Physicality and Feedback: A Focus on the Body in the Performance of Electronic Music
暂无分享,去创建一个
[1] Jose Carlos Casado,et al. Reality Artificial Reproduction, and Sexuality , 2000, Leonardo.
[2] Christopher Longuet-Higgins,et al. A sight of sound , 1999, Nature.
[3] Tomie Hahn. Sensational knowledge : transmitting Japanese dance and music , 1997 .
[4] Perry R. Cook,et al. Alternative voices for electronic sound , 2000 .
[5] Barbara Becker,et al. Cyborgs, Agents, and Transhumanists: Crossing Traditional Borders of Body and Identity in the Context of New Technology , 2000, Leonardo.
[6] L. Gamman,et al. The Female gaze : women as viewers of popular culture , 1988 .
[7] E. T. Cone,et al. Musical form and musical performance , 1968 .
[8] Richard Leppert. The sight of sound , 1993 .
[9] Perry R. Cook,et al. BoSSA: The Deconstructed Violin Reconstructed , 2000, ICMC.
[10] Mary Russo,et al. Female Grotesques: Carnival and Theory , 1986 .
[11] J. Butler. Gender Trouble: Feminism and the Subversion of Identity , 1990 .
[12] Fernando Iazzetta. Meaning in Musical Gesture , 2000 .
[13] Charles Seeger,et al. Studies in musicology, 1935-1975 , 1983 .
[14] Bruno Nettl,et al. Music, Culture, and Experience: Selected Papers of John Blacking , 1995 .
[15] 郷 健太郎,et al. CHI 2001参加報告 : Conference on Human Factors in Computing Systems , 2001 .
[16] Dan Trueman,et al. Interface: electronic chamber ensemble , 2001, NIME.
[17] Perry R. Cook,et al. Alternative Voices for Electronic Sound: Spherical Speakers and Sensor-Speaker Arrays (SenSAs) , 2000, ICMC.
[18] Marcelo M. Wanderley,et al. ESCHER-modeling and performing composed instruments in real-time , 1998, SMC'98 Conference Proceedings. 1998 IEEE International Conference on Systems, Man, and Cybernetics (Cat. No.98CH36218).
[19] Richard D. Leppert,et al. The Sight of Sound: Music, Representation, and the History of the Body , 1993 .