The influence of vocal training and acting experience on measures of voice quality and emotional genuineness

Vocal training through singing and acting lessons is known to modify acoustic parameters of the voice. While the effects of singing training have been well documented, the role of acting experience on the singing voice remains unclear. In two experiments, we used linear mixed models to examine the relationships between the relative amounts of acting and singing experience on the acoustics and perception of the male singing voice. In Experiment 1, 12 male vocalists were recorded while singing with five different emotions, each with two intensities. Acoustic measures of pitch accuracy, jitter, and harmonics-to-noise ratio (HNR) were examined. Decreased pitch accuracy and increased jitter, indicative of a lower “voice quality,” were associated with more years of acting experience, while increased pitch accuracy was associated with more years of singing lessons. We hypothesized that the acoustic deviations exhibited by more experienced actors was an intentional technique to increase the genuineness or truthfulness of their emotional expressions. In Experiment 2, listeners rated vocalists’ emotional genuineness. Vocalists with more years of acting experience were rated as more genuine than vocalists with less acting experience. No relationship was reported for singing training. Increased genuineness was associated with decreased pitch accuracy, increased jitter, and a higher HNR. These effects may represent a shifting of priorities by male vocalists with acting experience to emphasize emotional genuineness over pitch accuracy or voice quality in their singing performances.

[1]  T. Baer,et al.  Harmonics-to-noise ratio as an index of the degree of hoarseness. , 1982, The Journal of the Acoustical Society of America.

[2]  P. Mccabe,et al.  Acoustic changes in student actors' voices after 12 months of training. , 2008, Journal of voice : official journal of the Voice Foundation.

[3]  Kate Dupuis,et al.  Intelligibility of Emotional Speech in Younger and Older Adults , 2014, Ear and hearing.

[4]  R. Larsen,et al.  Intensity and frequency: dimensions underlying positive and negative affect. , 1985, Journal of personality and social psychology.

[5]  P. Laukka,et al.  Impact of intended emotion intensity on cue utilization and decoding accuracy in vocal expression of emotion. , 2000, Emotion.

[6]  B. Repp Diversity and commonality in music performance: an analysis of timing microstructure in Schumann's "Träumerei". , 1992, The Journal of the Acoustical Society of America.

[7]  Isabelle Peretz,et al.  A frog in your throat or in your ear? Searching for the causes of poor singing. , 2012, Journal of experimental psychology. General.

[8]  Jing Cheng,et al.  Real longitudinal data analysis for real people: Building a good enough mixed model , 2010, Statistics in medicine.

[9]  P. Boersma Praat : doing phonetics by computer (version 5.1.05) , 2009 .

[10]  I. Peretz,et al.  A developmental study of the affective value of tempo and mode in music , 2001, Cognition.

[11]  Anthony S. Bryk,et al.  Hierarchical Linear Models: Applications and Data Analysis Methods , 1992 .

[12]  J. Sundberg Articulatory interpretation of the "singing formant". , 1974, The Journal of the Acoustical Society of America.

[13]  Y Horii,et al.  Age and changes in vocal jitter. , 1980, Journal of gerontology.

[14]  Liat Kishon-Rabin,et al.  The effect of superior auditory skills on vocal accuracy. , 2003, The Journal of the Acoustical Society of America.

[15]  Jos W. R. Twisk,et al.  Applied multilevel analysis : a practical guide , 2006 .

[16]  D H Brainard,et al.  The Psychophysics Toolbox. , 1997, Spatial vision.

[17]  W. S. Brown,et al.  Perceptual and acoustic study of professionally trained versus untrained voices. , 2000, Journal of voice : official journal of the Voice Foundation.

[18]  M. Zuckerman,et al.  What sounds beautiful is good: The vocal attractiveness stereotype , 1988 .

[19]  K. Scherer,et al.  Acoustic profiles in vocal emotion expression. , 1996, Journal of personality and social psychology.

[20]  F. Wuyts,et al.  Analysis and evaluation of a voice-training program in future professional voice users. , 2005, Journal of voice : official journal of the Voice Foundation.

[21]  Paul Boersma,et al.  Praat, a system for doing phonetics by computer , 2002 .

[22]  Robert B. Smith The Effect of Group Vocal Training on the Singing Ability of Nursery School Children , 1963 .

[23]  M. Bunch,et al.  Dynamics of the Singing Voice , 1982, Springer Vienna.

[24]  Michel Belyk,et al.  Imprecise singing is widespread. , 2010, The Journal of the Acoustical Society of America.

[25]  Roel Bosker,et al.  Multilevel analysis : an introduction to basic and advanced multilevel modeling , 1999 .

[26]  R. Persaud Correlation, regression, and repeated data , 1994, BMJ.

[27]  Johan Sundberg,et al.  Research on the singing voice in retrospect , 2003 .

