Poetry, 1660-1740
暂无分享,去创建一个
[1] W. Wimsatt,et al. Literary Criticism: A Short History , 2021 .
[2] H. Reiss. The "Naturalization" of the Term "Asthetik" in Eighteenth-Century German: Alexander Gottlieb Baumgarten and His Impact , 1994 .
[3] C. Sommerville,et al. The Discovery of Childhood in Puritan England. , 1994 .
[4] Glenn W. Most. Schlegel, Schlegel und Die Geburt Eines Tragödienparadigmas , 1993 .
[5] J. Lamb. The Subject of the Subject and the Sublimities of Self-Reference Words of Eternity: Blake and the Poetics of the Sublime Vincent de Luca The Discourse of the Sublime: History, Aesthetics, and the Subject Peter de Bolla , 1993 .
[6] Glenn W. Most. Ansichten über einen Hund. Zu einigen Strukturen der Homerrezeption zwischen Antike und Neuzeit , 1991 .
[7] Neil Saccamano. The Consolations of Ambivalence: Habermas and the Public Sphere , 1991 .
[8] D. Patey. Swift's Satire on "Science" and the Structure of Gulliver's Travels , 1991 .
[9] W. Wieland. Die Erfahrung des Urteils Warum Kant keine Ästhetik begründet hat , 1990 .
[10] Wilhelm Freiherr von Humboldt,et al. Briefe an Friedrich August Wolf , 1990 .
[11] B. J. Harwood. Dame Study and the Place of Orality in Piers Plowman , 1990 .
[12] Glenn W. Most. Zur Archäologie der Archaik , 1989 .
[13] T. Kaiser. Rhetoric in the Service of the King: The Abbe Dubos and the Concept of Public Judgment , 1989 .
[14] John F. Tinkler. The Splitting of Humanism: Bentley, Swift, and the English Battle of the Books , 1988 .
[15] S. Gravelle. The Latin-Vernacular Question and Humanist Theory of Language and Culture , 1988 .
[16] Elizabeth R. Napier. The Failure of Gothic , 1987 .
[17] Claudia L. Johnson. "Giant HANDEL" and the Musical Sublime , 1986 .
[18] H. Weinbrot. "An Ambition to Excell": The Aesthetics of Emulation in the Seventeenth and Eighteenth Centuries , 1985 .
[19] Frances C. Ferguson. A Commentary on Suzanne Guerlac's "Longinus and the Subject of the Sublime" , 1985 .
[20] C. Altieri. Plato's Performative Sublime and the Ends of Reading , 1985 .
[21] S. Guerlac. Longinus and the Subject of the Sublime , 1985 .
[22] G. Shapiro. From the Sublime to the Political: Some Historical Notes , 1985 .
[23] L. Klein. The Third Earl of Shaftesbury and the Progress of Politeness , 1984 .
[24] K. Hutchison. Supernaturalism and the Mechanical Philosophy , 1983 .
[25] Keith Hutchison,et al. What Happened to Occult Qualities in the Scientific Revolution? , 1982, Isis.
[26] William H. Youngren. Addison and the Birth of Eighteenth-Century Aesthetics , 1982, Modern philology.
[27] L. Gossman. Literature and Education , 1982 .
[28] Harriet Ritvo,et al. The Periodical Press in Eighteenth-Century English and French Society: A Cross-Cultural Approach , 1981, Comparative Studies in Society and History.
[29] J. Engell. The creative imagination : Enlightenment to Romanticism , 1981 .
[30] J. Levine. Ancients and Moderns Reconsidered , 1981 .
[31] A. Grafton. Prolegomena to Friedrich August Wolf , 1981, Journal of the Warburg and Courtauld Institutes.
[32] Brian P. Copenhaver,et al. Jewish theologies of space in the scientific revolution: Henry More, Joseph Raphson, Isaac Newton and their predecessors , 1980 .
[33] John F Strauss. Jean jacques Rousseau: Musician , 1978 .
[34] Marshall Brown. The Urbane Sublime , 1978 .
[35] J. Brewer. Party Ideology and Popular Politics at the Accession of George III , 1978 .
[36] Peter Hughes. Restructuring Literary History: Implications for the Eighteenth Century , 1977 .
[37] John E. Sitter. Mother, Memory, Muse and Poetry After Pope , 1977 .
[38] David Hume,et al. David Hume: Enquiries Concerning Human Understanding and Concerning the Principles of Morals (Third Edition) , 1975 .
[39] Felix Paknadel. Shaftesbury's Illustrations of Characteristics , 1974, Journal of the Warburg and Courtauld Institutes.
[40] H. Fischer. Deutsche Zeitschriften des 17. bis 20. Jahrhunderts , 1973 .
[41] J. Boswell,et al. A journey to the western islands of Scotland , 1973 .
[42] P. Rogers. SHAFTESBURY AND THE AESTHETICS OF RHAPSODY , 1972 .
