Analysis and Improvement of Pre-Equalization in 2.5-Dimensional Wave Field Synthesis

Wave field synthesis (WFS) is a well established high-resolution spatial sound reproduction technique. Typical WFS systems aim at the reproduction in a plane using loudspeakers enclosing the plane. This constitutes a so-called 2.5-dimensional reproduction scenario. It has been shown that a spectral correction of the reproduced wave field is required in this context. For WFS this correction is known as pre-equalization filter. The derivation of WFS is based on a series of approximations of the physical foundations. This paper investigates on the consequences of these approximations on the reproduced sound field and in particular on the pre-equalization filter. An exact solution is provided by the recently presented spectral division method and is employed in order to derive an improved WFS driving function. Furthermore, the effects of spatial sampling and truncation on the pre-equalization are discussed.

[1]  E. Start Direct sound enhancement by wave field synthesis , 1997 .

[2]  D. F. Hays,et al.  Table of Integrals, Series, and Products , 1966 .

[3]  A. J. Berkhout,et al.  A Holographic Approach to Acoustic Control , 1988 .

[4]  E. Williams,et al.  Fourier Acoustics: Sound Radiation and Nearfield Acoustical Holography , 1999 .

[5]  Sascha Spors,et al.  Sound Field Reproduction Using Planar and Linear Arrays of Loudspeakers , 2010, IEEE Transactions on Audio, Speech, and Language Processing.

[6]  Sascha Spors,et al.  On the Secondary Source Type Mismatch in Wave Field Synthesis Employing Circular Distributions of Loudspeakers , 2009 .

[7]  Sascha Spors,et al.  Alterations of the Temporal Spectrum in High-Resolution Sound Field Reproduction of Different Spatial Bandwidths , 2009 .

[8]  Sascha Spors,et al.  Spatial Sampling Artifacts of Wave Field Synthesis for the Reproduction of Virtual Point Sources , 2009 .

[9]  R. Rabenstein,et al.  The Theory of Wave Field Synthesis Revisited , 2008 .

[10]  E. W. Stuart,et al.  Application of Curved Arrays in Wave Field Synthesis , 1996 .

[11]  Mark S. Ureda Analysis of Loudspeaker Line Arrays , 2004 .

[12]  S. Spors Extension of an Analytic Secondary Source Selection Criterion for Wave Field Synthesis , 2007 .

[13]  J. Ahrens,et al.  An Analytical Approach to Sound Field Reproduction Using Circular and Spherical Loudspeaker Distributions , 2008 .

[14]  Andreas Apel,et al.  Equalization of Wave Field Synthesis Systems , 2004 .

[15]  Sandra Brix,et al.  Wave Field Synthesis , 2009, 2009 3DTV Conference: The True Vision - Capture, Transmission and Display of 3D Video.

[16]  Sascha Spors,et al.  Reproduction of Moving Virtual Sound Sources with Special Attention to the Doppler Effect , 2008 .

[17]  Jan-Jakob Sonke,et al.  Variable Acoustics by Wavefield Synthesis: A Closer Look at Amplitude Effects , 1998 .

[18]  A. Berkhout,et al.  Acoustic control by wave field synthesis , 1993 .

[19]  James S. Harris,et al.  Tables of integrals , 1998 .

[20]  E. Verheijen Sound reproduction by wave field synthesis , 1998 .

[21]  Etienne Corteel,et al.  Multichannel Inverse Filtering of Multiexciter Distributed Mode Loudspeakers for Wave Field Synthesis , 2002 .

[22]  T. Hughes,et al.  Signals and systems , 2006, Genome Biology.

[23]  S. Spors,et al.  Reproduction of a plane-wave sound field using planar and linear arrays of loudspeakers , 2008, 2008 3rd International Symposium on Communications, Control and Signal Processing.

[24]  Etienne Corteel Caractérisation et extensions de la wave field synthesis en conditions réelles , 2004 .

[25]  Etienne Corteel,et al.  Wave Field Synthesis with increased aliasing frequency , 2009 .

[26]  Sascha Spors,et al.  Spatial Aliasing Artifacts Produced by Linear and Circular Loudspeaker Arrays used for Wave Field Synthesis , 2006 .