Understanding Cultural Industries

In this article, the authors argue for more theoretical discussion and empirical research into the organizational and managerial dynamics of commercial cultural production. Their concern grows out of their observation that management research is neglecting cultural production as a serious object of investigation despite its economic, social, and political significance. Moreover, even when management researchers have studied cultural production, the distinctive characteristics and dynamics of cultural industries have largely eluded the traditional research approaches adopted. As a result, the unique dynamics of cultural production remain largely uninvestigated.

[1]  P. Bourdieu Distinction: A Social Critique of the Judgement of Taste* , 2018, Food and Culture.

[2]  Cynthia Hardy,et al.  No Joking Matter: Discursive Struggle in the Canadian Refugee System , 1999 .

[3]  Cynthia Hardy,et al.  Managing Multiple Identities: Discourse, Legitimacy and Resources in the UK Refugee System , 1997 .

[4]  Jukka Gronow,et al.  The Sociology Of Taste , 1997 .

[5]  Thomas B. Lawrence,et al.  From Moby Dick to Free Willy: The Discursive Construction of a Cultural Industry , 1997 .

[6]  Nelson Phillips,et al.  Telling Organizational Tales: On the Role of Narrative Fiction in the Study of Organizations , 1995 .

[7]  Zeynep Tenger,et al.  The Author, Art, and the Market: Rereading the History of Aestheticsauthors and Owners: The Invention of Copyright , 1994 .

[8]  Marcel Danesi,et al.  Cool: The Signs and Meanings of Adolescence , 1994 .

[9]  N. Phillips,et al.  Analyzing Communication in and Around Organizations: A Critical Hermeneutic Approach , 1993 .

[10]  Mayer N. Zald,et al.  Organization Studies as a Scientific and Humanistic Enterprise: Toward a Reconceptualization of the Foundations of the Field , 1993 .

[11]  D. L. Flarey Liberation Management Necessary Disorganization for the Nanosecond Nineties , 1993 .

[12]  D. Knights,et al.  Organization Theory and Consumption in a Post-Modern Era , 1993 .

[13]  Raymond F. Zammuto,et al.  Organization Science, Managers, and Language Games , 1992 .

[14]  Eric Abrahamson,et al.  FORGING THE IRON CAGE: INTERORGANIZATIONAL NETWORKS AND THE PRODUCTION OF MACRO‐CULTURE , 1992 .

[15]  N. Fairclough Discourse and social change , 1992 .

[16]  L. Smircich,et al.  Voicing Seduction to Silence Leadership , 1991 .

[17]  J. M. Bernstein,et al.  The culture industry : selected essays on mass culture , 1991 .

[18]  C. Marlene Fiol,et al.  A Semiotic Analysis of Corporate Language: Organizational Boundaries and Joint Venturing , 1989 .

[19]  Stuart Ewen,et al.  All Consuming Images: The Politics Of Style In Contemporary Culture , 1990 .

[20]  M. Blackford,et al.  Business enterprise in American history , 1986 .

[21]  S. Barley Semiotics and the Study of Occupational and Organizational Cultures. , 1983 .

[22]  Richard Howard,et al.  The Fashion System , 1983 .

[23]  Guy Debord The Society of the Spectacle , 2020 .