The Groove Pizza

The Groove Pizza is a widely used web application that enables users to program drum patterns on a circular grid. This visualization scheme supports playful rhythm exploration using mathematical concepts like shapes, angles, and patterns. Symmetries and patterns in the visual domain correspond to those in the aural domain and vice versa, giving novice musicians multiple paths into an understanding of rhythm. We discuss the musical and pedagogical design of the Groove Pizza. We then present a variety of real-world drum patterns and discuss how a circular visualization scheme illuminates their structure and functioning.

[1]  Peter A. Martens The Ambiguous Tactus: Tempo, Subdivision Benefit, And Three Listener Strategies , 2011 .

[2]  Erik D. Demaine,et al.  The distance geometry of music , 2007, Comput. Geom..

[3]  Nicole Biamonte,et al.  Formal Functions of Metric Dissonance in Rock Music , 2014 .

[4]  Thor Magnusson,et al.  Designing Constraints: Composing and Performing with Digital Musical Systems , 2010, Computer Music Journal.

[5]  Jeanne Bamberger,et al.  Music as Embodied Mathematics: A Study of a Mutually Informing Affinity , 2003, Int. J. Comput. Math. Learn..

[6]  Alan Dix Designing for appropriation , 2007 .

[7]  C. Hoadley Methodological Alignment in Design-Based Research , 2004 .

[8]  Paul Mulholland,et al.  What Can the Language of Musicians Tell Us about Music Interaction Design? , 2010, Computer Music Journal.

[9]  M. Butler,et al.  Unlocking the Groove: Rhythm, Meter, and Musical Design in Electronic Dance Music , 2006 .

[10]  Kevin Jennings,et al.  Hyperscore: a graphical sketchpad for novice composers , 2004, IEEE Computer Graphics and Applications.

[11]  P. Smith,et al.  Instructional Design (3rd ed. , 2005 .

[12]  Andrew R. Brown,et al.  Software Development as Music Education Research , 2007 .

[13]  Alex McLean,et al.  Unifying Conceptual Spaces: Concept Formation in Musical Creative Systems , 2010, Minds and Machines.

[14]  Fernando Benadon,et al.  Slicing the Beat: Jazz Eighth-Notes as Expressive Microrhythm , 2006, Ethnomusicology.