Psychophysical auditory filter estimates reveal sharper cochlear tuning in musicians.

Musicianship confers enhancements to hearing at nearly all levels of the auditory system from periphery to percept. Musicians' superior psychophysical abilities are particularly evident in spectral discrimination and noise-degraded listening tasks, achieving higher perceptual sensitivity than their nonmusician peers. Greater spectral acuity implies that musicianship may increase auditory filter selectivity. This hypothesis was directly tested by measuring both forward- and simultaneous-masked psychophysical tuning curves. Sharper filter tuning (i.e., higher Q10) was observed in musicians compared to nonmusicians. Findings suggest musicians' pervasive listening benefits may be facilitated, in part, by superior spectral processing/decomposition as early as the auditory periphery.

[1]  E F Evans,et al.  Auditory processing of complex sounds: an overview. , 1992, Philosophical transactions of the Royal Society of London. Series B, Biological sciences.

[2]  B. Moore Psychophysical tuning curves measured in simultaneous and forward masking. , 1978, The Journal of the Acoustical Society of America.

[3]  A. Oxenham,et al.  Influence of musical and psychoacoustical training on pitch discrimination , 2006, Hearing Research.

[4]  Skyler G. Jennings,et al.  Auditory filter tuning inferred with short sinusoidal and notched-noise maskers. , 2012, The Journal of the Acoustical Society of America.

[5]  Michael W. Weiss,et al.  Coordinated plasticity in brainstem and auditory cortex contributes to enhanced categorical speech perception in musicians , 2014, The European journal of neuroscience.

[6]  Larry E Humes,et al.  Contribution of high frequencies to speech recognition in quiet and noise in listeners with varying degrees of high-frequency sensorineural hearing loss. , 2007, Journal of speech, language, and hearing research : JSLHR.

[7]  David R. Soderquist Frequency analysis and the critical band , 1970 .

[8]  J. Guinan Olivocochlear Efferents: Anatomy, Physiology, Function, and the Measurement of Efferent Effects in Humans , 2006, Ear and hearing.

[9]  G. Bidelman,et al.  Tone Language Speakers and Musicians Share Enhanced Perceptual and Cognitive Abilities for Musical Pitch: Evidence for Bidirectionality between the Domains of Language and Music , 2013, PloS one.

[10]  C. Lam,et al.  Musician Enhancement for Speech-In-Noise , 2009, Ear and hearing.

[11]  A. Krishnan,et al.  Effects of reverberation on brainstem representation of speech in musicians and non-musicians , 2010, Brain Research.

[12]  Katrin Krumbholz,et al.  What is the role of the medial olivocochlear system in speech-in-noise processing? , 2012, Journal of neurophysiology.

[13]  B C Moore,et al.  Off-frequency listening: effects on psychoacoustical tuning curves obtained in simultaneous and forward masking. , 1981, The Journal of the Acoustical Society of America.

[14]  A. Krishnan,et al.  Musicians and tone-language speakers share enhanced brainstem encoding but not perceptual benefits for musical pitch , 2011, Brain and Cognition.

[15]  Andrew J. Oxenham,et al.  Estimates of Human Cochlear Tuning at Low Levels Using Forward and Simultaneous Masking , 2003, Journal of the Association for Research in Otolaryngology.

[16]  Christopher A Shera,et al.  Revised estimates of human cochlear tuning from otoacoustic and behavioral measurements , 2002, Proceedings of the National Academy of Sciences of the United States of America.

[17]  M. Liberman,et al.  Afferent and efferent innervation of the cat cochlea: Quantitative analysis with light and electron microscopy , 1990, The Journal of comparative neurology.

[18]  R. Shannon Two-tone unmasking and suppression in a forward-masking situation. , 1976, The Journal of the Acoustical Society of America.

[19]  Lionel Collet,et al.  Function and plasticity of the medial olivocochlear system in musicians: A review , 2014, Hearing Research.

[20]  P J Abbas,et al.  Two-tone suppression in auditory-nerve fibers: extension of a stimulus-response relationship. , 1976, The Journal of the Acoustical Society of America.

[21]  Brian C J Moore,et al.  Development of a fast method for determining psychophysical tuning curves. , 2003, International journal of audiology.

[22]  Brian C. J. Moore,et al.  Frequency Analysis and Musical Ability , 1993 .

[23]  Gavin M. Bidelman,et al.  Spectrotemporal resolution tradeoff in auditory processing as revealed by human auditory brainstem responses and psychophysical indices , 2014, Neuroscience Letters.

[24]  Gerald Kidd,et al.  Informational masking and musical training. , 2003, The Journal of the Acoustical Society of America.

[25]  N. Kraus,et al.  Musical experience shapes top-down auditory mechanisms: Evidence from masking and auditory attention performance , 2010, Hearing Research.