An Empirical Method for Measuring the Aesthetic Experience to Music
暂无分享,去创建一个
[1] S. Kuwano,et al. Continuous judgment of level-fluctuating sounds and the relationship between overall loudness and instantaneous loudness , 1985, Psychological research.
[2] Dianne Gregory,et al. Using computers to measure continuous music responses. , 1989 .
[3] Elsie Payne,et al. Towards an Understanding of Music Appreciation , 1980 .
[4] Effect of Majority Consensus on Preferences for Recorded Orchestral and Popular Music , 1988 .
[5] E. Walker,et al. The Quest for the Inverted U , 1981 .
[6] D. Berlyne. Studies in the New Experimental Aesthetics: Steps Toward an Objective Psychology of Aesthetic Appreciation, , 1974 .
[7] Annette H. Zalanowski,et al. The Relationship Between Music, Degree of Liking, and Self-Reported Relaxation , 1984 .
[8] E. R. White,et al. Adult Approval and Students' Music Selection Behavior , 1973 .
[9] James Colman,et al. Tempo Preferences of Different Age Music Listeners , 1988 .
[10] Charles Leonhard. Philosophy of Music Education , 1965 .
[11] D. Hargreaves,et al. Development of Liking for Familiar and Unfamiliar Melodies. , 1987 .
[12] M. Clynes,et al. The Living Quality of Music , 1982 .
[13] Ruth V. Brittin. The Effect of Overtly Categorizing Music on Preference for Popular Music Styles , 1991 .
[14] Leonard B. Meyer. Emotion and Meaning in Music , 1957 .
[15] P. Russell,et al. Experimental Aesthetics of Popular Music Recordings: Pleasingness, Familiarity and Chart Performance , 1986 .
[16] John M. Geringer,et al. Differential Patterns of Music Listening: Focus of Attention of Musicians versus Nonmusicians. , 1990 .
[17] Ronald G. Heyduk. Rated preference for musical compositions as it relates to complexity and exposure frequency , 1975 .
[18] C. K. Madsen,et al. Experimental research in music , 1969 .
[19] S. Niélzen,et al. Emotional Experience of Music as a Function of Musical Structure , 1982 .
[20] Seiichiro Namba,et al. Assessment of musical performance by using the method of continuous judgment by selected description , 1991 .
[21] A. Goldstein. Thrills in response to music and other stimuli , 1980 .
[22] A. LeBlanc,et al. Effect of Tempo on Children's Music Preference , 1983 .
[23] DeWitt H. Parker,et al. Philosophy in a New Key , 1941 .
[24] K. Hevner. Experimental studies of the elements of expression in music , 1936 .
[25] Manfred Clynes,et al. Sentics: The touch of emotions , 1977 .
[26] C. K. Madsen. Measuring Musical Response , 1990 .
[27] John M. Geringer,et al. Verbal and Operant Discrimination-Preference for Tone Quality and Intonation , 1981 .
[28] Albert LeBlanc,et al. Effects of Style, Tempo, and Performing Medium on Children' s Music Preference , 1981 .
[29] H. Petsche. Music, mind and brain: The neuropsychology of music Ed. M. Clynes, Plenum Press, New York. (1982). 430 pp , 1983, Neuroscience.
[30] Albert LeBlanc,et al. Effect of Vocal Vibrato and Performer's Sex on Children's Music Preference , 1986 .
[31] J. Peery,et al. Effects of Exposure to Classical Music on the Musical Preferences of Preschool Children , 1986 .
[32] J. Crozier. Information Theory and Melodic Perception In Search of the Aesthetic Engram , 1981 .