An Introduction to Aesthetic Computing

This chapter contains sections titled: Aesthetics and Art, Computing, Aesthetic Computing: An Overview, The Novelty of Aesthetic Computing, Applying Aesthetics: the Artistic Influence, Mathematical Modeling: Research At the University of Florida, Summary, Acknowledgments, References

[1]  J. Hadamard,et al.  The Psychology of Invention in the Mathematical Field. , 1945 .

[2]  H. Osborne,et al.  Aesthetics and art theory: An historical introduction , 1968 .

[3]  Aesthetics and Art Theory, an Historical Introduction , 1971 .

[4]  H. Franke,et al.  Ästhetik als Informationsverarbeitung , 1974 .

[5]  Nelson Goodman,et al.  Ways of Worldmaking , 1979 .

[6]  Linda Dalrymple Henderson,et al.  The Fourth Dimension and Non-Euclidean Geometry in Modern Art , 1983 .

[7]  Betty Edwards.  Drawing on the Artist Within , 1987 .

[8]  Donald E. Knuth,et al.  The Metafont book , 1989 .

[9]  Mihai Nadin,et al.  Science and Beauty: Aesthetic Structuring of Knowledge , 1991 .

[10]  Martin Kemp,et al.  The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat by Martin Kemp (review) , 1991, Technology and Culture.

[11]  Michele Emmer,et al.  The visual mind: art and mathematics , 1993 .

[12]  L. Adams.  The Methodologies Of Art: An Introduction , 1996 .

[13]  Rosalind W. Picard.  Affective Computing , 1997 .

[14]  David Gelernter,et al.  The aesthetics of computing , 1998 .

[15]  David Hillel Gelernter.  Machine Beauty: Elegance And The Heart Of Technology , 1998 .

[16]  R. Coyne.  Technoromanticism: Digital Narrative, Holism, and the Romance of the Real , 1999 .

[17]  Alan F. Blackwell,et al.  Mental imagery in program design and visual programming , 1999, Int. J. Hum. Comput. Stud..

[18]  Ben Shneiderman,et al.  Readings in information visualization - using vision to think , 1999 .

[19]  P. Jordan.  Designing Pleasurable Products: An Introduction to the New Human Factors , 2000 .

[20]  Hugh T Bredin,et al.  Philosophies of Art and Beauty Introducing Aesthetics , 2000 .

[21]  N. Tractinsky,et al.  What is beautiful is usable , 2000, Interact. Comput..

[22]  Michael K. Mauws.  But Is It Art? , 2000 .

[23]  L. Manovich,et al.  The language of new media , 2001 .

[24]  Philip Steadman,et al.  Vermeer's Camera , 2001 .

[25]  Charles M. Dorn.  Mind in art : cognitive foundations in art education , 2001 .

[26]  J. Jacko,et al.  The human-computer interaction handbook: fundamentals, evolving technologies and emerging applications , 2002 .

[27]  Perry R. Cook,et al.  Physical wave propagation modeling for real-time synthesis of natural sounds , 2002 .

[28]  Jinho Lee,et al.  A two-stage modeling and simulation process for web-based modeling and simulation , 2002, TOMC.

[29]  C. Nass,et al.  Emotion in human-computer interaction , 2002 .

[30]  Sun-Joo Shin.  The Iconic Logic of Peirce's Graphs , 2002 .

[31]  G. Lakoff,et al.  Where mathematics comes from : how the embodied mind brings mathematics into being , 2002 .

[32]  Ernest A. Edmonds,et al.  Creativity, art practice, and knowledge , 2002, CACM.

[33]  Paul A. Fishwick,et al.  Aesthetic Programming: Crafting Personalized Software , 2002, Leonardo.

[34]  Peter J. Denning,et al.  Great principles of computing , 2015, CACM.

[35]  O. Grau,et al.  Virtual Art: From Illusion to Immersion , 2003 .

[36]  Ernest A. Edmonds,et al.  Aesthetic Computing Manifesto , 2003, Leonardo.

[37]  D. Norman.  Emotional design : why we love (or hate) everyday things , 2004 .

[38]  Michael Leyton,et al.  A generative theory of shape , 2004, Proceedings Shape Modeling Applications, 2004..

[39]  Jane Prophet,et al.  Perspectives on Aesthetic Computing , 2005, Leonardo.

[40]  W. Higginson,et al.  Mathematics and Aesthetic , 2007 .