Everybody's a critic: influencability of motion picture evaluations from expert and consumer reviews
暂无分享,去创建一个
Oscar Peters | Ard Heuvelman | Ruud S. Jacobs | Soumaya Ben Allouch | A. Heuvelman | Oscar Peters | S. B. Allouch
[1] Suman Basuroy,et al. Interactive influence of genre familiarity, star power, and critics' reviews in the cultural goods industry: The case of motion pictures , 2005 .
[2] Alex Wang. The Effects of Expert and Consumer Endorsements on Audience Response , 2005, Journal of Advertising Research.
[3] M. Holbrook. Popular Appeal versus Expert Judgments of Motion Pictures , 1999 .
[4] Derek J. Koehler,et al. Explanation, imagination, and confidence in judgment. , 1991, Psychological bulletin.
[5] P. Vorderer,et al. Enjoyment: At the Heart of Media Entertainment , 2004 .
[6] Suman Basuroy,et al. How Critical are Critical Reviews? The Box Office Effects of Film Critics, Star Power, and Budgets , 2003 .
[7] Patrick S. Malone,et al. Unbelieving the Unbelievable: Some problems in the rejection of false information , 1990 .
[8] Wenqi Shen,et al. Competing for Attention in Online Reviews , 2009 .
[9] L. Ross,et al. Perseverance in self-perception and social perception: biased attributional processes in the debriefing paradigm. , 1975, Journal of personality and social psychology.
[10] Christopher M. Snyder,et al. The Influence of Expert Reviews on Consumer Demand for Experience Goods: A Case Study of Movie Critics , 2005 .
[11] J. Eliashberg,et al. The Motion Picture Industry: Critical Issues in Practice, Current Research, and New Research Directions , 2006 .
[12] M. Boor,et al. Relationships among Ratings of Motion Pictures by Viewers and Six Professional Movie Critics , 1992 .
[13] Steven M. Shugan,et al. Film Critics: Influencers or Predictors? , 1997 .
[14] Chrysanthos Dellarocas,et al. A Statistical Measure of a Population’s Propensity to Engage in Post-Purchase Online Word-of-Mouth , 2006 .
[15] R. Flesch. How to test readability , 1951 .
[16] Morris B. Holbrook,et al. The Role of Ordinary Evaluations in the Market for Popular Culture: Do Consumers Have “Good Taste”? , 2005 .
[17] Mark H. Davis. Measuring individual differences in empathy: Evidence for a multidimensional approach. , 1983 .
[18] Alex S. L. Tsang,et al. Is a “star” worth a thousand words?: The interplay between product‐review texts and rating valences , 2009 .
[19] P. Bentler,et al. Cutoff criteria for fit indexes in covariance structure analysis : Conventional criteria versus new alternatives , 1999 .
[20] K. Fiedler,et al. Constructive biases in social judgment: experiments on the self-verification of question contents. , 1996, Journal of personality and social psychology.
[21] A. d’Astous,et al. Consumer evaluations of movies on the basis of critics' judgments , 1999 .
[22] Dolf Zillmann,et al. Mechanisms of emotional involvement with drama , 1995 .
[23] Uwe Naumann,et al. Do YouReallyKnow What You Have Seen? Intrusion Errors and Presuppositions Effects on Constructive Memory , 1996 .
[24] Jocelyn E. Holden,et al. The criterion problem and creativity in film: Psychometric characteristics of various measures. , 2008 .
[25] Allègre L. Hadida,et al. Motion Picture Performance: A Review and Research Agenda , 2009 .
[26] Daniel M. Wegner,et al. Incrimination through innuendo: Can media questions become public answers? , 1981 .
[27] Tung X. Bui,et al. Freeware Downloads: An Empirical Investigation Into the Impact of Expert and User Reviews On Demand for Digital Goods , 2007, AMCIS.
[28] Michael H. Burzynski,et al. The Effect of Positive and Negative Prior Information on Motion Picture Appreciation , 1977 .
[29] Mark H. Davis,et al. A Multidimensional Approach to Individual Differences in Empathy , 1980 .
[30] Dolf Zillmann,et al. The role of empathic distress in the enjoyment of cinematic tragedy , 1995 .
[31] D. Horton,et al. Mass communication and para-social interaction; observations on intimacy at a distance. , 1956, Psychiatry.
[32] R. Zajonc. Attitudinal effects of mere exposure. , 1968 .
[33] Jonathan R. Cohen. Audience Identification with Media Characters. , 2013 .
[34] Elihu Katz,et al. Patterns of Involvement in Television Fiction: A Comparative Analysis , 1986 .
[35] E. Hirschman,et al. The Experiential Aspects of Consumption: Consumer Fantasies, Feelings, and Fun , 1982 .
[36] R. Tourangeau,et al. Cognitive Processes Underlying Context Effects in Attitude Measurement , 1988 .
[37] J. Bryant,et al. Psychology of entertainment , 2006 .
[38] J. Kaufman,et al. Do experts and novices evaluate movies the same way , 2009 .
[39] Peter Vorderer,et al. Audience involvement and program loyalty , 1993 .
[40] Gerda Gemser,et al. The impact of film reviews on the box office performance of art house versus mainstream motion pictures , 2007 .
[41] R. L. Holbert,et al. Structural Equation Modeling in the Communication Sciences, 1995–2000 , 2002 .
[42] Barry Litman,et al. Predicting financial success of motion pictures: The '80s experience , 1989 .
[43] M. McCloskey,et al. Misleading postevent information and memory for events: arguments and evidence against memory impairment hypotheses. , 1985, Journal of experimental psychology. General.
[44] A. Kaplan,et al. Users of the world, unite! The challenges and opportunities of Social Media , 2010 .
[45] Marcelle Vernazza,et al. Involvement , 1974, JAMA.
[46] R. Zajonc. Feeling and thinking : Preferences need no inferences , 1980 .
[47] Bin Gu,et al. The Impact of Online Recommendations and Consumer Feedback on Sales , 2004, ICIS.