[43] Henry K. Miller. The "Whig Interpretation" of Literary History , 1972 .
[44] M. Couperus. Un périodique français en Hollande: Le glaneur historique (1731–1733) , 1971 .
[45] Dieter Kimpel,et al. Theorie und Technik des Romans im 17. und 18. Jahrhundert: II. Spätaufklärung, Klassik und Frühromantik , 1970 .
[46] Roy S. Wolper. The Rhetoric of Gunpowder and the Idea of Progress , 1970 .
[47] D. T. Mace. Marin Mersenne on Language and Music , 1970 .
[48] William H. Youngren. Generality, Science and Poetic Language in the Restoration , 1968 .
[49] B. Kimpel,et al. The Composition of Clarissa and Its Revision Before Publication , 1968, Pmla-publications of The Modern Language Association of America.
[50] H. Vaget. Johann Heinrich Merck Über Den Roman , 1968, Pmla-publications of The Modern Language Association of America.
[51] William Kinsley. Meaning and Format: Mr. Spectator and His Folio Half-Sheets , 1967 .
[52] E. Wasserman. Collins' "Ode on the Poetical Character" , 1967 .
[53] A. Skinner. ECONOMICS AND HISTORY-THE SCOTTISH ENLIGHTENMENT , 1965 .
[54] Aubrey S. Garlington. LE MERVEILLEUX AND OPERATIC REFORM IN 18TH-CENTURY FRENCH OPERA , 1963 .
[55] Jerome Stolnitz. `Beauty': Some Stages in the History of an Idea , 1961 .
[56] A. Nivelle. Kunst- und Dichtungstheorien zwischen Aufklärung und Klassik , 1960 .
[57] Herbert M. Schueller. THE QUARREL OF THE ANCIENTS AND THE MODERNS , 1960 .
[58] M. Gilman. The idea of poetry in France : from Houdar de la Motte to Baudelaire , 1958 .
[59] J. Lorimer. A Neglected Aspect of the "Querelle des Anciens et des Modernes" , 1956 .
[60] J. Sweetman. Shaftesbury's Last Commission , 1956, Journal of the Warburg and Courtauld Institutes.
[61] E. Tuveson. The Importance of Shaftesbury , 1953 .
[62] B. Bronson,et al. The Pre-Romantic or Post-Augustan Mode , 1953 .
[63] Walter J. Hipple join. General and Particular in the Discourses of Sir Joshua Reynolds: A Study in Method , 1953 .
[64] Arthur L. Cooke. Some Side Lights on the Theory of the Gothic Romance , 1951 .
[65] P. Kristeller. The Modern System of the Arts: A Study in the History of Aesthetics Part I , 1951 .
[66] R. Halsband. Addison's Cato and Lady Mary Wortley Montagu , 1950, Pmla-publications of The Modern Language Association of America.
[67] E. R. Purpus. The "Plain, Easy, and Familiar Way": The Dialogue in English Literature, 1660-1725 , 1950 .
[68] S. Elledge,et al. The Background and Development in English Criticism of the Theories of Generality and Particularity , 1947, Pmla-publications of The Modern Language Association of America.
[69] M. R. Watson. The Spectator Tradition and the Development of the Familiar Essay , 1946 .
[70] W. J. Bate. From classic to romantic : premises of taste in eighteenth-century England , 1946 .
[71] M. Kallich. The association of ideas and critical theory : Hobbes, Locke, and Addison : a portion of the association of ideas and critical theory in XVIII-century England : a history of a psychological method in English criticism , 1945 .
[72] W. J. Bate. The Sympathetic Imagination in Eighteenth-Century English Criticism , 1945 .
[73] H. Dieckmann. Diderot's Conception of Genius , 1941 .
[74] G. H. Orians,et al. Censure of Fiction in American Romances and Magazines 1789–1810 , 1937, Pmla-publications of The Modern Language Association of America.
[75] H. N. Fairchild. The noble savage : a study in romantic naturalism , 1928 .
[76] A. Mckillop. Richardson, Young, and the "Conjectures" , 1925, Modern philology.
[77] L. Whitney. English Primitivistic Theories of Epic Origins , 1924, Modern Philology.
[78] Alfred E. Longueil. The Word "Gothic" in Eighteenth Century Criticism , 1923 .
[79] W. H. Flood. AN EIGHTEENTH CENTURY ESSAYIST ON POETRY AND MUSIC , 1916 .
[80] David Marshall. Arguing by analogy: Hume's standard of time , 1995 .
[81] J. Lamb. Longinus, the dialectic, and the practice of mastery , 1993 .
[82] J. Levine. Giambattista Vico and the Quarrel between the Ancients and the Moderns , 1991 .
[83] L. Findlay. The Genius of the French Language: Towards a Poetics of Political Reaction during the Revolutionary Period , 1989 .
[84] C. Caruth. The Force of Example: Kant's Symbols , 1988 .
