Close, But No Cigar
暂无分享,去创建一个
[1] Richard E. Caves,et al. Book Review , 2001 .
[2] J. Wooders,et al. Minimax Play at Wimbledon , 2001 .
[3] Phillip Bonacich,et al. I’d Like to Thank the Academy, Team Spillovers, and Network Centrality , 2009 .
[4] Mark C. Suchman,et al. Legitimacy in Organizational Institutionalism , 2009 .
[5] N. Anand,et al. Tournament Rituals, Category Dynamics, and Field Configuration: The Case of the Booker Prize , 2008 .
[6] N. Anand,et al. When Market Information Constitutes Fields: Sensemaking of Markets in the Commercial Music Industry , 2000 .
[7] Matthew J. Salganik,et al. Leading the Herd Astray: An Experimental Study of Self-fulfilling Prophecies in an Artificial Cultural Market , 2008, Social psychology quarterly.
[8] T. Chambers. Audience evolution: New technologies and the transformation of media audiences , 2011 .
[9] H. Rao. The Social Construction of Reputation: Certification Contests, Legitimation, and the Survival of Organizations in the American Automobile Industry: 1895–1912 , 1994 .
[10] R. Peterson,et al. Cycles in Symbol Production: The Case of Popular Music , 1975 .
[11] Michael Sauder,et al. Do Rankings Matter? The Effects of U.S. News & World Report Rankings on the Admissions Process of Law Schools , 2006 .
[12] Nicholas L. Parsons,et al. The Institutionalization of Fame: Achievement, Recognition, and Cultural Consecration in Baseball , 2006 .
[13] W. Martin,et al. The Rules of The Art , 1971 .
[14] Christopher Winship,et al. Counterfactuals and Causal Inference: Methods and Principles for Social Research , 2007 .
[15] Francis L. F. Lee. Cultural discount of cinematic achievement: the academy awards and U.S. movies’ East Asian box office , 2009 .
[16] H. White,et al. Canvases and Careers: Institutional Change in the French Painting World. , 1966 .
[17] H. Rao,et al. Institutional Change in Toque Ville: Nouvelle Cuisine as an Identity Movement in French Gastronomy1 , 2003, American Journal of Sociology.
[18] Joel Podolny. A Status-Based Model of Market Competition , 1993, American Journal of Sociology.
[19] Steven D. Levitt,et al. Testing Mixed-Strategy Equilibria When Players Are Heterogeneous: The Case of Penalty Kicks in Soccer , 2002 .
[20] Victor Ginsburgh,et al. Expert opinion and compensation: evidence from a musical competition , 2015 .
[21] R. Frank,et al. The Winner-Take-All Society , 1995 .
[22] Andrey Rzhetsky,et al. Tradition and Innovation in Scientists’ Research Strategies , 2013, ArXiv.
[23] Heather A. Haveman. Follow the leader: Mimetic isomorphism and entry into new markets , 1993 .
[24] J. Best. Prize Proliferation1: Prize Proliferation , 2008 .
[25] Lesley Chiou,et al. Broadway productions and the value of a Tony Award , 2009 .
[26] M. Holbrook. Popular Appeal versus Expert Judgments of Motion Pictures , 1999 .
[27] Pierre-Antoine Kremp,et al. Innovation and Selection: Symphony Orchestras and the Construction of the Musical Canon in the United States (1879–1959) , 2010 .
[28] Ezra W. Zuckerman,et al. The Categorical Imperative: Securities Analysts and the Illegitimacy Discount , 1999, American Journal of Sociology.
[29] T. G.,et al. Logic in Practice , 1934, Nature.
[30] Bruno S. Frey,et al. Giving and Receiving Awards , 2006, Perspectives on psychological science : a journal of the Association for Psychological Science.
[31] Kieran Healy. The Performativity of Networks , 2015, European Journal of Sociology.
[32] E. Deuchert,et al. For Oscar Glory Or Oscar Money? , 2005 .
[33] Oliver Schilke,et al. What Drives Key Informant Accuracy? , 2012 .
[34] David J. Berri,et al. The Wages of Wins: Taking Measure of the Many Myths in Modern Sport , 2006 .
[35] Robert R. Faulkner,et al. Short-Term Projects and Emergent Careers: Evidence from Hollywood , 1987, American Journal of Sociology.
[36] R. Nelson,et al. What's an Oscar worth? , 2001 .
[37] Lucien Karpik. Valuing the Unique: The Economics of Singularities , 2010 .
[38] Robert R. Faulkner,et al. Role as Resource in the Hollywood Film Industry , 1991, American Journal of Sociology.
