Forum: Visual Studies—The Art Historians’ View

[1]  Katie Sutton.  Sexology’s Photographic Turn: Visualizing Trans Identity in Interwar Germany , 2018, Journal of the History of Sexuality.

[2]  Michael Tymkiw.  Nazi Exhibition Design and Modernism , 2018 .

[3]  S. Hake.  The Proletarian Dream: Socialism, Culture, and Emotion in Germany, 1863-1933 , 2017 .

[4]  Elissa Mailänder.  Making Sense of a Rape Photograph: Sexual Violence as Social Performance on the Eastern Front, 1939–1944 , 2017 .

[5]  Itohan Osayimwese.  Colonialism and Modern Architecture in Germany , 2017 .

[6]  Andrés Mario Zervigón.  Photography’s Weimar-Era Proliferation and Walter Benjamin’s Optical Unconscious , 2017 .

[7]  B. Stiegler.  Der montierte Mensch: Eine Figur der Moderne , 2016 .

[8]  Pepper Stetler.  Stop Reading! Look!: Modern Vision and the Weimar Photographic Book , 2015 .

[9]  G. Pollock.  Whither Art History? , 2014 .

[10]  S. Siegel.  Belichtungen : zur fotografischen Gegenwart , 2014 .

[11]  Camilla Smith.  Challenging Baedeker Through the Art of Sexual Science: an Exploration of Gay and Lesbian Subcultures in Curt Moreck's Guide to ‘Depraved’ Berlin (1931) , 2013 .

[12]  Anna Schaffner.  Modernism and Perversion , 2012 .

[13]  Frances Guerin.  Through Amateur Eyes: Film and Photography in Nazi Germany , 2011 .

[14]  D. Prickett.  ‘We will show you Berlin’: space, leisure, flânerie and sexuality , 2011 .

[15]  N. Mirzoeff.  13 Visual Culture , 2011 .

[16]  Freyja Hartzell.  A Ghost in the Machine Age: The Westerwald Stoneware Industry and German Design Reform, 1900–1914 , 2009 .

[17]  W. Mitchell,et al.  Showing seeing: a critique of visual culture , 2002 .

[18]  M. Jay.  That visual turn , 2002 .

[19]  Rosalind E. Krauss,et al.  Art Since 1900: Modernism, Antimodernism, Postmodernism , 2001 .

[20]  C. Brink.  Secular Icons: Looking at Photographs from Nazi Concentration Camps , 2000 .

[21]  A. Danto.  The End of Art: A Philosophical Defense , 1998 .

[22]  Douglas Crimp.  Getting the Warhol We Deserve:Cultural Studies and Queer Culture , 1998, InVisible Culture.

[23]  Stephanie T. D'Alessandro.  A Lustful Passion for Clarification: Bildung, Aufklärung, and the Sight of Sexual Imagery , 1998 .

[24]  David Norman Rodowick,et al.  Visual Culture Questionnaire , 1996 .

[25]  D. Backes.  The Biosocial Perspective and Environmental Communication Research , 1995 .

[26]  Brian Stonehill.  The Debate over “Ocularcentrism” , 1995 .

[27]  Martin Jay,et al.  The Weimar Republic Sourcebook , 1994 .