A study on vibration of Setar: stringed Persian musical instrument

Knowing how a musical instrument vibrates can benefit the tonal characteristics shaping of the instrument. In this research, an approach for investigating the mode shapes and natural frequencies of Setar body is addressed. First, mechanical properties of wood used in the production of Setar are analyzed experimentally. Then a numerical modal test is performed to find the mode shapes and natural frequencies of Setar structure. To validate the results obtained by the numerical method, experimental modal testing is also done for the structure, and it is found that the results of both the methods are in good consistency. As the vibration pattern of plates is of utmost importance in the production of musical instruments, vibration patterns of a Setar plate are experimentally extracted and the results are compared with finite element analysis.

[1]  Mehran Mahboubkhah,et al.  Natural frequencies and mode shapes for vibrations of machine tools' hexapod table , 2011 .

[2]  R. R. Boullosa Vibration measurements in the classical guitar , 2002 .

[3]  Stefania Serafin,et al.  A Waveguide Mesh Model of High-Frequency Violin Body Resonances , 2000, ICMC.

[4]  M J Elejabarrieta,et al.  Coupled modes of the resonance box of the guitar. , 2002, The Journal of the Acoustical Society of America.

[5]  Savas Tasoglu,et al.  Microscale Assembly Directed by Liquid‐Based Template , 2014, Advanced materials.

[6]  Hossein Mansour,et al.  Modal Analysis of the Setar: A Numerical–Experimental Comparison , 2015 .

[7]  Mellody,et al.  The time-frequency characteristics of violin vibrato: modal distribution analysis and synthesis , 2000, The Journal of the Acoustical Society of America.

[8]  Mir Mohammad Ettefagh,et al.  Reliability analysis of the bridge dynamic response in a stochastic vehicle-bridge interaction , 2015 .

[9]  G. Bissinger Modal analysis of a violin octet. , 2003, The Journal of the Acoustical Society of America.

[10]  Siamak Pedrammehr Investigation of factors influential on the dynamic features of machine tools hexapod table , 2012 .

[11]  Ioan Curtu,et al.  Modal analysis of different types of classical guitar bodies , 2009 .

[12]  Mustafa Özgür Yayli,et al.  Free Vibration Behavior of a Gradient Elastic Beam with Varying Cross Section , 2014 .

[13]  Steffen Marburg,et al.  Modal analysis of the Persian music instrument Kamancheh: finite element modeling and experimental investigation , 2014 .

[14]  Elejabarrieta,et al.  Evolution of the vibrational behavior of a guitar soundboard along successive construction phases by means of the modal analysis technique , 2000, The Journal of the Acoustical Society of America.

[15]  M. Yaylı A compact analytical method for vibration of micro-sized beams with different boundary conditions , 2017 .

[16]  J. Bretos,et al.  Vibrational patterns and frequency responses of the free plates and box of a violin obtained by finite element analysis , 1999 .

[17]  Siamak Arzanpour,et al.  Finite Element Modeling of Setar, a Stringed Musical Instrument , 2009 .

[18]  Siamak Arzanpour,et al.  An Experimental Investigation on the Bridge Effect in Sound Produced by Setar , 2009 .

[19]  Rolf Bader Computational mechanics of the classical guitar , 2005 .

[20]  Nuno M. M. Maia,et al.  Theoretical and Experimental Modal Analysis , 1997 .

[21]  Mladen K. Chargin,et al.  A modal analysis of the violin , 1989 .

[22]  Mehran Mahboubkhah,et al.  Forced Vibration Analysis of Milling Machine's Hexapod Table under Machining Forces , 2014 .

[23]  K. D. Marshall,et al.  Modal analysis of a violin , 1985 .

[25]  Mehran Mahboubkhah,et al.  Modal Analysis of the Milling Machine Structure through FEM and Experimental Test , 2011 .