[39] Stewart Woods,et al. Eurogames: The Design, Culture and Play of Modern European Board Games , 2012 .
[40] W. Bielby,et al. "All Hits Are Flukes": Institutionalized Decision Making and the Rhetoric of Network Prime-Time Program Development , 1994, American Journal of Sociology.
[41] A. B. Sørensen. The Structural Basis of Social Inequality , 1996, American Journal of Sociology.
[42] Dean Keith Simonton,et al. Film as Art versus Film as Business: Differential Correlates of Screenplay Characteristics , 2005 .
[43] A. Leslie Robb,et al. Alternative Transformations to Handle Extreme Values of the Dependent Variable , 1988 .
[44] A. Krueger. The Political Economy of the Rent-Seeking Society , 1974 .
[45] P. Hirsch. Processing Fads and Fashions: An Organization-Set Analysis of Cultural Industry Systems , 1972, American Journal of Sociology.
[46] B. Frey. Giving and receiving rewards , 2006 .
[47] Wendy Nelson Espeland,et al. The Discipline of Rankings: Tight Coupling and Organizational Change , 2009 .
[48] P. Bourdieu. Distinction: A Social Critique of the Judgement of Taste* , 2018, Food and Culture.
[49] R. Jackson,et al. The Matthew Effect in Science , 1988, International journal of dermatology.
[50] Ezra W. Zuckerman,et al. The critical trade‐off: identity assignment and box‐office success in the feature film industry , 2003 .
[51] Kai A. Konrad,et al. Strategy and Dynamics in Contests , 2009 .
[52] Jesse M. Shapiro,et al. Media Bias and Reputation , 2005, Journal of Political Economy.
[53] Gabriel Rossman,et al. Climbing the Charts: What Radio Airplay Tells Us about the Diffusion of Innovation , 2012 .
[54] K. Nasmyth. A Prize for Proliferation , 2001, Cell.
[55] P. Bourdieu,et al. Language and Symbolic Power , 1991 .
[56] W. J. Goode,et al. The Celebration of Heroes: Prestige as a Social Control System , 1978 .
[57] J. Scott Long. Scientific Elite: Nobel Laureates in the United States , 2019, Contemporary Sociology: A Journal of Reviews.
[58] W. Espeland,et al. Rankings and Reactivity: How Public Measures Recreate Social Worlds1 , 2007, American Journal of Sociology.
[59] P. Burke. Distinction: a social critique of the judgement of taste , 1989 .
[60] P. Bourdieu,et al. The Field of Cultural Production , 1993 .
[61] G. Tullock. THE WELFARE COSTS OF TARIFFS, MONOPOLIES, AND THEFT , 1967 .
[62] James F. English. The Economy of Prestige: Prizes, Awards, and the Circulation of Cultural Value , 2005 .
[63] Ezra W. Zuckerman,et al. Focusing the Corporate Product: Securities Analysts and De-diversification , 2000 .
[64] M. Darby,et al. Free Competition and the Optimal Amount of Fraud , 1973, The Journal of Law and Economics.
[65] N. Anand,et al. Tournament Rituals in the Evolution of Fields: the Case of the Grammy Awards , 2004 .
[66] Anne E. Lincoln. Cultural Honours and Career Promotions: Re-conceptualizing Prizes in the Field of Cultural Production , 2007 .
[67] Matthew J. Salganik,et al. Experimental Study of Inequality and Unpredictability in an Artificial Cultural Market , 2006, Science.
[68] Greta Hsu. Jacks of All Trades and Masters of None: Audiences' Reactions to Spanning Genres in Feature Film Production , 2006 .
[69] Harriet Zuckerman,et al. Scientific Elite: Nobel Laureates in the United States: , 1979 .
[70] Michael Sauder. Third parties and status position: How the characteristics of status systems matter , 2006 .
[71] Stewart E. Tolnay,et al. Vicarious Violence: Spatial Effects on Southern Lynchings, 1890-1919 , 1996, American Journal of Sociology.
[73] Olav Sorenson,et al. The Ratings Game: Asymmetry in Classification , 2011, Organ. Sci..
[74] Tim Groseclose,et al. A Measure of Media Bias , 2005 .
[75] Pierre Bourdieu,et al. Outline of a Theory of Practice , 2020, On Violence.
[76] Paul D. Lopes. Innovation and Diversity in the Popular Music Industry, 1969 to 1990 , 1992 .
[77] Yu Xie,et al. Who Benefits Most from College? , 2010, American sociological review.