The influence of vocal training and acting experience on measures of voice quality and emotional genuineness
暂无分享,去创建一个
[1] T. Baer,et al. Harmonics-to-noise ratio as an index of the degree of hoarseness. , 1982, The Journal of the Acoustical Society of America.
[2] P. Mccabe,et al. Acoustic changes in student actors' voices after 12 months of training. , 2008, Journal of voice : official journal of the Voice Foundation.
[3] Kate Dupuis,et al. Intelligibility of Emotional Speech in Younger and Older Adults , 2014, Ear and hearing.
[4] R. Larsen,et al. Intensity and frequency: dimensions underlying positive and negative affect. , 1985, Journal of personality and social psychology.
[5] P. Laukka,et al. Impact of intended emotion intensity on cue utilization and decoding accuracy in vocal expression of emotion. , 2000, Emotion.
[6] B. Repp. Diversity and commonality in music performance: an analysis of timing microstructure in Schumann's "Träumerei". , 1992, The Journal of the Acoustical Society of America.
[7] Isabelle Peretz,et al. A frog in your throat or in your ear? Searching for the causes of poor singing. , 2012, Journal of experimental psychology. General.
[8] Jing Cheng,et al. Real longitudinal data analysis for real people: Building a good enough mixed model , 2010, Statistics in medicine.
[9] P. Boersma. Praat : doing phonetics by computer (version 5.1.05) , 2009 .
[10] I. Peretz,et al. A developmental study of the affective value of tempo and mode in music , 2001, Cognition.
[11] Anthony S. Bryk,et al. Hierarchical Linear Models: Applications and Data Analysis Methods , 1992 .
[12] J. Sundberg. Articulatory interpretation of the "singing formant". , 1974, The Journal of the Acoustical Society of America.
[13] Y Horii,et al. Age and changes in vocal jitter. , 1980, Journal of gerontology.
[14] Liat Kishon-Rabin,et al. The effect of superior auditory skills on vocal accuracy. , 2003, The Journal of the Acoustical Society of America.
[15] Jos W. R. Twisk,et al. Applied multilevel analysis : a practical guide , 2006 .
[16] D H Brainard,et al. The Psychophysics Toolbox. , 1997, Spatial vision.
[17] W. S. Brown,et al. Perceptual and acoustic study of professionally trained versus untrained voices. , 2000, Journal of voice : official journal of the Voice Foundation.
[18] M. Zuckerman,et al. What sounds beautiful is good: The vocal attractiveness stereotype , 1988 .
[19] K. Scherer,et al. Acoustic profiles in vocal emotion expression. , 1996, Journal of personality and social psychology.
[20] F. Wuyts,et al. Analysis and evaluation of a voice-training program in future professional voice users. , 2005, Journal of voice : official journal of the Voice Foundation.
[21] Paul Boersma,et al. Praat, a system for doing phonetics by computer , 2002 .
[22] Robert B. Smith. The Effect of Group Vocal Training on the Singing Ability of Nursery School Children , 1963 .
[23] M. Bunch,et al. Dynamics of the Singing Voice , 1982, Springer Vienna.
[24] Michel Belyk,et al. Imprecise singing is widespread. , 2010, The Journal of the Acoustical Society of America.
[25] Roel Bosker,et al. Multilevel analysis : an introduction to basic and advanced multilevel modeling , 1999 .
[26] R. Persaud. Correlation, regression, and repeated data , 1994, BMJ.
[27] Johan Sundberg,et al. Research on the singing voice in retrospect , 2003 .
[28] Kostas Karpouzis,et al. The HUMAINE Database: Addressing the Collection and Annotation of Naturalistic and Induced Emotional Data , 2007, ACII.
[29] Skyler T. Hawk,et al. Presentation and validation of the Radboud Faces Database , 2010 .
[30] J Sundberg,et al. Articulatory Fo perturbations and auditory feedback. , 1988, Journal of speech and hearing research.
[31] Ailbhe Ní Chasaide,et al. The role of voice quality in communicating emotion, mood and attitude , 2003, Speech Commun..
