]  E. Wenger,et al.  Cultivating Communities of Practice: A Guide to Managing Knowledge , 2002 .

[26]  Krzysztof Z. Gajos,et al.  Toward Collaborative Ideation at Scale: Leveraging Ideas from Others to Generate More Creative and Diverse Ideas , 2015, CSCW.

[27]  Allan H. K. Yuen,et al.  “Destuckification”: Use of Social Media for Enhancing Design Practices , 2015 .