Exploring mutual engagement in creative collaborations
暂无分享,去创建一个
[1] Nick Bryan-Kinns. Daisyphone: the design and impact of a novel environment for remote group music improvisation , 2004, DIS '04.
[2] Phil Burk. Jammin' on the Web - a new Client/Server Architecture for Multi-User Musical Performance , 2000, ICMC.
[3] Judith S. Olson,et al. Distance Matters , 2000, Hum. Comput. Interact..
[4] Alexis Tabensky,et al. Gesture and speech rephrasings in conversation , 2002 .
[5] Toni Robertson,et al. Cooperative Work and Lived Cognition: A Taxonomy of Embodied Actions , 1997, ECSCW.
[6] R. Keith Sawyer,et al. Group Creativity: Music, Theater, Collaboration , 2003 .
[7] Mary Beth Rosson,et al. Collective efficacy as a measure of community , 2005, CHI.
[8] Mark Blythe,et al. Funology:From Usability to Enjoyment , 2003 .
[9] Paul Dourish,et al. Awareness and coordination in shared workspaces , 1992, CSCW '92.
[10] Wijnand A. IJsselsteijn,et al. The unbearable lightness of being there: contrasting approaches to presence engineering , 2003, Visual Communications and Image Processing.
[11] Miranda Tufnell,et al. Body Space Image , 1999 .
[12] R. Dean,et al. Improvisation, Hypermedia and the Arts Since 1945 , 1997 .
[13] Dorothy Miell,et al. Children’s Creative Collaborations: The Importance of Friendship when Working Together on a Musical Composition , 2000 .
[14] Andrew Hargadon,et al. The pleasure principle: immersion, engagement, flow , 2000, HYPERTEXT '00.
[15] Nick Bryan-Kinns,et al. Mobile Group Music Improvisation , 2004 .
[16] Carl Gutwin,et al. A Descriptive Framework of Workspace Awareness for Real-Time Groupware , 2002, Computer Supported Cooperative Work (CSCW).
[17] A. Monk,et al. Reasoning about tasks, activities and technology to support collaboration. , 1998, Ergonomics.