[28]  Kostas Karpouzis,et al.  The HUMAINE Database: Addressing the Collection and Annotation of Naturalistic and Induced Emotional Data , 2007, ACII.

[29]  Skyler T. Hawk,et al.  Presentation and validation of the Radboud Faces Database , 2010 .

[30]  J Sundberg,et al.  Articulatory Fo perturbations and auditory feedback. , 1988, Journal of speech and hearing research.

[31]  Ailbhe Ní Chasaide,et al.  The role of voice quality in communicating emotion, mood and attitude , 2003, Speech Commun..

[32]  Hideki Kawahara,et al.  Vocal Attractiveness Increases by Averaging , 2010, Current Biology.

[33]  Michael Wilson MRC Psycholinguistic Database , 2001 .

[34]  C. Ferrand Harmonics-to-noise ratio: an index of vocal aging. , 2002, Journal of voice : official journal of the Voice Foundation.

[35]  K. Scherer Vocal correlates of emotional arousal and affective disturbance. , 1989 .

[36]  W. S. Brown,et al.  Singer's formant in sopranos: fact or fiction? , 2001, Journal of Voice.

[37]  P. Lieberman Perturbations in Vocal Pitch , 1960 .

[38]  Elisabeth André,et al.  Comparing Feature Sets for Acted and Spontaneous Speech in View of Automatic Emotion Recognition , 2005, 2005 IEEE International Conference on Multimedia and Expo.

[39]  Andy Field,et al.  Discovering statistics using SPSS, 2nd ed. , 2005 .

[40]  L. Zebrowitz,et al.  "Wide-Eyed" and "Crooked-Faced": Determinants of Perceived and Real Honesty Across the Life Span , 1996 .

[41]  B H Repp,et al.  Expressive timing in Schumann's "Träumerei:" an analysis of performances by graduate student pianists. , 1995, The Journal of the Acoustical Society of America.

[42]  Klaus R. Scherer,et al.  Vocal communication of emotion: A review of research paradigms , 2003, Speech Commun..

[43]  James A. S. Angus,et al.  A comparison between singing pitching strategies of 8 to 11 year olds and trained adult singers , 1997 .

[44]  Irene Velsvik Bele The speaker's formant. , 2006, Journal of voice : official journal of the Voice Foundation.

[45]  Roy K. Sedge,et al.  Speech Science Primer: Physiology, Acoustics, and Perception of Speech , 1980 .

[46]  Eva Krumhuber,et al.  Moving Smiles: The Role of Dynamic Components for the Perception of the Genuineness of Smiles , 2005 .

[47]  K. Scherer,et al.  Introducing the Geneva Multimodal expression corpus for experimental research on emotion perception. , 2012, Emotion.

[48]  Isabelle Peretz,et al.  Singing proficiency in the general population. , 2007, The Journal of the Acoustical Society of America.

[49]  J. Russell,et al.  Facial and vocal expressions of emotion. , 2003, Annual review of psychology.

[50]  Wilmer T. Bartholomew A Physical Definition of “Good Voice‐Quality” in the Male Voice , 1934 .

[51]  Judith D. Singer,et al.  Using SAS PROC MIXED to Fit Multilevel Models, Hierarchical Models, and Individual Growth Models , 1998 .

[52]  N. Frijda,et al.  The structure of subjective emotional intensity , 1994 .

[53]  The effect of melody and technique on the singing voice accuracy of trained singers , 2014, Logopedics, phoniatrics, vocology.

[54]  M Cebulla,et al.  The speaker's formant in male voices. , 1997, Journal of voice : official journal of the Voice Foundation.

[55]  Kathryn Barnes-Burroughs,et al.  Potential factors related to untrained singing talent: a survey of singing pedagogues. , 2003, Journal of voice : official journal of the Voice Foundation.

[56]  Elizabeth C. Willis,et al.  Effect of Voice Change on Singing Pitch Accuracy in Young Male Singers , 2008 .

[57]  Anysia J. Ensslen,et al.  A comparison of trained and untrained vocalists on the Dysphonia Severity Index. , 2010, Journal of voice : official journal of the Voice Foundation.

[58]  Hiroya Fujisaki,et al.  Dynamic Characteristics of Voice Fundamental Frequency in Speech and Singing , 1983 .

[59]  H. Boo,et al.  A comparison of trained and untrained science teachers' views about certain aspects of the nature of science , 2006 .

[60]  Nick Hammond,et al.  Self-validating presentation and response timing in cognitive paradigms: How and why? , 2004, Behavior research methods, instruments, & computers : a journal of the Psychonomic Society, Inc.

[61]  Lawrence J. Raphael,et al.  Speech Science Primer: Physiology, Acoustics, and Perception of Speech , 1980 .

[62]  Andy P. Field,et al.  Discovering Statistics Using SPSS , 2000 .