Visual methodologies : an introduction to researching with visual materials

Chapter 1: Researching with Visual Materials - A Brief Survey An Introductory Survey of 'the Visual' Understanding the Social Effects of Visual Materials Three Criteria for a Critical Visual Methodology Chapter 2: Towards a Critical Visual Methodology The Three Sites of Production, the Image Itself and Its Audiencing The Site of Production The Site of the Image The Site of Audiencing Chapter 3: How to Use This Book Reading This Book Selectively on the Basis of Sites and Modalities Reading This Book Selectively on the Basis of Having Found Some Images Why you Should Also Read Books Other Than This One How Each Chapter Works A Quick Word on Finding Your Images Another Quick Word, on Referencing and Reproducing Your Images Chapter 4: 'The Good Eye': Looking at Pictures Using Compositional Interpretation Compositional Interpretation: An Introduction Doing Compositional Interpretation: Technologies and the Production of the Image Doing compositional interpretation: The compositionality of the Image Itself Compositional Interpretation: An Assessment Chapter 5: Content Analysis: Counting What You (Think You) See Content Analysis: An Introduction Four Steps to Content Analysis Content Analysis: An Assessment Chapter 6: Semiology: Laying Bare the Prejudices beneath the Smooth Surface of the Beautiful Semiology: An Introduction Choosing Images for a Semiological Study The Sign and its Meaning-Making Processes in Mainstream Semiology Making Meaning Socially: Social Semiotics Semiology: An Assessment Chapter 7: Psychoanalysis: Visual Culture, Visual Pleasure, Visual Disruption Psychoanalysis and Visuality: An Introduction A Longer Introduction to Psychoanalysis and Visuality: Subjectivity, Sexuality and the Unconscious How is Sexual Difference Visual 1: Watching Movies with Laura Mulvey How is Sexual Difference Visual 2: From the Fetish to Masquerade From the Voyeuristic Gaze to the Lacanian Gaze: Other Ways of Seeing From the Disciplines of Subjection to the Possibilities of Fantasy Queer Looks Reflexivity Psychoanalysis and Visuality: An Assessment Chapter 8: Discourse Analysis: Text, Intertextuality, Context Discourse and Visual Culture: An Introduction An Introduction to Discourse Analysis I and Discourse Analysis II Finding Your Sources for a Discourse Analysis I Discourse Analysis I: The Production and Rhetorical Organization of Discourse Discourse Analysis I And Reflexivity Discourse Analysis I: An Assessment Chapter 9: Discourse Analysis II: Institutions and Ways of Seeing Another Introduction to Discourse and Visual Culture Finding Your Sources for Discourse Analysis II The Apparatus of the Gallery and the Museum The Technologies of the Gallery and Museum The Visitor Discourse Analysis II: An Assessment Chapter 10: To Audience Studies and Beyond: Ethnographies of Television Audiences, Fans and Users Audience Studies: An Introduction Audiences, Fans and Users Audience Studies Researching Audiences and Fans Ethnographies of Visual Objects Ethnographic Studies of Audiencing: An Assessment Chapter 11: Making Photographs as Part of a Research Project: Photo-Documentation, Photo-Elicitation and Photo-Essays Making Photographs as Part of a Research Project: An Introduction Photo-Documentation Photo-Elicitation Photo-Essays Making Photographs as Part of a Research Project: An Assessment Chapter 12: Ethics and Visual Research Methods An Introduction to Research Ethics and Visual Materials Consent, Anonymity, Copyright Consent Anonymity Copyright Conclusions: Ethics, Visual Research and Contemporary Visual Culture Chapter 13: Visual Methodologies: A Review Introduction Sites, Modalities and Methods Mixing Methods Useful Reading on Various Visual Materials List of Key Terms