[85] D. Patey. The Eighteenth Century Invents the Canon , 1988 .
[86] Nancy K. Miller. Men's Reading, Women's Writing: Gender and the Rise of the Novel , 1988 .
[87] J. Hollander. The poetics of ekphrasis , 1988 .
[88] J. Arac. The Media of Sublimity: Johnson and Lamb on "King Lear" , 1987 .
[89] Hans Aarsleff,et al. Papers in the history of linguistics : proceedings of the Third International Conference on the History of the Language Sciences (ICHoLS III), Princeton, 19-23 August 1984 , 1987 .
[90] P. H. Fry. The Possession of the Sublime , 1987 .
[91] C. Kintzler. De la Pastorale à la Tragédie lyrique: quelques éléments d'un système poétique , 1986 .
[92] Anthony Grafton,et al. Renaissance Readers and Ancient Texts: Comments on Some Commentaries , 1985, Renaissance Quarterly.
[93] J. Hunt. Ut Pictura Poesis, Ut Pictura Hortus, and the Picturesque , 1985 .
[94] P. Kivy. Mattheson as Philosopher of Art , 1984 .
[95] G. Gebauer. Das Laokoon-Projekt , 1984 .
[96] Alexander Gottlieb Baumgarten,et al. Texte zur Grundlegung der Ästhetik , 1983 .
[97] R. Black. Ancients and Moderns in the Renaissance: Rhetoric and History in Accolti's Dialogue on the Preeminence of Men of his Own Time , 1982 .
[98] Dabney Townsend. Shaftesbury's Aesthetic Theory , 1982 .
[99] R. Porter,et al. The ferment of knowledge: Index , 1980 .
[100] Elizabeth Hampsten. Petticoat authors: 1660–1720 , 1980 .
[101] R. Turner,et al. The Prussian Universities and the Concept of Research , 1980 .
[102] Leopold Damrosch join. The Significance of Addison's Criticism , 1979 .
[103] H. Nisbet. Laocoon in Germany: The Reception of the Group since Winckelmann , 1979 .
[104] M. Flavell. Winckelmann and the German Enlightenment: On the Recovery and Uses of the past , 1979 .
[105] L. Versini. Le roman épistolaire , 1979 .
[106] A. Horstmann. Die „Klassische Philologie”︁ zwischen Humanismus und Historismus Friedrich August Wolf und die Begründung der modernen Altertumswissenschaft , 1978 .
[107] Daniel Heartz. Diderot et le Théâtre lyrique: "le nouveau stile" proposé par Le Neveu de Rameau , 1978 .
[108] H. Wiegmann. Geschichte der Poetik , 1977 .
[109] Fritz Wahrenburg. Funktionswandel des Romans und ästhetische Norm , 1976 .
[110] Thomas F. Lockwood. On the Relationship of Satire and Poetry after Pope , 1974 .
[111] P. Rogers. THE CRITIQUE OF OPERA IN POPE'S DUNCIAD , 1973 .
[112] W. C. Lehmann. Henry Home, Lord Kames and the Scottish Enlightenment , 1971 .
[113] J. Hayman. Shaftesbury and the Search for a Persona , 1970 .
[114] R. W. Uphaus. Shaftesbury on Art: The Rhapsodic Aesthetic , 1969 .
[115] A. R. Louch,et al. History as Narrative , 1969 .
[116] K. Scherpe,et al. Gattungspoetik im 18. Jahrhundert , 1968 .
[117] A. E. Mcguinness. Hume and Kames: The Burden of Friendship , 1968 .
[118] René Wellek. French "Classical" Criticism in The Twentieth Century , 1967 .
[119] W. W. Wagar. Modern Views of the Origins of the Idea of Progress , 1967 .
[120] M. Mandelbaum. A Note on History as Narrative , 1967 .
[121] J. Hendrickson,et al. The Complete Poems of Thomas Gray: English, Latin and Greek: English, Latin and Greek , 1966 .
[122] R. Saisselin. CRITICAL REFLECTIONS ON THE ORIGINS OF MODERN AESTHETICS , 1964 .
[123] K. Moritz,et al. Schriften Zur Ästhetik Und Poetik Kritische Ausgabe , 1962 .
[124] Jerome Stolnitz. On the Origins of "Aesthetic Disinterestedness" , 1961 .
[125] Hans Baron,et al. The Querelle of the Ancients and the Moderns as a Problem for Renaissance Scholarship , 1959 .
[126] Herta Helena Jogland,et al. Ursprünge und Grundlagen der Soziologie bei Adam Ferguson , 1959 .
[127] H. Petriconi. Die verführte Unschuld: Bemerkungen über ein literarisches Thema , 1953 .
[128] B. Rogerson. The Art of Painting the Passions , 1953 .
[129] E. Tuveson. Swift and the World-Makers , 1950 .
[130] R. Pascal. II. Herder and the Scottish Historical School , 1939 .