Positron-emission tomography of brain regions activated by recognition of familiar music.

BACKGROUND AND PURPOSE We can easily recognize familiar music by listening to only one or 2 of its opening bars, but the brain regions that participate in this cognitive processing remain undetermined. We used positron-emission tomography (PET) to study changes in regional cerebral blood flow (rCBF) that occur during listening to familiar music. METHODS We used a PET subtraction technique to elucidate the brain regions associated with the recognition of familiar melodies such as well-known nursery tunes. Nonmusicians performed 2 kinds of musical tasks: judging the familiarity of musical pieces (familiarity task) and detecting deliberately altered notes in the pieces (alteration-detecting task). RESULTS During the familiarity task, bilateral anterior portions of bilateral temporal lobes, superior temporal regions, and parahippocampal gyri were activated. The alteration-detecting task bilaterally activated regions in the precunei, superior/inferior parietal lobules, and lateral surface of frontal lobes, which seemed to show a correlation with the analysis of music. CONCLUSION We hypothesize that during the familiarity task, activated brain regions participate in retrieval from long-term memory and verbal and emotional processing of familiar melodies. Our results reinforced the hypothesis reported in the literature as a result of group and case studies, that temporal lobe regions participate in the recognition of familiar melodies.

[1]  Kiyoharu Inoue,et al.  A Case of Amusia Caused by the Infarction of Anterior Portion of Bilateral Temporal Lobes , 2005, Cortex.

[2]  Michael J. Martinez,et al.  Passive music listening spontaneously engages limbic and paralimbic systems , 2004, Neuroreport.

[3]  Robert J Zatorre,et al.  Music and the Brain , 2003, Annals of the New York Academy of Sciences.

[4]  Jun Hatazawa,et al.  The anterior portion of the bilateral temporal lobes participates in music perception: a positron emission tomography study. , 2003, AJNR. American journal of neuroradiology.

[5]  Lawrence M. Zbikowski CROSS‐DOMAIN MAPPING , 2002 .

[6]  Riitta Hari,et al.  Mind's Ear in a Musician: Where and When in the Brain , 2002, NeuroImage.

[7]  A. Nakamura,et al.  Neural substrates for recognition of familiar voices: a PET study , 2001, Neuropsychologia.

[8]  Seung-Schik Yoo,et al.  Human brain mapping of auditory imagery: event-related functional MRI study , 2001, Neuroreport.

[9]  K Takeda,et al.  Activated brain regions in musicians during an ensemble: a PET study. , 2001, Brain research. Cognitive brain research.

[10]  A. Damasio,et al.  A role for left temporal pole in the retrieval of words for unique entities , 2001, Human brain mapping.

[11]  T. Schormann,et al.  Functional delineation of the human occipito-temporal areas related to face and scene processing. A PET study. , 2000, Brain : a journal of neurology.

[12]  I. Peretz,et al.  Patterns of music agnosia associated with middle cerebral artery infarcts. , 2000, Brain : a journal of neurology.

[13]  R. Zatorre,et al.  When that tune runs through your head: a PET investigation of auditory imagery for familiar melodies. , 1999, Cerebral cortex.

[14]  Alan C. Evans,et al.  Emotional responses to pleasant and unpleasant music correlate with activity in paralimbic brain regions , 1999, Nature Neuroscience.

[15]  Hans Spinnler,et al.  Handbook of Clinical and Experimental Neuropsychology , 1999 .

[16]  Derryck H. Smith,et al.  INS Dictionary of Neuropsychology. , 1999 .

[17]  R. Cabeza,et al.  Analysis of neural interactions explains the activation of occipital cortex by an auditory stimulus. , 1998, Journal of neurophysiology.

[18]  Alan C. Evans,et al.  Functional anatomy of musical processing in listeners with absolute pitch and relative pitch. , 1998, Proceedings of the National Academy of Sciences of the United States of America.

[19]  Richard S. J. Frackowiak,et al.  The structural components of music perception. A functional anatomical study. , 1997, Brain : a journal of neurology.

[20]  Richard S. J. Frackowiak,et al.  The Mind's Eye—Precuneus Activation in Memory-Related Imagery , 1995, NeuroImage.

[21]  C Hublet,et al.  Functional dissociations following bilateral lesions of auditory cortex. , 1994, Brain : a journal of neurology.

[22]  Alan C. Evans,et al.  Neural mechanisms underlying melodic perception and memory for pitch , 1994, The Journal of neuroscience : the official journal of the Society for Neuroscience.

[23]  Isabelle Peretz,et al.  Auditory agnosia: a functional analysis , 1993 .

[24]  S. McAdams,et al.  Auditory Cognition. (Book Reviews: Thinking in Sound. The Cognitive Psychology of Human Audition.) , 1993 .

[25]  M. Mintun,et al.  Integrated and automated data analysis method for neuronal activation studies using O-15 water PET , 1993 .

[26]  J Sergent,et al.  Distributed neural network underlying musical sight-reading and keyboard performance. , 1992, Science.

[27]  G. Gainotti The neuropsychology of emotions and psychiatric disturbances , 1991 .

[28]  J. Talairach,et al.  Co-Planar Stereotaxic Atlas of the Human Brain: 3-Dimensional Proportional System: An Approach to Cerebral Imaging , 1988 .

[29]  F Shishido,et al.  A System for Cerebral Blood Flow Measurement Using an H215O Autoradiographic Method and Positron Emission Tomography , 1987, Journal of cerebral blood flow and metabolism : official journal of the International Society of Cerebral Blood Flow and Metabolism.

[30]  R. Zatorre Discrimination and recognition of tonal melodies after unilateral cerebral excisions , 1985, Neuropsychologia.

[31]  Vernon B. Mountcasle,et al.  Interhemispheric relations and cerebral dominance , 1964 .