[32] Hideki Kawahara,et al. Vocal Attractiveness Increases by Averaging , 2010, Current Biology.
[33] Michael Wilson. MRC Psycholinguistic Database , 2001 .
[34] C. Ferrand. Harmonics-to-noise ratio: an index of vocal aging. , 2002, Journal of voice : official journal of the Voice Foundation.
[35] K. Scherer. Vocal correlates of emotional arousal and affective disturbance. , 1989 .
[36] W. S. Brown,et al. Singer's formant in sopranos: fact or fiction? , 2001, Journal of Voice.
[37] P. Lieberman. Perturbations in Vocal Pitch , 1960 .
[38] Elisabeth André,et al. Comparing Feature Sets for Acted and Spontaneous Speech in View of Automatic Emotion Recognition , 2005, 2005 IEEE International Conference on Multimedia and Expo.
[39] Andy Field,et al. Discovering statistics using SPSS, 2nd ed. , 2005 .
[40] L. Zebrowitz,et al. "Wide-Eyed" and "Crooked-Faced": Determinants of Perceived and Real Honesty Across the Life Span , 1996 .
[41] B H Repp,et al. Expressive timing in Schumann's "Träumerei:" an analysis of performances by graduate student pianists. , 1995, The Journal of the Acoustical Society of America.
[42] Klaus R. Scherer,et al. Vocal communication of emotion: A review of research paradigms , 2003, Speech Commun..
[43] James A. S. Angus,et al. A comparison between singing pitching strategies of 8 to 11 year olds and trained adult singers , 1997 .
[44] Irene Velsvik Bele. The speaker's formant. , 2006, Journal of voice : official journal of the Voice Foundation.
[45] Roy K. Sedge,et al. Speech Science Primer: Physiology, Acoustics, and Perception of Speech , 1980 .
[46] Eva Krumhuber,et al. Moving Smiles: The Role of Dynamic Components for the Perception of the Genuineness of Smiles , 2005 .
[47] K. Scherer,et al. Introducing the Geneva Multimodal expression corpus for experimental research on emotion perception. , 2012, Emotion.
[48] Isabelle Peretz,et al. Singing proficiency in the general population. , 2007, The Journal of the Acoustical Society of America.
[49] J. Russell,et al. Facial and vocal expressions of emotion. , 2003, Annual review of psychology.
[50] Wilmer T. Bartholomew. A Physical Definition of “Good Voice‐Quality” in the Male Voice , 1934 .
[51] Judith D. Singer,et al. Using SAS PROC MIXED to Fit Multilevel Models, Hierarchical Models, and Individual Growth Models , 1998 .
[52] N. Frijda,et al. The structure of subjective emotional intensity , 1994 .
[53] The effect of melody and technique on the singing voice accuracy of trained singers , 2014, Logopedics, phoniatrics, vocology.
[54] M Cebulla,et al. The speaker's formant in male voices. , 1997, Journal of voice : official journal of the Voice Foundation.
[55] Kathryn Barnes-Burroughs,et al. Potential factors related to untrained singing talent: a survey of singing pedagogues. , 2003, Journal of voice : official journal of the Voice Foundation.
[56] Elizabeth C. Willis,et al. Effect of Voice Change on Singing Pitch Accuracy in Young Male Singers , 2008 .
[57] Anysia J. Ensslen,et al. A comparison of trained and untrained vocalists on the Dysphonia Severity Index. , 2010, Journal of voice : official journal of the Voice Foundation.
[58] Hiroya Fujisaki,et al. Dynamic Characteristics of Voice Fundamental Frequency in Speech and Singing , 1983 .
[59] H. Boo,et al. A comparison of trained and untrained science teachers' views about certain aspects of the nature of science , 2006 .
[60] Nick Hammond,et al. Self-validating presentation and response timing in cognitive paradigms: How and why? , 2004, Behavior research methods, instruments, & computers : a journal of the Psychonomic Society, Inc.
[61] Lawrence J. Raphael,et al. Speech Science Primer: Physiology, Acoustics, and Perception of Speech , 1980 .
[62] Andy P. Field,et al. Discovering Statistics Using SPSS , 2000 .