Genetic Improvisation Model

This paper presents the current state in an ongoing development of the Genetic Improvisation Model (GIM): a framework for the design of real-time improvisational systems. The aesthetic rationale for the model is presented, followed by a discussion of its general principles. A discussion of the Emonic Environment, a networked system for audiovisual creation built on GIM's principles, follows.

[1]  G. Claxton Cognitive psychology: New directions , 1980 .

[2]  F. Guattari,et al.  A Thousand Plateaus: Capitalism and Schizophrenia , 1980 .

[3]  George E. Lewis Interacting with latter-day musical automata , 1999 .

[4]  Eduardo Miranda,et al.  Composing Music with Computers , 2001 .

[5]  M. Mauss The gift : Forms and functions of exchange in Archaic Societies / Marcel Mauss , 2020 .

[6]  R. Lewontin ‘The Selfish Gene’ , 1977, Nature.

[7]  J. Sloboda Generative Processes in Music: The Psychology of Performance, Improvisation, and Composition , 1985 .

[8]  John R. Koza,et al.  Genetic programming - on the programming of computers by means of natural selection , 1993, Complex adaptive systems.

[9]  Jônatas Manzolli,et al.  Vox Populi: Evolutionary Computation for Music Evolution , 2002 .

[10]  Bruno Degazio The Evolution of Musical Organisms , 1996, ICMC.

[11]  Peter J. Bentley,et al.  CREATIVE EVOLUTIONARY SYSTEMS , 2001 .

[12]  Robert Rowe,et al.  Interactive Music Systems: Machine Listening and Composing , 1992 .

[13]  G. Marcus The Algebraic Mind: Integrating Connectionism and Cognitive Science , 2001 .

[14]  M. Nyman Experimental Music: Cage and Beyond , 1974 .

[15]  B. Stafford Visual Analogy: Consciousness as the Art of Connecting , 1999 .

[16]  Tracy Brown,et al.  The Embodied Mind: Cognitive Science and Human Experience , 2002, Cybern. Hum. Knowing.

[17]  Peter J. Bentley,et al.  Improvised music with swarms , 2002, Proceedings of the 2002 Congress on Evolutionary Computation. CEC'02 (Cat. No.02TH8600).

[18]  M. Boden The Philosophy of Artificial Life , 1996 .

[19]  Eduardo Reck Miranda,et al.  On the origins and evolution of music in virtual worlds , 2001 .

[20]  Eduardo Miranda,et al.  Readings in Music and Artificial Intelligence , 2000, Readings in Music and Artificial Intelligence.

[21]  G. Reeke Marvin Minsky, The Society of Mind , 1991, Artif. Intell..

[22]  H. Hendriks-Jansen Catching Ourselves in the Act: Situated Activity, Interactive Emergence, Evolution, and Human Thought , 1996 .

[23]  P. Todd,et al.  Musical networks: Parallel distributed perception and performance , 1999 .

[24]  Peter M. Todd,et al.  Frankensteinian methods for evolutionary music composition , 1999 .

[25]  L. D. Tsitsipis,et al.  Universe of the Mind: A Semiotic Theory of Culture , 1993 .

[26]  Robert Rowe,et al.  Interactive Music Systems: Machine Listening and Composing , 1992 .

[27]  Eduardo Miranda Composing Music with Computers with Cdrom , 2001 .

[28]  M. F.,et al.  Bibliography , 1985, Experimental Gerontology.

[29]  Artemis Moroni,et al.  Evolutionary Computation for Music Evolution , 2022 .