Robust Tampered Detection Method for Digital Audio using Gabor Filterbank

Nowadays, audio editing tools can easily utilized to alter any digital audio signal. The original recorded conversation can be modified by inserting fake statement in order to twisted the context. Most of such tampering are difficult to identify by relying only on human hearing. Hence, a robust tool is required to help detecting tampered audio if present. In forensic community, it is known that digital traces exists on each audio signal due to characteristics of the acquisition device. Detecting the acquisition device information can be helpful for forensic practitioner to evaluate consistency of the recording. In this study, three features are investigate to classify the microphone models while take into consideration the issue of identical model. Those features are analyzed and compared in the experiments. The result indicated that Gabor filterbank feature outperformed than others. Thus, the Gabor feature has great potential to localize forgery that present on digital audio recording.

[1]  Juliane Junker Intelligent Multimedia Analysis For Security Applications , 2016 .

[2]  B. Kollmeier,et al.  Spectro-temporal modulation subspace-spanning filter bank features for robust automatic speech recognition. , 2012, The Journal of the Acoustical Society of America.

[3]  Hany Farid,et al.  Audio forensics from acoustic reverberation , 2010, 2010 IEEE International Conference on Acoustics, Speech and Signal Processing.

[4]  Rui Yang,et al.  Detecting double compression of audio signal , 2010, Electronic Imaging.

[5]  Rui Yang,et al.  Exposing MP3 audio forgeries using frame offsets , 2012, TOMCCAP.

[6]  Erkam Uzun,et al.  Methods for identifying traces of compression in audio , 2013, 2013 1st International Conference on Communications, Signal Processing, and their Applications (ICCSPA).

[7]  Jana Dittmann,et al.  Digital audio forensics: a first practical evaluation on microphone and environment classification , 2007, MM&Sec.

[8]  Rui Yang Additive noise detection and its application to audio forensics , 2014, Signal and Information Processing Association Annual Summit and Conference (APSIPA), 2014 Asia-Pacific.

[9]  Eddy B. Brixen Techniques for the Authentication of Digital Audio Recordings , 2007 .

[10]  Hong Zhao,et al.  Audio Recording Location Identification Using Acoustic Environment Signature , 2013, IEEE Transactions on Information Forensics and Security.

[11]  Francis Rumsey Forensic Audio Analysis , 2010 .

[12]  Daniel Patricio Nicolalde Rodríguez,et al.  Evaluating digital audio authenticity with spectral distances and ENF phase change , 2009, 2009 IEEE International Conference on Acoustics, Speech and Signal Processing.

[13]  Yao Zhao,et al.  Detection of image sharpening based on histogram aberration and ringing artifacts , 2009, 2009 IEEE International Conference on Multimedia and Expo.

[14]  Yibin Lu,et al.  Forensic applications of signal processing , 2009, IEEE Signal Processing Magazine.

[15]  Beth Logan,et al.  Mel Frequency Cepstral Coefficients for Music Modeling , 2000, ISMIR.

[16]  Hai-Dong Yuan,et al.  Blind Forensics of Median Filtering in Digital Images , 2011, IEEE Transactions on Information Forensics and Security.

[17]  Bruce E. Koenig,et al.  Forensic Authentication of Digital Audio Recordings , 2009 .

[18]  Jiwu Huang,et al.  Detecting digital audio forgeries by checking frame offsets , 2008, MM&Sec '08.

[19]  Catalin Grigoras Digital audio recording analysis: the Electric Network Frequency (ENF) Criterion , 2005 .

[20]  Hany Farid,et al.  Detecting Digital Forgeries Using Bispectral Analysis , 1999 .

[21]  Robert C. Maher Overview of Audio Forensics , 2010, Intelligent Multimedia Analysis for Security Applications.

[22]  Jana Dittmann,et al.  Microphone Classification Using Fourier Coefficients , 2009, Information Hiding.

[23]  H Hermansky,et al.  Perceptual linear predictive (PLP) analysis of speech. , 1990, The Journal of the Acoustical Society of America.