Annotating Musical Theatre Plots on Narrative Structure and Emotional Content

Although theoretical models of the structure of narrative arising from systematic analysis of corpora are available for domains such as Russian folk tales, there are no such sources for the plot lines of musical theatre. The present paper reports an effort of knowledge elicitation for features that characterise the narrative structure of plot in the particular domain of musical theatre. The following aspects are covered: identification of a valid vocabulary of abstract units to use in annotating musical theatre plots, development of a procedure for annotation - including a spread-sheet format for annotators to use, and a corresponding set of instructions to guide them through the process - selection of a corpus of musical theatre pieces that would constitute the corpus to be annotated, the annotation process itself and the results of post-processing the annotated corpus in search for insights on the narrative structure of musical theatre plots.

[1]  Brian O'Neill,et al.  A computational model of suspense for the augmentation of intelligent story generation , 2013 .

[2]  Pablo Gervás,et al.  The Need for Multi-Aspectual Representation of Narratives in Modelling their Creative Process , 2014, CMN.

[3]  Raquel Hervás,et al.  Generating Plots for a Given Query Using a Case-Base of Narrative Schemas , 2015, ICCBR.

[4]  Gonzalo Méndez,et al.  Schemas for Narrative Generation Mined from Existing Descriptions of Plot , 2015, CMN.

[5]  Boyang Li,et al.  Story Generation with Crowdsourced Plot Graphs , 2013, AAAI.

[6]  Bob L. Sturm,et al.  The "Beyond the Fence" Musical and "Computer Says Show" Documentary , 2016, ICCC.

[7]  Dominic Symonds,et al.  Studying Musical Theatre: Theory and Practice , 2014 .

[8]  Laura Strauss,et al.  The Seven Basic Plots Why We Tell Stories , 2016 .

[9]  Mark A. Finlayson,et al.  The Prevalence of Descriptive Referring Expressions in News and Narrative , 2010, ACL.

[10]  Pablo Gervás Gómez-Navarro Reviewing Propp’s Story Generation Procedure in the Light of Computational Creativity , 2014 .

[11]  Joseph Bates,et al.  Guiding interactive drama , 1997 .

[12]  Ronald Tobias,et al.  20 Master Plots: And How to Build Them , 2011 .

[13]  Mark A. Finlayson The Story Workbench: An Extensible Semi-Automatic Text Annotation Tool , 2011, Intelligent Narrative Technologies.

[14]  M. Sussman,et al.  A Hero's Journey , 2001 .

[15]  Mark A. Finlayson,et al.  The N2 corpus: A semantically annotated collection of Islamist extremist stories , 2014, LREC.

[16]  Mark A. Finlayson Learning narrative structure from annotated folktales , 2012 .

[17]  Georges Polti The Thirty-Six Dramatic Situations , 1916 .

[18]  Pablo Gervás Computational Drafting of Plot Structures for Russian Folk Tales , 2015, Cognitive Computation.

[19]  Christopher Booker The Seven Basic Plots: Why We Tell Stories , 2004 .

[20]  Joseph Campbell,et al.  The Hero's Journey: Joseph Campbell on His Life and Work , 1990 .